Popular Science

A striking Art Nouveau design portfolio, unusual for using photography to depict geometric floral arrangements.

This portfolio is usually attributed to the French designer and commercial artist Maurice Pillard Verneuil (1869-1942), a student of Eugène Grasset whose career successfully spanned both Art Nouveau and Art Deco eras. If so it would be his only known photographic work. As bookseller Daniela Kromp has explained, it may be that Verneuil was inspired by the Viennese pioneer of botanical photography, Martin Gerlach (1846-1918), who was producing botanical portfolios as early as 1893.

“Although in Helen Bieri Thomson's bibliography, Verneuil is named as the author (or editor) of Le Décor Floral (cf. p. 118), he isn't known as a photographer so far. Thus, Verneuil presumably has not done the photographs himself, but at least he made the arrangements of the plants and of each particular plate... it is known that Verneuil made a journey to Vienna in 1902 (cf. Thomson p. 13). Perhaps he got to know Martin Gerlach's photographic work there in detail and received the essential inspiration for Le Décor Floral” (Kromp, "Short List for London 2018", item 45).

The publisher of this set, Librairie Centraledes Beaux-Arts, was one of the primary firms of the Art Nouveau movement, producing important work by Alphonse Mucha and Eugène Grasset, as well as other important portfolios by Verneuil.

First edition, first printing. Presentation copy inscribed by the author on the half title, “To Stephen Jay Gould, Many thanks for the inspiration of your essays. Best wishes, John Noble Wilford”.

A lovely copy of this popular account of recent developments in dinosaur palaeontology, including the discoveries that they were likely warm-blooded and that a comet probably caused their extinction, by Pulitzer Prize-winning New York Times journalist John Noble Wilford (1933 - ). Wilford was responsible for the paper’s front-page story on the Apollo 11 Moon landing in 1969, and his by-line was the only one that appeared on the front page that day. Stephen Dubner, co-author of Freakonomics, described one of the sentences in the Moon landing piece – describing Armstrong’ heart-rate during the descent to the surface – as “one of the most elegant little uses of data I can recall seeing in a news article” (Dubner, “When Data Tell the Story”, Freakonomics blog, July 21, 2009).

Recipient Stephen Jay Gould (1941-2002) was one of the leading evolutionary biologists of the 20th century. His theory of punctuated equilibria challenged the idea that evolution is a slow and constant accumulation of changes, pointing out that instead it often occurs in rapid bursts of speciation followed by periods of stasis. He was a prominent defender of teaching evolution in schools and a leading critic of the field of sociobiology, which he saw as providing a pseudoscientific basis for discrimination. But he was best known as a popular science writer, penning three hundred essays that were originally published in Natural History Magazine. In 1991 Wilford reviewed Gould’s fifth essay collection, Bully for Brontosaurus, calling its contents “provocative and delightfully discursive”.

First edition, first impression of this masterpiece of 20th century nature writing, cited by Ted Hughes, Andrew Motion, Werner Herzog, and many others, as one of the most important works of its kind. Uncommon in such nice condition in the dust jacket. This copy from the library of eminent bird photographer Eric J. Hosking, with his owl bookplate.

Author J. A. Baker (1926-1987) was a librarian who spent ten years tracking peregrine falcons in coastal Essex during the 1950s and 60s. This, the first of his two published works, distils his observations of the birds and their changing habitat into a lyrical account of a single year, beginning in autumn with the birds’ migration from Scandinavia and ending with their return north in spring.

Born in 1909, Eric Hosking developed his love for nature and photography at an early age. He received a Kodak Box Brownie at age eight, and graduated to a plate camera by age ten, using it to photograph birds. He lost his job in car sales at the beginning of the Great Depression, but an opportunity arose when the Sunday Dispatch asked him to get a shot of an elephant seal at the London Zoo. For several years he supplemented his income by photographing weddings and children (including the young princesses for Country Life in 1935), but by 1937 he was a full-time nature photographer, the first person in Britain to make their living in this field.

Hosking was intrepid in his pursuit of wild birds. He designed his own hides and made a number of important technical advances, among them the use of the flash in nature photography. His most famous photo is the “technically perfect” shot of a barn owl carrying prey that he captured using an electronic flash in 1948 (Sage, “A Photographer in Hiding”, New Scientist, September 1979). He is widely credited with developing wildlife photography into a mature artform.

During his sixty-year career Hosking’s photographs were published thousands of times around the world. He authored thirteen books, including the autobiography An Eye for a Bird, and he lectured, wrote for popular periodicals, and appeared on television. Hosking was president of the Nature Photographic Society and served as vice-president of the Royal Society for the Protection of Birds and the British Ornithologists’ Union. He was awarded the RSPB’s Gold Medal in 1974, and three years later received an OBE.

First edition, the corrected second printing of this landmark popular work on the quest for the Grand Unified Theory. From the library of physicist Peter Landsberg, with his ownership signature, notes and highlighting, and letter to him loosely inserted.

