Popular Science

First edition and a beautiful copy of this early NASA publication on satellites and their applications, written for high school aged students.

The contents include sections on weather and climate monitoring, global mapping and photography, geodesy, communications, and navigation, discussing contemporary achievements as well as possibilities for the future. As Leonard Jaffe, director of NASA’s Space Applications Program, writes in the introduction, “One of the major avenues of intellectual and program effort that has guided us at NASA has been the concept, at first unproved but now clearly valid, that space systems can provide unique, direct benefits to man, benefits not before possible or economically feasible... Communications, navigation, geodetic, and meteorological space systems are operational today, and their existence, once the subject of science fiction, is now a practical fact. It is clear that many potential applications exist: the one most clearly on the horizon is the possibility of surveying the Earth’s resources from space. We are really just beginning to develop the possibilities in this area of research, but we can clearly foresee that during the next decade NASA can... provide tools which may significantly affect the efficiency and thus the quality of our life here on Earth”.

Author William Corliss (1926-2011), a physicist and writer interested in anomalous phenomena such as unusual weather, geophysical oddities, and optical illusions, described by Arthur C. Clark as “ [Charles] Fort's latter-day - and much more scientific - successor” (Clark, Astounding Days, p. 110).

Third edition of this charming little book on the changing of the seasons from month to month by the “physician and man of letters” John Aiken (1747-1822) (Hahn, The Oxford Companion to Children’s Literature).

Aiken charming combines practical knowledge of nature and gardening with literary references. For April he writes: “This month gives the most perfect image of Spring; for its vicissitudes of warm gleams of sunshine, and gentle showers, have the most wonderful effects in hastening that universal springing of the vegetable tribes, from whence the season derives its appellation. April generally begins with raw unpleasant weather, the influence of the equinoctial storms still in some degree prevailing, Its opening is thus described in a poem of Mr. Warton’s: ‘Mindful of disaster past, And thinking of the northern blast, The fleety storm returning still, The morning hoar; the evening chill; Reluctant comes the timid Spring...’ Early in the month, that welcome guest and harbinger of Summer, the swallow, returns. The kind first seen, is the chimney, or house, swallow, known by its long forked tail, and red breast. At first, here and there, only one appears, glancing quick by us, as if scarcely able to endure the cold. ‘The swallow for a moment seen, Skims in haste the village green’.”

A very nice copy in an attractive contemporary tree calf binding. With the ownership inscription and notes of a woman, Eliza Davenport, who obtained this copy in 1810. Davenport’s short pencilled notes at the rear of the volume relate to a handful of observations of flowering plants and other phenomena.

A rare, sixteen-page album of artistically arrayed and scientifically labeled New Zealand ferns by the award-winning botanical artist and entrepreneur Mary Ann Armstrong, known commercially as “Mrs. C. C. Armstrong” (1838-1910). This is a nice example of Armstrong’s work, which is notable for its elegant presentation, including the use of symmetry and sweeping arcs, and the ingenious placement of moss to “ground” the specimens. Each page is an artwork unto itself, usually featuring between three and six large fronds accompanied by carefully chosen smaller samples, all given scientific labels in a large and neat hand. The ferns in this volume are generally in excellent condition, clearly professional prepared and maintaining their fine details and sense of vitality.

Historian Molly Duggins, of the National Art School, Sydney, has done important work on Armstrong, providing a deep understanding of her work within the contexts of the international fern trade and the economic and cultural landscape of colonialism. She explains that, beginning in the mid-nineteenth century, a craze for ferns swept Britain and its colonies, providing “a form of popular rational amusement that was intimately linked to scientific progress and colonisation” and that “held special significance for the colonies where the plethora of local species became a symbol of proto-nationalistic pride” (Duggins, “Mary Ann Armstrong”, Design & Art Australia Online, 2011).

In New Zealand and Australia ferns became a major commercial industry encompassing both living plants and artistically arranged pressed specimens. “Few women, however, engaged in the New Zealand fern industry as a significant and sustained business venture. The fern work produced by Mary Ann Armstrong is distinctive in this regard” (Duggins, “The world’s fernery: New Zealand, fern albums, and nineteenth-century fern fever”, New Zealand’s Empire, p. 108).

