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A handsomely bound copy of a later impression, originally published in 1907. This lovely little book is "an attempt to describe by camera and pen the recent rambles of two friends, during the months of May and June, in search of birds and their nests for the purpose of photographing them in and near London". It includes a large number of photographs of British birds (usually stuffed specimens) as well as their nests, eggs, and habitats.

Second edition, first published in 1890. A nice copy of this book which is scarce in all early editions. Copiously illustrated and in the attractive publisher’s cloth. Unusually, there is a contemporary pencilled note on the dedication leaf stating “no! no!!” in reference to the printed acknowledgement of Sir William Thomson as “the real author of whatever is worth publication in the following pages”.

Electrical engineer and mathematician John Perry (1850-1920) lectured at the Royal College of Science and the School of Mines in London (part of Imperial College from 1907), and also developed a number of important instruments for the rapidly expanding electrical industry. After retiring from teaching, Perry "continued to pursue his interest in spinning tops, a subject on which he had lectured and published often since 1890, and which embodied his wide-ranging concerns from engineering to cosmology" (ODNB).

First edition, first printing and a very attractive copy of this “seminal, comprehensive monograph” by the founders of neuroendocrinology (Ogilvie, Biographical Dictionary of Women in Science, p. 1158). From the library of prominent American psychologist Henry Guze, with his ownership inscription on the front endpapers.

“There are very few scientists whose discoveries have marked the advent of a new discipline. Berta Scharrer was one of these pioneers. Her scientific career was crowned with great success. The concept of neurosecretion (the storage, synthesis and release of hormones from neurons) developed by Ernst and Berta Scharrer between 1928 and 1937 formed the foundation for contemporary neuroendocrinology... Today we know that secretory nerve cells are widely distributed over the whole nervous system” and “serve to maintain the organism and preserve the species” (Ogilvie). Scharrer was the recipient of honorary degrees from eleven institutions, including Harvard, and “among her numerous medals and prizes were the Kraepelin Gold Medal of the Max Planck Society, the Schleiden Mdal of the German Academy of Sciences Leopoldina, and the National Medal of the Science of the United States of America” (Ogilvie).

The previous owner of this copy, Henry Guze, “specialized in psychosomatic illness, schizophrenia and disorders of sexual behavior. He was a founder of The American Academy of Psychotherapists and the Society for Clinical and Experimental Hypnosis and co‐founder and former president of the Society for the Scientific Study of Sex” (New York Times obituary, July 4, 1970).

First edition, first impression. Presentation copy inscribed by the author to her sister on the front free endpaper, “To dear Yvonne, From M. V. L.” (see Lebour’s obituary in the Journal of the Marine Biological Association of the United Kingdom, volume 52, p. 778).

Diatoms, a type of phytoplankton, are one of the earth’s keystone species. They are microscopic algae with silica shells that live in both freshwater and marine environments, and produce an amount of oxygen comparable to that of the all terrestrial rainforests combined. They are a primary food source for many other organisms, and accumulations of their shells in sediments record changes in the oceans and climate. Much was learned about phytoplankton during the early twentieth century, and marine biologist Marie Lebour (1876-1971) became one of the leading experts through her work at the Plymouth Marine Biological Laboratory. She “published two classical papers on this topic in 1917. Her subsequent work on taxonomy of plankton species resulted in her first book, Dinoflagellates of the Northern Seas, and in a subsequent volume in 1930 [the present work]. She identified no fewer than twenty-eight new species” (Ogilvie, Biographical Dictionary of Women in Science). Lebour also studied molluscs and their parasites, euphausiid larvae, and the eggs and larvae of fish. She was also a talented draftsperson, and “her detailed and artistic sketches enhanced her publications” (Ogilvie).

First edition, first impression of Dinosaur, one of the earliest titles in the best-selling Eyewitness Books series, together with the first printing of the American edition, published in the same year. Copies of the first printings of the 1980s Eyewitness books are scarce, particularly in such beautiful condition.

The publisher Dorling Kindersley was founded in London 1974, and in the 1980s began taking advantage of new design technologies to radically revise the traditional page layouts of children’s books. As they described to Children’s Software Review in 1997, the goal was to “slow down the pictures and speed up the text”, allowing children to “experience information from their own particular point of view” (cited by Stringham, “The Efficacy of Small Multiples in the Visual Language of Instructional Designs”, Brigham Young University thesis, 2012). "What DK did—with almost revolutionary panache—was essentially to reinvent nonfiction books by breaking up the solid pages of gray type that had previously been their hallmark, reducing the text to bite-size, nonlinear nuggets that were then surrounded by pictures that did more than adorn—they also conveyed information. Usually full color, they were so crisply reproduced they seemed to leap off the page” (Cart, “Eyewitness Books: Putting the Graphic in Lexographic”, Booklist, October 15, 2002). There are now more than 100 Eyewitness Books, and more than 50 million copies have been sold in thirty-six languages.