Peter Landsberg (1922-2010), was a German Jewish refugee to Britain who earned his PhD in quantum mechanics at Imperial College London in 1949 and joined the faculties of the Universities of Cardiff and Southampton. “Landsberg was not solely interested in one branch of physics, he was interested in physics in general and this boyish enthusiasm took his research to all areas of theoretical work”, among them the quantum phenomenon known as bose condensation, the relationship between quantum mechanics and living things, thermodynamics, cosmology, and applications of solar energy. He is best known for his explication of “Landsberg efficiency”, the theoretical limits on how much solar power can be converted to electricity in a given situation (obituary in The Scotsman, May 23, 2010).

Landsberg has made numerous short notes — often page number references — and underlined a number of passages, primarily in chapters 8: The Origin and Fate of the Universe and 9: The Arrow of Time, that deal with thermodynamics and the inflationary model of the universe. Loosely inserted is a typed letter signed to Landsberg from Canon Robert Winnett (1910-1989), to whom the book had been loaned, and who writes that it conveyed to him “a sense of the infinite mystery of the universe, and of unplumbed depths still to be explored, an attitude which is surely akin to the religious”. He goes on the discuss how scientific ideas about the origin of the universe might align with Christianity and other religions, ending with the thought that “we are dealing with probabilities rather than certainties... The origins of religion lie in dimensions of human experience other than the scientific, and any cosmological theory can be interpreted theistically, or if we will, atheistically”.

First edition, first impression of the book that popularised the modern understanding of territoriality among male birds. From the library of the important conservationist Derek Ratcliffe (1929-2005), who discovered the effect of DDT-related eggshell thinning on peregrine falcon populations. With his ownership inscription on the front free endpaper, dated 24 July, 1964.

Author H. Elliot Howard (1873-1940) was an amateur ornithologist whose study of warblers led him to the conclusion that male birds fight not for females, but directly for territory, which then attracts females. This was first explicated in The British Warblers: a History with Problems of Their Lives (published in parts between 1907 and 14). The lavishly illustrated work was well-reviewed, but too expensive for a general readership, so Howard published Territory in Bird Life in 1920. This popular work explores all aspects of territory among many different species, and “from the late 1920s the theory became increasingly influential both in Europe and the United States” (Online Dictionary of National Biography).

“Howard was not, in fact, the first person to discover territory in birds for, unknown to him, J. B. Altum in 1868 in Germany and C. B. Moffat in 1903 in Ireland had described its main features. However, it was Howard's persuasive and extensive exposition of the concept that established its importance and brought it to international ornithological notice; it is a striking example of an amateur significantly influencing modern scientific research” (ODNB).

This former owner of this copy was Derek Ratcliffe, one of the most influential British conservationists of the 20th century. Ratcliffe was educated as a botanist, completing his PhD at Bangor in 1953, and then being appointed a scientific officer for the Nature Conservancy in Edinburgh. He made important surveys of plant and bird communities in the Scottish Highlands, many of which had never been studied in detail. During 1961-62 he completed the first survey of British peregrine falcons, discovering that they were declining in numbers and even ceasing to breed at all in some areas. "The cause of the decline was persistent pesticides, notably DDT, which caused eggshell thinning and catastrophic breeding failure. Ratcliffe published a classic paper on eggshell thinning in the journal Nature in 1967, and a more detailed paper in the Journal of Applied Ecology in 1970, both of which were among the most frequently cited ornithological scientific publications" (ODNB).

In the 1960s and 70s, as scientific assessor for the Nature Conservancy, he led efforts to inventory Britain’s most important natural sites. “At the heart of this work was the exposition of a philosophy for nature conservation founded on the use of such concepts as 'diversity', 'fragility', and 'naturalness', which enabled scientists systematically to compare sites and even regions. This became, and remained, the cornerstone of nature conservation, culminating in the publication of the two-volume book edited by Ratcliffe, A Nature Conservation Review (1977)” (ODNB). During the 1980s he led the movement to establish sites of special scientific interest throughout Britain, and was a key player in the drive to prevent industrial scale pine tree planting on the critically important flow country habitat in northern Scotland.

Reissue of this illustrated visitor’s guide to the magisterial Age of Reptiles mural in the Great Hall of Yale’s Peabody Museum, written by John Ostrom, one of the most important palaeontologists of the 20th century. Originally published in 1966 in the same pamphlet form. A beautiful copy in unusually nice condition.

“The Age of Reptiles mural is an artistic masterpiece and was, for its time, perhaps the most scientifically accurate representation of the Mesozoic world ever created” (Black, “Creating the Age of Reptiles”, Smithsonian Magazine, January 3, 2012). The 110-foot-long, 16-foot-high mural was completed between 1943 and 1947 by art student Rudolph Zallinger (1919-1995), who had previously been employed at the museum painting seaweed specimens. Museum director Albert Parr had initially envisioned the space broken into panels illustrating individual species, but Zallinger developed the idea for a “sweep through time” from the Devonian period to the Cretaceous, “more than three million years of earth history” (introduction to the present).