Armstrong was born in Birmingham and emigrated to Australia in 1853. Five years later she married Charles Clark Armstrong and in the early 1860s the couple moved to Dunedin, but Charles’s business ventures fared poorly and it may be that Mary, who was developing a serious interest in ferns, began selling pressed specimens to supplement the family’s income (in total there would be eleven children to feed).

“Active from roughly the late 1870s to the 1890s, her body of work revolves around the artistic arrangement and scientific notation of ferns in albums and framed compositions, sometimes composed into decorative, collage-like landscapes”. (Dugins, “Mary Ann Armstrong”). Though they don’t feature in this particular album, she frequently incorporated photographs of the New Zealand landscape and the indigenous Maori, depicting an exoticised New Zealand “cloaked under the mantle of romantic botanical tourism” (Duggins, “The world’s fernery”, p. 113).

In addition to albums, Armstrong produced ferns mounted on postcards and paper goods with fern transfers, supplying them to local booksellers and fancy goods shops. Other family members were involved in this extensive enterprise; when Armstrong and her husband moved to Melbourne in 1887 her son Charles remained in Dunedin, where he worked as a “scenic photographer and fern artist”. He imported ferns and fern products to Australia, and also supplied them to his mother, whose business remained active until the mid 1890s (Duggins, “Mary Ann Armstrong”).

Though Armstrong’s work stemmed from the 19th-century culture of domestic botanical art, Duggins argues that it is, “distinct from this feminine tradition in that it was displayed alongside the work of men at a series of international and intercolonial exhibitions from 1879-89... Moreover, her work was unabashedly commercial: unlike the domestic arts which were largely created and displayed within the home, Mary Ann marketed and sold her fern compositions to the general public. As an entrepreneur, she relied upon the reputation she established through her commendable exhibition record”. And “rather than wholly succumbing to decoration, a majority of Mary Ann’s compositions retained a strong scientific element that was firmly grounded in the systematic notation of each specimen. The classificatory fluctuation of her entries from horticulture to fancy goods at international exhibitions reflects this duality, indicating that her compositions straddled the divide between art and science.” (Duggins, “Mary Ann Armstrong”)

Armstrong’s albums are rare in commerce, appearing at auction only three times in recent decades (Dominic Winter in 2011 and 2008, and Christies in 2008). Institutionally, they are mainly represented in Australasian institutions: the National Library of New Zealand, the Universities of Wellington and Waikato, the National Library of Australia, and the State Libraries of New South Wales and Victoria. Examples are also held at Harvard, the University of Georgia, and UCLA.

The seventh edition of one of the finest illustrated ornithology books ever published, the first field guide affordable to the middle class. This being the final edition to include new wood engravings, including Bewick’s last bird engraving, the Cream Coloured Plover. An attractive set, the contents fresh.

“In early May 1825, near Helpston in Northampstonshire, the poet John Clare saw a small brown bird that he could not identify. Did anyone, he asked his friend Joseph Henderson, have a copy of Bewick’s Birds? All lovers of birds in these years looked to Bewick. He spoke directly to a man like Clare, a former farm worker and lime burner who knew every inch of the fields around his home, and to Henderson, head gardener at the nearby hall. Bewick was in his seventies by then, but he came from the same world as them, growing up on a small-holding in the Tyne Valley... He was a fine naturalist himself, and his work combined keen, detailed observation with a new approach showing animals and birds in their natural settings, as part of the whole great interrelated web of nature. ‘Nature’ and God fused together in Bewick’s vision, as a rolling force that infused every aspect of life, from the habits of an ant to the vastness of the universe, ‘this sublime, this amazing, this mighty work of Suns and Worlds innumerable’. He felt its darkness as well as its beauty and his work touched the dawning Romantic age: Wordsworth was among the first to sing his praises and Charlotte Brontë placed his prints of icy seas in the hands of her young heroine, Jane Eyre” (Uglow, Nature’s Engraver, pp. xvii-xviii).

First edition, first impression. An unusually attractive copy in the scarce dust jacket. The Mystery of the Moa is a scientific and historical narrative of the giant birds of New Zealand, covering their origin in prehistory, behavior and habitat, relationship to Maori culture, extinction, and the European search for fossils and living specimens. The plates include photographs of Moa skeletons and eggs (including the famous image of Sir Richard Owen next to the York specimen), New Zealand landscapes, and Maori and European individuals associated with the Moa.