The first Eyewitness Books were published in 1988, and Dinosaur appeared the following year, one of the first sixteen in the series and still in print today. Its authors are both prominent palaeontologists. Angela Milner, of the Natural History Museum in London, has done important work on archaeopteryx, providing evidence in the debate over whether it was a bird or dinosaur. David Norman is curator of vertebrate paleontology at Cambridge University’s Sedgwick Museum. In 2017 he and two other paleontologists made the case for a complete revaluation of early dinosaur evolution and taxonomy, arguing that the two main dinosaur clades were more closely related than previously understood.

The rare offprint announcing “the most perfect sauropod skeleton ever discovered” (Ashworth, Paper Dinosaurs 40).

This superb, nearly complete specimen of a juvenile Camarasaurus was discovered at the Carnegie quarry shortly after it became Dinosaur National Monument. “In 1925 Gilmore described the specimen in this fully illustrated memoir” which includes a photo of the fossil as it was found and later as it was displayed as a panel mount (Ashworth). “The articulation of the bones allowed Gilmore to conclude that Camarasaurus did not have its highest elevation at the shoulders, as Osborn and Mook had reconstructed it, but rather stood highest at the hips, like Apatosaurus and Diplodocus” (Ashworth).

First edition of this uncommon and charmingly illustrated work on polyps, one of the two body plans of creatures in the phylum of the jellyfish, anemones, and corals (the other type being the medusa). This copy from the library of distinguished collector Robert J. Hayhurst, pharmacist and inheritor of John Hayhurst & Son, a successful chain of retail pharmacies.

Author Henry Baker (1698-1774) was apprenticed as a bookseller before becoming a successful teacher of deaf people. He was also a fellow of the Royal Society, “a typical natural philosopher of his time, keenly interested in the wonders of nature, as manifesting the power of the creator. From 1740 Baker's literary skills were used in prose, embodying his scientific discoveries... The book that established his name as a scientific writer was The Microscope Made Easy, which appeared in 1742, and achieved five editions in the author's lifetime, as well as translation into Dutch and French” (ODNB). His most important scientific study, for which he was awarded the Copley Medal, was a microscopical investigation of crystal structure.

“His other main microscopical research involved repeating the experiments on freshwater polyps (Hydra viridis) of Abraham Trembley. Trembley's discoveries, reported to the Royal Society in January 1743, caused a sensation, since the polyps, when cut in two, grew into two complete specimens, a plant-like property strangely combined with the animal-like ability to move and ingest worms. Baker, in association with Martin Folkes, examined the creatures with the microscope, and, with due acknowledgement to Trembley, published in November 1743 An Attempt towards a Natural History of the Polype” (ODNB).

Reference: Freeman, British Natural History Books 165

An attractively bound and copiously illustrated work on British insects by the naturalist John George Wood (1827-1889), originally published in 1872.

Wood began his career in the Church of England, but from the early 1880s "was developing a career as a natural historian; his first book, The Illustrated Natural History, was published in 1851. Several more works had followed by 1856, when he began to give occasional lectures on natural history subjects. Wood's appeal as a populariser of natural history was spotted by the publisher George Routledge. Routledge asked him to contribute to a shilling series of handbooks, starting with Common Objects of the Seashore (1857), which enjoyed huge popularity among holiday-makers to the coast. Common Objects of the Country (1858) had an even greater success, and Routledge followed this with a three-volume Illustrated Natural History (1859) by Wood. Many future naturalists were said to have been inspired by reading these books at an early age" (ODNB)

"Wood wrote more than seventy books, some under the pseudonym George Forrest. The majority of them were on natural history, but he also published works on the history of the biblical period and English scenery... and edited titles as diverse as Gilbert White's Natural History of Selbourne and the Boy's Own Magazine. His own natural history titles, such as Our Garden Friends and Foes (1863) and Handy Natural History (1886), were not rigorously scientific but were influential in popularizing the subject. His works on microscopy such as Common Objects of the Microscope (1861) and Nature's Teaching (1877) are still in use by amateur microscopists who hold him in affection" (ODNB).

An attractive trade card for the chemists Hingston & Company of Cheltenham, “opposite the Plough Hotel. Prescriptions accurately prepared with drugs and Chemicals from Apothecaries Hall”. The text is elaborately engraved and the card features a well-executed bust of Hippocrates and staff of Asclepius. The Science Museum in London has a copy of the same trade card, and the National Archives hold the company’s day book and bankruptcy papers from 1837-1839.

A superb, unused Art Nouveau chromolithographic catalogue issued by the German pharmaceutical and medical supply firm Michael Birk, probably in the 1890s.