“With the format established, Zallinger was rapidly schooled in vertebrate paleontology, paleobotany and anatomy by the museum’s experts. The animals had to be scientifically accurate, their environments appropriately stocked with plants from the right era, and the whole fossil cast had to fit together in an aesthetically pleasing style. Accuracy was of extreme importance, but so was making the painting visually appealing to visitors... The artist also faced the technical decision of how to execute the mural. Zallinger decided on a fresco secco, a classic method in which pigments are combined with egg and water and are painted on dried plaster that is moistened at the time of application. As Zallinger composed each successive rendition of the mural, the space he was going to paint on was prepared and covered in plaster. What is remarkable is how early Zallinger arrived at what became the final layout for his Mesozoic panorama. While the fine details of the plants and animals changed with each ever-more-detailed version, their general shapes and poses were established by the time Zallinger created a 1943 ‘cartoon’ version of the mural on rag paper” (Black).

The mural is one of the largest paintings in the world, and earned its creator a Pulitzer Fellowship in Art in 1949. It was highly influential in both paleontological art and in popular culture during the mid-century. A number of guides to the mural have been published over the years, including this one by John H. Ostrom (1928 - 2005). Ostrom was a Yale professor, director of the Peabody Museum, and “the most influential palaeontologist of the second half of the 20th century” (Dodson & Gingerich, “John H. Ostrom”, American Journal of Science, volume 306, number 1, January 2006). He discovered that dinosaurs had the metabolisms and agility of mammals and birds, and that they were closely related to modern birds, leading to the “dinosaur renaissance” of the second half of the century.

Third edition of this charming little book on the changing of the seasons from month to month by the “physician and man of letters” John Aiken (1747-1822) (Hahn, The Oxford Companion to Children’s Literature).

Aiken charming combines practical knowledge of nature and gardening with literary references. For April he writes: “This month gives the most perfect image of Spring; for its vicissitudes of warm gleams of sunshine, and gentle showers, have the most wonderful effects in hastening that universal springing of the vegetable tribes, from whence the season derives its appellation. April generally begins with raw unpleasant weather, the influence of the equinoctial storms still in some degree prevailing, Its opening is thus described in a poem of Mr. Warton’s: ‘Mindful of disaster past, And thinking of the northern blast, The fleety storm returning still, The morning hoar; the evening chill; Reluctant comes the timid Spring...’ Early in the month, that welcome guest and harbinger of Summer, the swallow, returns. The kind first seen, is the chimney, or house, swallow, known by its long forked tail, and red breast. At first, here and there, only one appears, glancing quick by us, as if scarcely able to endure the cold. ‘The swallow for a moment seen, Skims in haste the village green’.”

A very nice copy in an attractive contemporary tree calf binding. With the ownership inscription and notes of a woman, Eliza Davenport, who obtained this copy in 1810. Davenport’s short pencilled notes at the rear of the volume relate to a handful of observations of flowering plants and other phenomena.

First English language edition, first impression of this vibrantly illustrated work, originally published in Prague under the title Tiere der Urzeit in the same year. Rare in the dust jacket in such nice condition.

Between the 1930s and 1960s “the foremost painter of dinosaur restorations was Zdeněk Burian (1905-1981). His canvasses were used to illustrate a number of popular books on prehistoric life by Joseph Augusta, and in the late 1950s and 1960s these were translated into English and widely circulated. So the Burian illustrations offered an alternative to those of Zallinger [responsible for the Peabody Museum mural], or of the late Charles Knight. But there was not much of a difference. Apatosaurus and Diplodocus stand quietly by their respective swamps, accompanied by partially submerged relatives. A T. rex besets a pair of Trachodon, but none of the three lifts a leg off the ground, or even seems to be moving at all” (Ashworth, Paper Dinosaurs 48). Though his dinosaurs are no longer considered anatomically accurate, Burian was highly respected in his time and his paintings were widely reproduced and copied, often without acknowledgement. In 2017 the first dinosaur discovered in the Czech Republic was named in his and Augusta’s honour, Burianosaurus augustai.

The author of the text, Joseph Augusta (1903-1968) was a palaeontologist at Charles University in Prague between 1933 and 1968, and is best known for his role as a science populariser. He published around twenty books on science for the general public and served as an advisor to the hit 1955 film Journey to the Beginning of Time (Cesta do Pravěku), which combined human actors with stop-motion special effects.

The translator of the book, Greta Hort (1903-1967), was born in Copenhagen, the daughter of Vilhelm Hjort, astronomer royal. She earned her PhD at Newnham College, Cambridge and then became a research fellow at Girton College, publishing on mysticism and religious thought. In 1938 Hort was appointed principal of University Women's College (later University College) at the University of Melbourne. She was later made chair of English literature at Aarhus University, Denmark (Australian Dictionary of Biography).