Author Thomas Lindsay Buick (1865-1938) "was a man of considerable intellectual ability, substantially self-educated, who began writing New Zealand history by chance but soon developed a lasting commitment to the task. During a busy career as a journalist he managed to write 12 books and a small number of pamphlets, many of which he published at his own expense. Buick had a fluent prose style and a firm sense of narrative structure. He synthesised a wide range of printed sources and, particularly for his earlier works, sought out eyewitnesses and others closely associated with historical events. Through The Treaty of Waitangi and other books and speeches, he played an important role in establishing the treaty as New Zealand's foremost historical document, asserting that it was 'in very truth the foundation of our nationhood'. He belongs to the small group of New Zealand-born historians, including Robert McNab, James Cowan and Elsdon Best, writing in the first quarter of the twentieth century, who worked out of a sense of duty and with little or no financial reward to make New Zealand's past readily accessible to the general reader" (Te Ara: The Encyclopedia of New Zealand online).

First editions, first printings of this uncommon two-volume set on designing from nature by Lewis F. Day (1845-1910).

"Day took from his early training a special interest in stained glass design, gradually acquiring a wider reputation as a designer for textiles, pottery, carpets, wallpapers, silver, and many other branches of manufacture. His designs were always carefully adapted to the material in which they were to be carried out, and to the processes of manufacture which had to be employed. He belonged to the same school of artist–craftsmen as William Morris and Walter Crane, and his influence on contemporary ornament, if not so fully recognized as that of those two artists, was considerable. An important educator in design, many of the best-known designers of his day were taught by him and benefited from his belief in natural forms of ornament and high standards of craftsmanship" (ODNB).

First edition, first impression of this delightful book on precious stones. Included in the text are a lovely chromolithographic title page and other lithographic illustrations, chapters on their history and appearance in classical literature and the Bible, their characteristics and values, identification, and technical information on cutting and polishing. A very attractive copy in unusually nice condition.

A lovely, late-18th century almandine garnet brooch celebrating the 1759 passage of Halley’s Comet.

During 1680 astronomer Edmund Halley travelled through France and Italy. While in Paris he observed the appearance of the comet that would come to bear his name. “In Rome he would have met astronomers who had observed the comet in November 1680; they were of the circle of Queen Kristina of Sweden, and he may have met the queen herself, for she had observed an earlier comet with Cassini and had offered a prize for a calculation of the orbit of the comet of 1680. Halley discussed many astronomical subjects in the course of his tour; it is likely that comets were a principal topic, for their orbits were of great contemporary interest. Shortly after his return to England early in 1682, Halley met Newton, probably for the first time, and gave him an account of observations of the comet. Newton later discussed its orbit in considerable detail in book 3 of the Principia” (ODNB).

Halley’s breakthrough was noting the similarities between the comet he witnessed and those that had appeared in 1531 and 1607, and predicting its return in 1758/59. The comet’s much-anticipated reappearance was a popular sensation, and brooches such as this one were fashionable accessories in the years following. The British Museum holds a similar brooch (1978,1002.718).

Gere et al 1984 114.

First edition, first printing. Inscribed by the author on the front free endpaper, "With the author's best wishes, December 1916, Chas. R. Gibson".

This charming volume on electricity was described by The Nation as an "exquisitely clear book for childish beginners". It was written by science populariser Charles R. Gibson, best known for his Romance of Modern... series on various subjects in engineering and technology.

Gibson himself was described as "Among writers for boys on science, easily the most skillful... He writes so clearly, simply and charmingly about the most difficult things that his books are quite as entertaining as any ordinary book of adventure. Mr. Gibson has a first-rate scientific mind and considerable scientific attainments. He is never guilty of an inexact phrase, certainly, never an obscure one or a misleading analogy. We could imagine him having a vogue among our young folk comparable with that of Jules Verne" (The Nation).

An uncommon early printing of this popular work on photography, originally published in 1908.

Dr. Charles R. Gibson (1870-1931) of Glasgow was a prolific author of popular science books aimed at children. The son of a curtain manufacturer, he inherited the family firm in 1900 and was able to indulge his love of science, being elected to the Royal Society of Edinburg in 1910. He is best known for his contributions to the “Romance of...” series — including volumes on electricity, manufacturing, and scientific discovery — which feature elaborately illustrated cloth bindings such as this one.

First edition, first printing of the author’s first book.

Stephen Jay Gould (1941-2002) was one of the leading evolutionary biologists of the 20th century. His theory of “punctuated equilibria” radically revised the idea that evolution is a slow and constant accumulation of changes, pointing out that instead it often occurs in rapid bursts of speciation followed by periods of stasis. He was a prominent defender of the teaching of evolution in schools, and a leading critic of the field of sociobiology, which he saw as providing a pseudoscientific basis for discrimination. But he was best known as a popular science writer, penning numerous books and a series of 300 essays for a general audience.

Gould's first book, Ontogeny and Phylogeny, was written at the suggestion of Ernst Mayr as a way to become comfortable with long-form writing before tackling The Structure of Evolutionary Theory, his magnum opus on punctuated equilibria. It explores the relationship between embryonic development and evolution, and includes analyses of disproven theories, such as Haeckel’s hypotheses that ontogeny recapitulates phylogeny. Of all Gould’s books, Ontogeny and Phylogeny is “the one with the most impact... to say that this work is a hallmark in this area of evolutionary theory would be an understatement. it proved the catalyst for much of the future work in the field, and to a large degree was the inspiration for the modern field of ‘evolutionary developmental biology’. Gould’s hope was to show that the relationship between ontogeny and phylogeny is fundamental to evolution, and at its heart is a simple premise—that variations in the timing and rate of development provide the raw material upon which natural selection can operate” (MacNamara, “Heterochrony, Disparity and Macroevolution”, Paleobiology 31(2), 2005, pp. 17-26).

First UK edition in the oversized jacket proof, from the Harvard office library of the author, with his posthumous bookplate. Wonderful Life was originally published in the US in 1989.

Author Stephen Jay Gould (1941-2002) was the prominent Harvard zoologist and palaeontologist who developed the theory of punctuated equilibria, which states that evolution occurs in rapid bursts of speciation separated by long periods of stasis. This radical, and still controversial, concept upended the received wisdom that evolution is the slow, constant accumulation of genetic changes.

But he was best known to the general public as the beloved author of popular essays and science books. Wonderful Life, which uses the early life forms of the Cambrian period (found as fossils in Canada’s Burgess Shale formation) to explore the role of contingency in evolution, was a New York Times best-seller and winner of the Royal Society’s Rhône-Poulenc Prize, which annually recognises an outstanding work of popular science. This copy was part of Gould’s office library at his death, and includes a publisher’s proof of the jacket design. The jacket bears vertical creases, probably because it was folded to be posted to the author.

First edition, first printing of this important popular work by leading climate scientist James Hansen (1941 - ).

Hansen, currently director of the Program on Climate Science, Awareness and Solutions at Columbia University, has been studying climate change since the 1970s, making important contributions to our understanding of the atmosphere of Venus; how the global average temperature is measured and calculated; the effects of black carbon (such as that produced by forest fires and burning coal); and the design and analysis of climate models, showing that climate change has been occurring faster than most early models predicted.

Hansen first came to public prominence when he testified to Congress in 1988 on the causes and effects of climate change, and in recent years he has been an outspoken activist, critical of ineffectual mitigation policies, and being arrested three times during 2011 demonstrations against the Keystone Pipeline. Storms of My Grandchildren explains the science of anthropogenic climate change, why it threatens humanity’s future, discusses the political issues that kept it from being adequately addressed, and proposes a way foreword for the economy and environment.

The uncommon first edition of this “engaging book about container-gardening” that was “addressed to town-dwelling 'lovers of nature'” (ODNB).

“Although she had only a dame-school education, Elizabeth Kent had clear intellectual interests, and studied languages and botany. The marriage of her older sister Marianne to Leigh Hunt brought her into lifelong contact with the Romantic writers, including Mary Shelley. She was Hunt's confidante and later his principal correspondent during Hunt's stay in Italy, 1822–5; his sonnet 'To Miss K.' (1818) asks 'what sylvan homage would it please your Leafyship to have?'... Elizabeth Kent combined her literary and botanical interests by writing about plants, producing books and essays meant to excite an interest in flowers among those who were otherwise 'deterred by the terms of science which met them at the threshold'.” Flora Domestica “lists flowers, shrubs, and small trees that can be grown in pots and tubs, gives horticultural tips about soil, cultivation, and watering, and includes anecdotes on topics such as the introduction of species into Europe. Kent cites many verses by classical and contemporary poets, including Keats, Shelley, and Charlotte Smith. Her book represented the contemporary Romantic suburban aesthetic, and was widely praised by Byron, Coleridge, and Clare... Elizabeth Kent also integrated botany into her other activities. She wrote a series of introductory articles for young people on Linnaean botanical nomenclature and systematics in the Magazine of Natural History (1828–30), and advertised lessons for young ladies 'in the science of botany' (The Times, 7 Aug 1828). She wrote a section on botany in The Young Ladies' Book (1829), and updated Galpine's Synoptical Compendium of British Botany (1834) and Irving's Botanical Catechism (1835).