First edition of the memoirs of the first Englishwoman to fly. Inscribed by the author, using her married name, on the title page, “(Gertrude Foggitt) – Sept. 1936”.

Gertrude Bacon (1874-1949) was the daughter of the scientist and balloonist Rev. John Maczenzie Bacon, and she accompanied him on most of his expeditions. "Bacon became fascinated by flying and as a journalist reported on the various airships and planes being built." In August 1904 she became the first woman to fly in an airship, being a passenger in the near-disastrous first flight of an 84-foot-long ship designed by Stanley Spencer. "From 22 to 29 August, 1909, the world's first aviation meeting was held at Rheims, France. Bacon was determined to go for a ride in one of the new machines. On the last day she was taken up in a Farman plane, squeezed between the radiator and the pilot. She described the takeoff: 'The motion was wonderfully smooth - smoother yet - and then - ! Suddenly there had come into it a new indescribable quality - a lift - a lightness - a life!' Thus she became the first Englishwoman to fly" (International Women in Science: A Biographical Dictionary, p. 15). Bacon flew on several other occasions, and became the first ever hydroplane passenger at Lake Windermere in 1912. Bacon became Gertrude Foggitt in 1929, when she married fellow botanist and chemist Thomas Jackson Foggitt.

First edition, first printing of the Pulitzer Prize-winning account of Allied technological development during the Second World War. Inscribed by the author on the front free endpaper, “To Betty Way Brown, with best wishes, James P. Baxter 3rd”.

Author James F. Baxter (1893-1975) was a historian and for more than twenty years the popular president of Williams College in Massachusetts. During the Second World War he served as research coordinator of information (1941-1943) and director of the Office of Strategic Services (1942-1943), and the work for this book was undertaken during the latter part of the war while he served as the historical researcher for the Office of Scientific Research and Development. It includes chapters on submarine and air warfare, radar and LORAN, rocketry, proximity fuses, fire control technologies, new explosives and propellants, antimalarials, blood transfusion, penicillin, aviation medicine, and the Manhattan Project, among others.

An exceptional set of notebooks recording the observations of an Audubon Master Birder between 1985 and 1992, primarily on Long Island, but also including trips within the US and Caribbean. Natural history records of such depth and specificity are extremely rare, and this set has fantastic potential for research into a wide range of topics, from the impact of climate change to the social history of birding and citizen science. While it is unfortunate that notebooks one through five, and eleven, are lacking, this is still a very significant and nearly complete set of material covering almost a decade.

The compiler of these records, Howard Boltson, lived in East Northport, near Huntington on Long Island, and was heavily involved with local and national ornithology groups. A member of the Huntington Audubon Society, he had completed the organisation’s rigourous, multi-week Master Birder course and was a regular volunteer, including as a field trip leader. He participated in Project Birdwatch, an initiative of the Cornell Lab of Ornithology and the Federation of New York State Bird Clubs. Begun in 1986, the project’s goal was to identify and describe seasonal patterns of bird distribution by combining data from the weekly reports of experienced observers (”How to Join Project Birdwatch” in Feathers, the newsletter of the Hudson-Mohawk Bird Club, winter 1986). He also regularly submitted reports of rare bird sightings to the New York State Avian Records Committee, and his photos were published at least twice in the Journal of the North American Bluebird Society (the spring and winter 2003 issues). Boltson was featured in the local press several times, including for an article about swans in which he is introduced as “the bird man of Huntington” (Ketcham, “On the Swan Trail”, Long Island Journal, January 28th, 1996).

Boltson’s notebooks are meticulous records of his bird watching. Each session is given a date and location (sometimes accompanied by hand-drawn maps), and notes are made about the weather and other conditions. Boltson then lists all the individual birds spotted, including their sex when the species is dimorphic, and he records details of those he can’t immediately identify, sometimes adding drawings to assist his memory. Activities that he witnessed, such as nesting and feeding, are included, as are bird calls. Other animals, in one case a turtle, make appearances. Most of the entries are written in black ink with special notes in red, such as his early retirement in 1986 (”First day of retirement - N. Y. Life - good luck to me!”), the “red letter day” in his feeder notebook when a black-capped chickadee eats from his hand for the first time, as well as his concerned report of a new heat record in notebook 18. Red ink is also used to mark the birds he adds to his life list, returning later to write their list number around the earlier text where he identified them. Totals are given for the number of species seen per month and cumulatively, with separate totals for life list additions. Boltson also records organised activities, such as field trips and lectures he either attended or led, usually tallying his expenses and gas mileage, and including the names and phone numbers of participants. A quantity of related material such as coupons, receipts, flyers, news clippings, and recording forms are loosely inserted. While the majority of Bolston’s birdwatching was done locally at sites such as Jamaica Bay and Sunken Meadow on Long Island, he sometimes travelled further, including to upstate New York, New Jersey, New Hampshire, Washington D. C., Miami and the Everglades, and the Bahamas. The feeder notebook records activities at his home between November 1986 and February 1993, including the types and amounts of bird food he was putting out, the birds who appeared, and their behaviours.