(ODNB).

Ogilvie p. 690

First edition of this rare work on nature printing, an unsophisticated copy in the original wrappers, with four delicately produced plates, an unusually high number. Of the copies in institutional catalogues with plate counts listed, that in the German National Museum contains four plates, the Bavarian State Library copy contains three plates, those at Strasbourg, Munich, and Harvard have two plates, and the Bonn copy has only one.The plates provided are not always the same, with those present here being bittersweet, club moss, lilly of the valley, and belladonna.

Author Ernst Wilhelm Martius (1756-1849) was a Regensburg apothecary, university instructor, and founding member of the Regensberg Botanical Society. He “devised a better way of inking leaves on a polished copper plate: the copper shining through made it easy to see whether any areas were underinked. Martius’s largest work containing nature prints was Icones Planatrum Originales (Original Images of Plants), issued in 1780. His method of working was shown in his Neueste Anweisung, Pflanzen nach dem Leben abzudrucken (New Instructions on Taking Fresh Prints from Plants) published in Wetzlar in 1784” (Cave, Impressions of Nature, p. 52). Of particular interest in Neueste Anweisung is the illustration on the title page depicting the press Martius devised, and the work also includes a history of nature printing (based on that of Beckmann) and a list of subscribers.

First edition of this uncommon mid-century children’s book, stylishly illustrated throughout with diagrams depicting atoms and molecules, the microscopic structure of metals and alloys, and industrial processes.

“The Nuffield Foundation Science Teaching Project operated via sections based at the Project's headquarters at Chelsea College, London, developing content and methods of presentation for teaching science subjects at various levels. The Publications Department produced materials for these projects in physical science, physics, chemistry and biology at different levels. Many were published jointly by Longman and Penguin, with Penguin handling most of the production and design and Longman handling distribution, sales and some editing” (King’s College London archives catalogue, reference GB0100 KCLCA CNU/PBN).

First US edition, first printing, originally published in the UK in the same year. A bright, fresh copy in an unusually nice example of the dust jacket.

Men Who Play God, by prominent British reporter Norman Moss, covered all aspects of the development, potential use, and socio-political ramifications of thermonuclear weapons, first tested by the United States in 1952. On its publication it was described as “compelling reportage, responsible, and highly readable” by Kirkus Reviews. Moss has since written two further books on nuclear weapons, The Politics of Uranium (1982) and Klaus Fuchs: The Man Who Stole the Atom Bomb (1987).

Second English language edition, the first to appear in the famous gilt-blocked publisher’s cloth. A lovely set, the cloth bright and fresh.

Born in Christiana (Oslo) in 1861, Fridtjof Nansen trained as a scientist. He earned a PhD in zoology, made important contributions to neurological anatomy, and worked as a natural history curator in Bergen and Oslo. He was also a champion cross-country skier, and combined his scientific interests with a thirst for adventure by becoming the first person to cross the unexplored interior of Greenland, using a novel method - skis. Next he planned an even more ambitious trip to the Arctic, again applying radical new ideas to the challenge. He began with the scientific hypothesis that an ocean current carried polar ice from east to west, and decided that the best way to reach the pole was to intentionally trap his ship in the pack ice near Siberia, live in it for a year or two as it made its way toward the pole, and then set off with skis and dogs for the final leg. Instead of trying to bend the Arctic to his will, he would “take note of the forces of nature and try to work with them and not against them” (Huntford, p. 180).

Nansen’s plans were technologically ingenious. The strength of polar ice could crumple a normal ship, so he devised a revolutionary new type, one with “sloping sides and rounded bilges, completely smooth, rather like an egg cut in half. In this way the ice could not get a grip, and instead of being crushed by the floes she would rise safely under pressure” (Huntford p. 183). He tinkered obsessively with his sledges and skis to adapt them for arctic conditions; designed lighter, more flexible clothing; and was the first polar explorer to adopt the Primus stove. He arranged a wide variety of fresh and preserved food to provide nutritional balance for the crew, and had many items laboratory tested before ordering them. Scurvy had stalked every previous polar voyage, and while Nansen’s theory about its cause was incorrect, the varied diet meant that this was the first polar expedition in which no one was affected. In fact, it was the first such expedition in which every crewman made it back safely - many, including Nansen, having gained weight rather than lost it despite spending nearly three years in the arctic. The Voyage was also one of significant scientific discovery, with the Fram “serving as an oceanographic-meteorological-biological laboratory” that obtained enough data to fill six volumes of scientific observations published on the ship’s return (Nobel Peace Prize biography).

Though Nansen did not reach the north pole, he achieved what was then the farthest north (86°13.6′N), around 314 km beyond the previous record. He “returned to international acclaim not only for the voyage itself but for its results, proof of a deep Arctic Ocean, free of any land masses or islands, and extensive data on magnetism, zoology, and oceanography. His account of the journey, Farthest North, was a worldwide bestseller and prepared him for an effective life of diplomacy” (Books on Ice).

First edition and a beautiful copy of this book celebrating the Space Shuttle’s scientific mission and laboratory capabilities, copiously illustrated in full colour. Among the topics covered in this technically advanced volume are studying the human body in space; materials and chemical processes in microgravity; observing the Sun; plasma physics in space; atmospheric science and Earth observations; and astronomy and astrophysics.

First edition and an excellent copy of this book of space-related mathematics for high school teachers.

This volume was published as part of NASA’s drive to incorporate space science into American curriculums during the Space Race. As Michael J. Vaccaro, chairman of the Committee on Space Science Oriented Mathematics, writes in the introduction, “Surrounded by a changing world, the teacher of today must relate new knowledge and new experiences to his students. However, there is a gap between teacher needs and available textbook material. This problem is particularly acute in the areas affected by our efforts in the scientific exploration of space due to the exponential growth of scientific and technical information. Until the results of this research can be incorporated into textbooks for classroom use, supplemental material must provide a partial solution to meeting these needs.” The contents begin with lesson plans on the Ptolemaic and Copernican systems, the solar system, and observing the stars and planets, and go on to cover basic rocketry, gravity and motion, navigation, and studying the weather from space.

First UK edition, originally published in the US in the previous year. An attractive copy and uncommon in the jacket.

The earliest successful glider was created by the British aeronautical designer Sir George Cayley and flown in 1853, initiating a wave of research into both unpowered and powered flight, and gliders had become relatively sophisticated by the time the Wright Brothers flew the first powered aircraft in 1903. It wasn’t until the 1920s, however, that gliding became an organised sport, making this an early popular guide for the beginner. Heavily illustrated, it contains information on the mechanics of flight; the different types of gliders, including powered gliders and water gliders; glider design and construction; and detailed chapters on key components such as brakes, control cables, fuselage, and wing frames.

First edition of this well-illustrated guide to mushroom identification for the amateur collector.

The first female mycologist to work at the United States Department of Agriculture, Flora Patterson (1847-1928) exhibited “the tenacity, audacity, and perspicacity of a true scientific visionary” (Reynolds, “Flora Patterson”, Women in Microbiology, p. 219). She initially studied fungi as a childhood hobby, then attended several universities as a non-traditional student, taking a plant pathology course at Iowa State and completing her education at Radcliffe College, from where she was able to work in the Harvard Grey Herbarium.

At the USDA Patterson “published on edible and poisonous mushrooms and on fungus diseases of economic importance, working and publishing with the mycologist Vera Charles” (Ogilvie, p. 990). Patterson directed the US National Fungus Collections for nearly thirty years, growing it from 19,000 to 115,000 specimens. She was in charge of identifying fungal diseases of agricultural importance, and made numerous important contributions in this area, including the identification of chestnut blight and pineapple rot. Her involvement in Japan’s gift of cherry trees to the US led to the passage of the Plant Quarantine Act of 1912.

First edition, first printing of this classic of science illustration.