First edition, first impression of this well-received popular history of the discovery and scientific documentation of dinosaur fossils in Britain during the early 19th century, notable for its emphasis on the work of Mary Anning in addition to that of Gideon Mantell, William Buckland, and Richard Owen. Though Anning’s work as a fossil collector has been well-known to specialists and historians since the Victorian Era, this volume was an early part of the revival of popular interest in her life which began in 1999 at the 200th anniversary of her birth, and which has continued in recent years with novels and films, as well as an initiative to place a statue of her in Lyme Regis.

A very handsome copy of this popular work that was first published in 1879. It describes and illustrates a wide variety of seashore creatures, including plants, microorganisms, jellyfish and hydrozoans, anemones, corals, worms, starfish, crabs, shellfish, birds, and bony fish.

Author Peter Martin Duncan (1824-1891) practised as a medical doctor, pursuing science as a hobby, until his appointment to a professorship in geology at King’s College. His speciality was “the corals and echinids, although he also took much interest in ophiurids, sponges, and protozoa. He adopted the viewpoint of a philosophical zoologist for this research, but also investigated the relationship between species distribution and palaeoenvironments. He described fossil coral fauna from different parts of the world and the echinids of Sind” and contributed two important papers on them (ODNB).

“Duncan's industry was unflagging. He undertook a great amount of work, of both a popular and a scientific character. He was editor of Cassell's Natural History (1876–82), to which he contributed several important articles. He wrote a Primer of Physical Geography (1882); a small volume of biographies of botanists, geologists, and zoologists entitled Heroes of Science (1882); another on The Seashore (1879); and an Abstract of the Geology of India (1875), which reached a third edition in 1881. He also assisted in preparing the third edition of Griffith and Henfrey's Micrographic Dictionary (1875), and in revising the fourth edition of Lyell's Student's Elements of Geology (1885)” in addition to authoring at least a hundred academic papers (ODNB). Duncan was a member of the Geological Society and was awarded its Wollaston Medal in 1881. He was also a Fellow of the Royal, Linnean, and Zoological Societies.

This copy was awarded as a prize for achievement in drawing at the York High School for Girls in 1895. The York high school was opened by the Girls Public Day School Company in November 1880 and operated until 1907.

First edition, first printing. A beautiful copy of one of the most scholarly and best-selling of the dinosaur encyclopedias published during the "dinomania" of the 1990s.

The Complete Dinosaur, copiously illustrated and accessible to both professional and popular audiences, contains forty-three essays by leading geologists and palaeontologists on dinosaur physiology, behaviour, and evolution; the history of palaeontology around the world; and the appearance of dinosaurs in popular culture. The Quarterly Review of Biology described it as “the most readable and interesting book on many aspects of dinosaurs that I know” in which “even the dinosaurian veteran will find novel insights and perspectives”. They cite in particular the chapters on the history of dinosaur studies as “the most comprehensive and historiographically integrated treatment of the subject to date” as well as “Mary Higby Schweitzer’s thoughtful and rational review on how we study the biomolecular resides in fossil organisms, the ‘dialogue’ on dinosaur extinction between a gradualist (Peter Dodson) and a catastrophist (Dale A. Russell), and R. E. H. Reid’s powerful and comprehensive treatment of dinosaurian physiology” (The Quarterly Review of Biology vol. 73, no. 4, December 1998). 

Still in print, a second, revised and expanded, edition was published to much acclaim in 2012.

First edition, first printing of this important popular work by leading climate scientist James Hansen (1941 - ).

Hansen, currently director of the Program on Climate Science, Awareness and Solutions at Columbia University, has been studying climate change since the 1970s, making important contributions to our understanding of the atmosphere of Venus; how the global average temperature is measured and calculated; the effects of black carbon (such as that produced by forest fires and burning coal); and the design and analysis of climate models, showing that climate change has been occurring faster than most early models predicted.

Hansen first came to public prominence when he testified to Congress in 1988 on the causes and effects of climate change, and in recent years he has been an outspoken activist, critical of ineffectual mitigation policies, and being arrested three times during 2011 demonstrations against the Keystone Pipeline. Storms of My Grandchildren explains the science of anthropogenic climate change, why it threatens humanity’s future, discusses the political issues that kept it from being adequately addressed, and proposes a way foreword for the economy and environment.

First edition, and a lovely copy, of this delightful work on flower arrangements and indoor plants that was highly praised by contemporaries.

By 1875, botanical pursuits such as flower and fern collecting, pressing, and arranging had been a major hobby for British women for at least a generation. Floral Decorations for the Dwelling House expanded on the work of earlier authors, such as A. E. Maling (Flowers for Ornament and Decoration, 1875), by adding advice on living plants in addition to cut flowers. It “offers a very detailed account, both practically and artistically oriented, of the best plants and best pieces of equipment to use for a wide variety of indoor plant and flower decorations, from bouquets to dining tables, window displays, hanging baskets and Christmas decorations, as well as giving advice on how best to arrange them” (Sparke, Nature Inside, p. 48).

The book was praised in the January 1876 issue of The Floral World and Garden Guide as “a systematic treatise on the subject. The truth is, the gifted author of this stands alone and far in advance of all competitors, whether as an exhibitor or a judge of exhibitions, whether in the preparation of a bouquet for a princess or the decoration of a grand saloon for an important public ceremony”. In that year an American edition was published by Macmillan, in which additional emphasis was placed on living plants in decorative schemes (Sparke).

First edition, first printing, presentation copy inscribed by the author on the front free endpaper, “Inscribed for Dr. G. A. C. Colston, from his long-time associate, Justine Hill, Baltimore, Mar 26, 1940”.

This work on disease-causing microbes was described as “the best popular presentation that had yet appeared” on the subject by psychiatrist Karl Menninger (Ogilvie, Biographical Dictionary of Women in Science, p. 601). Author Justina Hill (1893-?) attended Smith College and the University of Michigan, then served as a Red Cross worker, running a bacteriological laboratory in Spartanburg, South Carolina during the final two years of the First World War. She was then transferred with a Smith College unit to the Near East, where she ran a laboratory for five thousand refugees. “Upon returning to the United States, Hill was made an associate in bacteriology at the Brady Urological Institute and two years later an instructor in urology... She published numerous technical articles in medical journals as well as popular books on bacteriology” (Ogilvie). In 1942 she published Silent Enemies, on the communicable diseases of war, and in 1944 she contributed a piece in the Atlantic: “How Bad is the Flu? The possibility of recurrent epidemics, perhaps of increasing virulence, even of another pandemic, must be faced”.

 First edition, first printing. A lovely copy of this important memoir of excavating Egg Mountain in Montana, one of the most productive fossil beds on earth and the location of both the first dinosaur embryos and the first nests of baby dinosaurs to be discovered.

John “Jack” Horner (1946 – ) is one of the most recognisable of contemporary palaeontologists. The recipient of numerous awards, including a McArthur Fellowship, for his work on dinosaur reproduction, development, and physiology, he was also a staple of 1980s and 90s documentaries and served as a technical advisor for the Jurassic Park films, whose main character, Dr. Alan Grant, he partially inspired. Horner has come under scrutiny in recent years for having a romantic relationship with an undergraduate volunteer in his laboratory, resulting in his early retirement.

In 1977 Marion Brandvold, the owner of a mineral shop in Bynum, Montana, discovered fossils of juvenile dinosaurs and asked Horner to identify them when he happened to stop at the shop during a scouting trip the following year. At the time, only a handful of juvenile dinosaurs were known, and their absence in the geological record was a major problem for palaeontology. Realising their significance, Horner immediately contacted his employers at Princeton (remarkably, he was then working as a preparator of other researcher’s finds, and had not yet run a dig of his own) for permission to remain in Montana and begin excavating the site. Within a few days Horner, his colleague Bob Makela, and the Brandvolds had uncovered whole nests containing young duck-billed dinosaurs – a world first. The juveniles were clearly being cared for by their parents for an extended period, much like birds, and this discovery was the first evidence of complex reproductive behaviour in dinosaurs. The site also revealed the first egg clutches in the Western hemisphere and the first dinosaur embryos found anywhere. Excavations have since revealed that the site was home to thousands of Cretaceous-period dinosaurs, with evidence of more than 15,000 individuals, making it the largest group of dinosaur skeletons on Earth and evidence that some species exhibited social and possibly migratory behaviours (”Digging for Dino Eggs with Famed Paleontologist Jack Horner”, Wired, October 28, 2011).

Published in 1988, Digging Dinosaurs was written for a popular audience and covers the first six years of excavations, including the major discoveries of nests and embryos, and includes a foreword by Sir David Attenborough as well as numerous illustrations.

First edition, first impression. Rare in the jacket and much less common than the US edition published by Macmillan in the same year. This copy with the bookplate of Edward Beldam Diver, London manager of the Cambridge University Press (The Historical Register of the University of Cambridge. Supplement, 1921-1930).

Author James Jeans (1877-1946) was a respected Cambridge mathematician and astronomer, best known for his work on rotating, gravitational bodies, "a problem of fundamental importance that had already been tackled by some of the leading mathematicians" (ODNB), and the motions, structures, and life-cycles of stars and stellar clusters.