Linus Pauling was one of the 20th century's most versatile scientists, making important contributions in chemistry, physics, and biology & physiology. He had a special interest in molecular structures, and his 1954 Nobel Prize in chemistry cited his "research into the nature of the chemical bond and its application to the elucidation of the structure of complex substances" (Nobel prize biography). The similarly versatile scientific illustrator Roger Hayward first worked with Pauling in 1946, when he illustrated Pauling's General Chemistry, the first of four books on which the two collaborated. But it was this volume, conceived as an introduction to molecular structure for older children, which was the most successful. It comprises 57 beautiful full-page colour illustrations, from the simple two-atom hydrogen molecule to complex structures such as polypeptide chains and hemoglobin, alongside Pauling's clear and concise explanations of the concepts underlying chemical bonding and how a molecule's structure affects its function. A very attractive copy.

First edition, first printing of this charming set on the biology, economics, and preparation of chicken eggs. Uncommon as a full set.

This copiously illustrated production promotes the US egg and poultry industry to the general reader, and was presumably distributed at the 1933 Chicago World’s Fair, as the spine carries the Fair’s logo. Volume I contains chapters on egg biology, chicken husbandry, safe storage and handling of eggs, and the development and future of the egg industry. Volume II contains chapters on the egg’s place in the modern diet, the different ways eggs contribute to recipes, “practical hints on buying eggs”, and “egg oddities in foreign lands”, concluding with a large selection of recipes for both poultry and eggs.

Author Mary Engle Pennington (1872-1952) was a pioneer of modern commercial bacteriology and food handling standards. In 1898, shortly after obtaining her doctoral degree, she established her own business performing bacteriological analyses for Philadelphia physicians, and was appointed a lecturer at the Women’s Medical College of Pennsylvania. She then became head of the Philadelphia Health Department’s bacteriological laboratory, “where she devevloped methods of preserving dairy products and standards for milk inspection that came to be employed throughout the country” (Ogilvie, p. 1003).

In 1908 Pennington was appointed chief of the Food Research Laboratory of the Department of Agriculture, supervising its research on food handling and storage for the next eleven years. “During World War I, she devised standards for railroad refrigerator cars; her war work on perishable foods earned her the Notable Service Medal.” Later she entered the private sector and “established her own consulting office in New York City, advising packing houses, shippers, and warehouses on food handling, storage, and transportation, as well as doing original research on frozen foods. Pennington’s early work in devising methods of preventing spoilage of eggs, poultry, and fish, as well as her later research on the freezing of various foods, resulted in many practical techniques for the preparation, packaging, storage, and distribution of perishables. She published her conclusions in technical journals, government bulletins, and magazines” (Ogilvie, p. 1003).

First and only edition of this charming and early book on microscopy for young people, including advice on how to use microscopes and how to collect and prepare specimens. A nice copy in the publisher’s boards and featuring 5 hand-coloured engravings depicting plant, insect, and mineral specimens, as well as uncoloured plates illustrating how light behaves and microscopes work. Uncommon, particularly in the original binding. WorldCat locates just nine institutional copies, and only three others appear in auction records.

First edition of this rare and significant work describing the fossils of the Yorkshire coast, written by one of the region’s most significant semi-professional palaeontologists, and with numerous pencilled drawings of the species described by an early owner. There are no copies of the first edition in auction records and WorldCat locates only seven in institutions, at the Natural History Museum in London, the University of York, the Sorbonne, the University of Glasgow, the American Museum of Natural History, and the University of Oklahoma. The second edition of 1884 is also scarce on the market.

Little is known of the early life of author Martin Simpson (1800-1892), save that he was the son of a master mariner who perished at sea, he studied for a time at the University of Edinburgh, and briefly worked as a teacher, astronomy lecturer, and as secretary to the Wakefield Literary and Philosophical Society. In 1837 he was appointed “Lecturer and Keeper” of the Whitby Museum, but was let go when the museum could not pay his salary. After a brief period as curator for the Yorkshire Geological Society at Wakefield he returned to Whitby, where he had inherited a smallholding, and worked unpaid at the Museum for the next 20 years, until he was officially appointed curator in 1861. Simpson had lost his savings in the collapse of Campion’s Bank, and “as a supplement to his meagre resources there were sold in Whitby shops copies of a small Guide to Whitby and the Neighbourhood, note books containing seaweeds mounted and labelled, and small boxes of Whitby fossils, numbered and labelled in groups of twelve. All these were Martin Simpson’s” (biographical sketch, Whitby Museum website).

Simpson, “in top hat and frock coat, with carpet bag and green, whalebone-ribbed umbrella—was a conspicuous figure on the cliffs and Scar collecting fossils and measuring strata with a foot rule. The results of his work were embodied in three books issued to subscribers—A Monograph of the Ammonites of the Yorkshire Lias, 1843; The Fossils of the Yorkshire Lias, 1855; and A Guide to the Geology of the Yorkshire Coast, 1856. In this scientific work Simpson was a pioneer, and his writings brought Whitby prominently into notice in geological journals. He became recognised as an authority on ammonites and his type specimens of these fossils are a special feature in the Museum to-day. But with the new century came an age of specialists, and the lack of figures to his descriptions caused a disregard of his original work and the bestowal of new generic and specific names on many of the species he had painstakingly described” (Whitby Museum website).

As late as 1909 a work on Yorkshire ammonites explained that, “The works of Martin Simpson are very little known outside his native county, and are almost unprocurable. His ‘Monograph of Lias Ammonites’ (London, 1843), is extremely rare; and his ‘Fossils of the Yorkshire Lias’ (London, 1855) is very scarce. Yet these modest works are more important than those of the other authors so far as Ammonites are concerned: they contain careful and discriminative studies of many species, and their worth has not yet received due recognition. Without full illustration of Simpson’s types it is almost impossible to obtain due knowledge of Lias Ammonites, and certainly dangerous to describe or name species as new” (Buckman, Yorkshire Type Ammonites, 1909, quoted by Sheppard in “Martin Simpson and His Geological Memoirs”, Proceedings of the Yorkshire Geological Society, 1918).

It seems that an early owner of this guide was also inconvenienced by the lack of illustrations, leading them to add twenty-nine of their own in pencil in the margins. These are relatively undetailed, and probably served more as a visual aid for quick reference when flipping through the different sections than as a means of distinguishing similar species from each other; or perhaps they drew in only the fossils they themselves had located. In any case, they are excellent evidence that this guide was indeed used as intended by fossil hunters and amateur naturalists.

First edition, first printing. A superb copy, signed and dated “3/29/10” by the author on the half title.

In 1951 Henrietta Lacks, a 31-year-old African American woman, died of ovarian cancer at Johns Hopkins. Unbeknownst to herself or her family, doctors used her biopsy to culture a line of cells that revolutionised medicine. Previously, no human cell culture had survived for more than a few days in the laboratory, seriously limiting their usefulness to research. Lacks’s cultures, however, survived for weeks, then months, and eventually decades, becoming essentially immortal. Dubbed “HeLa”, they are now mass produced and have been used to study almost every major medical question of the last seventy years. HeLa cells have been key to the development of vaccines, including the Salk polio vaccine; to identifying and treating AIDS and other emerging diseases; to our understanding of cell biology, genetics, and ageing; and in the development of medications for a range of illnesses.

But this scientific success has a darker side. There are serious concerns about how Lacks’s race affected her medical care and the treatment of her family by the scientific community. Neither Lacks nor any of her relatives provided informed consent for her cells to be retained and studied, much less for them to become a multi-million dollar industry over which they have no control. And her descendants fear the privacy implications of their genome being made public.

The Immortal Life of Henrietta Lacks approaches the HeLa cells from this perspective, and is based on nearly a decade of personal interviews and archival research. Skloot focuses in particular on Lacks’s daughter, Deborah, who spent years fighting for access to the full story of her mother’s cells and to ensuring that her life and legacy would be honoured. The book also situates Lacks within the wider context of racism in medicine, and how Black women’s bodies have frequently been co-opted for the benefit of white doctors and patients. Now considered a key work of popular science writing, it spent 75 weeks on the New York Times best seller list and received numerous awards, including the Wellcome Trust Book Prize and the National Academies Best Book of the Year Award.

A handsomely bound copy of a later impression, originally published in 1907. This lovely little book is "an attempt to describe by camera and pen the recent rambles of two friends, during the months of May and June, in search of birds and their nests for the purpose of photographing them in and near London". It includes a large number of photographs of British birds (usually stuffed specimens) as well as their nests, eggs, and habitats.