"In 1928 Jeans's academic work Astronomy and Cosmogony came to the attention of S. C. Roberts, the secretary of Cambridge University Press, who appreciated the general interest of its subject matter and the attraction of Jeans's writing style. He persuaded Jeans to write a popular account, The Universe Around Us, which was published by the press in 1929" (ODNB). Jeans' popularity as a writer "depended partly on his topic — new, thought provoking views of the universe — and partly on his style, which combined an authoritative knowledge of the subject with a vivid turn of phrase" (ODNB).

The present volume was his third popular work, with the dust jacket prominently advertising the previous two. It is based on a series of radio broadcasts written for listeners with no previous scientific knowledge, and with the hope of introducing them to “the fascination of modern astronomy” and “the wonder of the universe we see through the giant telescopes of to-day” (preface).

First complete edition of this popular Victorian work on the chemistry of the everyday, published in two volumes the year after the first volume appeared.

Author James F. W. Johnston (1796-1855) was a chemist and lecturer, and together with David Brewster one of the founders of the British Association for the Advancement of Science. His association with J. J. Berzelius “brought him prestige and fuelled his interest in the way atoms might be arranged in compounds; though chemical atomic theory was still very hypothetical in the 1830s, some inferences could be made. In 1837 he wrote an important report for the British Association meeting at Newcastle upon Tyne, on the relationship between chemical constitution and properties. In 1833 Johnston was appointed reader in chemistry at the newly founded and staunchly Anglican University of Durham, despite belonging to the Church of Scotland. At Durham he strenuously promoted a course in engineering, which involved highly practical work and some advanced chemistry and mathematics... Johnston became a successful popular lecturer and writer at a time when such activity did not diminish a professional reputation. In 1851 he published Notes on North America, following a visit there in 1849–50. This was concerned particularly with agriculture, on which he had become an expert—a good move in the ‘hungry Forties’. His brief Catechism of Agricultural Chemistry and Geology (1844) went through more than thirty editions in his lifetime, was widely translated, and was recommended by Tolstoy among others, and his more formal Elements of Agricultural Chemistry and Geology (1842) was also a great success, with a nineteenth edition in 1895. He provided introduction and notes for the Dutch professor G. T. Mulder's Chemistry of Vegetable and Animal Physiology (1845) and for Mulder's controversial claims against Liebig published in the following year. His Chemistry of Common Life, which was completed in 1855 just before his death, was a classic popularization of up-to-date science” (ODNB).

First edition, first impression and a fine copy, uncommon in such nice condition.

Mary Leakey (1913-1996) was an accomplished archaeologist and paleoanthropologist who worked primarily on early humanoid fossils in Kenya and Tanzania with her husband and scientific partner Louis Leakey. “The site that will always be associated with Mary Leakey is Olduvai Gorge, a canyon in northern Tanzania containing rich collections of fossils and artefacts spanning about the last 2 million years. This became her second home, where she enjoyed fieldwork and research, accompanied by her pack of beloved dalmatian dogs, of which she was a well-known breeder. At Olduvai on 17 July 1959 she made one of the most famous fossil discoveries of all time, the skull of a 1.8 million-year-old early human relative whom Louis named Zinjanthropus (now Australopithecus or Paranthropus) boisei. Television coverage of the find made the Leakeys household names all over the world and brought them desperately needed funding from the National Geographic Society. Mary laboured under the hot sun, meticulously recording scatters of early stone tools and fossil bones, setting new standards for archaeological fieldwork, while Louis concentrated on fund-raising and lecturing. The technical details of her work are published in volumes 3 (1971) and 5 (1994) of the Olduvai Gorge series of Cambridge University Press and a popular account is given in Olduvai Gorge: My Search for Early Man (1979)” (ODNB).

First edition, first printing of the autobiography of one of the world’s leading cancer surgeons. Presentation copy inscribed by the author to columnist William Safire on the title, “To Bill Safire, with best wishes & thanks for all you do for so many at Dana and the New York Times, Lasalle D. Leffall, 9/27/06.”

LaSalle D. Leffall (1930-2019) graduated first in his class from the Howard University School of Medicine and served as a senior fellow in cancer surgery at Memorial Sloane-Kettering, which he chose because “I thought surgery was the most dynamic field” and “Memorial Sloane-Kettering was using some of the most exciting techniques” (Krapp, Notable Black American Scientists, p. 205). In 1962 he joined the faculty of Howard, rising to chair of the department of surgery only eight years later.

Leffall “focused on clinical studies of cancer of the breast, colorectum, head, and neck,” publishing more than 116 journal articles across his career. He became the first Black president of the American Cancer Society in 1978, and “used this national forum to emphasize the problems of cancer in minorities, holding the first conference on cancer among Black Americans in February 1979” (Krapp). Leffalle also served as the first Black president of the American College of Surgeons, was a visiting professor at more than 200 institutions, and received numerous awards. In 1996 Howard University established an endowed chair in surgery in his name.

Bill Safire (1929-2009) began his career as a public relations executive before joining the Nixon campaign in 1960, working as a speechwriter for both Nixon and Agnew. In 1978 he began a nearly thirty year-long career as a New York Times political columnist. Lefall’s mention of “Dana” in the inscription references the Charles A. Dana Foundation, a private charity supporting brain research, of which Safire was chief executive and chairman and Leffalle a member of the board of directors. This copy of No Boundaries was inscribed to Safire at a Dana Foundation event, “Can Immunology Help Win the War on Cancer?” at which Leffall was one of the panellists, and which was followed by a reception and signing to celebrate the book’s publication.

Fourth edition, published in the year after the first. A rare early edition of this popular work on the Earth’s history by the founder of dinosaur palaeontology Gideon Mantell, with the remarkable mezzotint frontispiece “The Country of the Iguanodon” by Romantic painter John Martin, as well as illustrations by Mary Ann Mantell, who has been credited with discovering the first Iguanodon tooth.

Though educated as a physician, Gideon Mantell (1790-1852) made enormously important contributions to geology and palaeontology. “His assiduous investigations of the strata and invertebrate fossils of eastern Sussex culminated in The Fossils of the South Downs (1822), his first book (of twelve), with lithography by his wife. Having by then explored the rich vertebrate deposits of Tilgate Forest (near Cuckfield), he announced in February 1825 the discovery of Iguanodon, one of the various kinds of dinosaurs (not yet so called) with which he was subsequently associated. Although his earliest evidence consisted of teeth only, these were sufficient to establish the, at the time unique, identity of Iguanodon as an extinct gigantic herbivorous reptile and to secure for Mantell entry into the Royal Society” (ODNB). In 1832 he announced the discovery of the second dinosaur to be identified, Hylaeosaurus. “Heavily armoured, Hylaeosaurus confirmed that dinosaurs walked on solid ground and were not amphibian, as had earlier been thought” (ODNB).

For a time Mantell displayed his fossils in his private museum in Brighton, where the painter John Martin, already known for his fantastical compositions, “was among the stream of famous and fashionable visitors” (Rudwick, Scenes from Deep Time, p. 78). Mantell recorded in his journal that Martin “was deeply interested in the remains of the Iguanodon etc. I wish I could induce him to portray the country of the Iguanodon: no other pencil but his should attempt such a subject” (Rudwick, p. 79). The resulting painting hung in Mantell’s museum and was reproduced in mezzotint to serve as the frontispiece for the present book, a successful popular account that went through eight editions by the early 1860s.

As science historian Martin Rudwick explains in Scenes from Deep Time (1992), in Martin’s painting “The peaceful, pastoral tone of so many earlier scenes [of the prehistoric world] has been abruptly replaced by the nightmarish ‘Gothick’ melodrama of the Martinesque style. Three huge reptilian monsters are preying ferociously on each other, watched by a smaller winged one. Although evidently inspired by the iguanodon and pterodactyl, the animals are portrayed with scant regard for anatomical accuracy and are derived more from the long artistic tradition represented by innumerable paintings of ‘Saint George and the Dragon’... the application of Martin’s style to the nascent genre of prehistoric scenes vastly enlarged the imaginative repertoire available to those who designed such scenes. The deep past could now be depicted as idyllic, or nightmarish, or something in between, with little if any constraint from the prosaic evidence of geology itself” (Rudwick, p. 81).

First edition, first impression. A rare copy of this charming, illustrated booklet on dinosaurs published by Warsaw’s Museum of the Earth. WorldCat only locates one copy, at the National Library of Poland. The detailed edition statement records that this book was submitted for typesetting in October 1969 and approved for printing in March 1970, with the order number dated 1969, for a total of 5,200 copies. Though the date 1979 appears above the statement, this is a typo, likely for 1970 (many thanks to Philip Penka of Bernett Penka Rare Books for the translation).

Author Teresa Maryańska (1937-2019)) was a leading dinosaur palaeontologist associated with the Museum of the Earth at the Polish Academy of Sciences in Warsaw, where she as vice-director between 1976 and 2006. “Her research was initially on invertebrate palaeontology. Her thesis concerned the Bryozoa, but she was always interested in vertebrates and looked for an opportunity to study them. Eventually, she was invited to participate in the Polish-Mongolian Palaeontological Expeditions to the Gobi desert, and became an active, highly appreciated participant of all four expeditions” (Borsuk-Białynicka & Jakubowski, “In Memoriam: Teresa Maryańska”, Acta Palaeontologica, volume 64, number 4, 2019).

Maryańska’s first dinosaur research was on the ankylosaurs, and her magnum opus on their anatomy and taxonomy was published in 1977. She then worked on specimens of the pacycephalosaurs, protoceratopsians, and hadrosaurs, and oviraptors, and many of her discoveries were made while working closely with her colleague and friend Halszka Osmólska (1930-2008). She was also a co-author of several chapters of The Dinosauria, one of the most important scholarly reference works on dinosaurs, first published in 1990 and “unparalleled for its comprehensiveness at the time” (Borsuk-Białynicka).