This remarkable, 320 page catalogue catalogue contains 15 double-sided plates of elaborate chromolithographic, metallic, and embossed designs for product labels, as well as another 290 pages advertising an incredible array of other products. The chromolithographic labels could be ordered in bulk to be used on bottles and jars filled in person by the pharmacist, and some could be personalised with the shop’s name and address. The catalogue was evidently designed for international distribution, as the examples are shown in a variety of languages, including Arabic. Some of the products include lemon and orange syrup, ginger ale, Egyptian nerve tonic, quinine, toothpaste, cod liver oil, antiseptics, a wide variety of alcoholic beverages including wine, port, rum and rum punch, champagne, and gin, and cosmetics products such as eau de cologne, agua de florida and scented waters. Most of the labels are very elaborate, with colourful designs echoing the origins or contents of the products, some with an exotic or Orientalist flavour, and others using historical imagery. Some are plainer, giving only the product name or a number. Nine pages of labels incorporate fine metallic and die-cut and embossed cameo-like decoration - of note are the two pages of delicate perfume bottle labels.

The remainder of the catalogue details a variety of products, all depicted in large and well-executed engravings. They include bottles, pots, boxes, tubes and dispensers, including decorative bottles and perfume atomisers, and display units. For the use of the pharmacist are moulds, rollers, mortars and pestles, scales, laboratory glassware, bunsen burners, alembics, and ovens. And there are sections for medical dressings and devices, generators of therapeutic electricity, and all types of surgical and dental tools, including large items such as chairs, tables and boilers. A superb catalogue encompassing all of late-19th century pharmacy and medicine.

Third edition of this charming little book on the changing of the seasons from month to month by the “physician and man of letters” John Aiken (1747-1822) (Hahn, The Oxford Companion to Children’s Literature).

Aiken charming combines practical knowledge of nature and gardening with literary references. For April he writes: “This month gives the most perfect image of Spring; for its vicissitudes of warm gleams of sunshine, and gentle showers, have the most wonderful effects in hastening that universal springing of the vegetable tribes, from whence the season derives its appellation. April generally begins with raw unpleasant weather, the influence of the equinoctial storms still in some degree prevailing, Its opening is thus described in a poem of Mr. Warton’s: ‘Mindful of disaster past, And thinking of the northern blast, The fleety storm returning still, The morning hoar; the evening chill; Reluctant comes the timid Spring...’ Early in the month, that welcome guest and harbinger of Summer, the swallow, returns. The kind first seen, is the chimney, or house, swallow, known by its long forked tail, and red breast. At first, here and there, only one appears, glancing quick by us, as if scarcely able to endure the cold. ‘The swallow for a moment seen, Skims in haste the village green’.”

A very nice copy in an attractive contemporary tree calf binding. With the ownership inscription and notes of a woman, Eliza Davenport, who obtained this copy in 1810. Davenport’s short pencilled notes at the rear of the volume relate to a handful of observations of flowering plants and other phenomena.

First edition, first impression. Rare in the jacket and much less common than the US edition published by Macmillan in the same year. This copy with the bookplate of Edward Beldam Diver, London manager of the Cambridge University Press (The Historical Register of the University of Cambridge. Supplement, 1921-1930).

Author James Jeans (1877-1946) was a respected Cambridge mathematician and astronomer, best known for his work on rotating, gravitational bodies, "a problem of fundamental importance that had already been tackled by some of the leading mathematicians" (ODNB), and the motions, structures, and life-cycles of stars and stellar clusters.

"In 1928 Jeans's academic work Astronomy and Cosmogony came to the attention of S. C. Roberts, the secretary of Cambridge University Press, who appreciated the general interest of its subject matter and the attraction of Jeans's writing style. He persuaded Jeans to write a popular account, The Universe Around Us, which was published by the press in 1929" (ODNB). Jeans' popularity as a writer "depended partly on his topic — new, thought provoking views of the universe — and partly on his style, which combined an authoritative knowledge of the subject with a vivid turn of phrase" (ODNB).

The present volume was his third popular work, with the dust jacket prominently advertising the previous two. It is based on a series of radio broadcasts written for listeners with no previous scientific knowledge, and with the hope of introducing them to “the fascination of modern astronomy” and “the wonder of the universe we see through the giant telescopes of to-day” (preface).

Content advisory: contains anti-Semitism.

A dense, detailed, and revealing diary chronicling the first two years of the Second World War by Marjorie True of Peterborough’s Cathedral precinct, who was active in the Women’s Voluntary Service. In addition to the eighty-six pages of manuscript text there are sixty-five photographs pasted-in, as well as ephemera (including her clothes ration book and City of Peterborough registration card for Civil Defence Duties) and news clippings, mainly documenting her civil defence work. This diary is of historical importance and would benefit from knowledgeable institutional cataloguing and conservation.

True seems to have begun her diary specifically to document the war, with the first entry dated September 2nd, 1939: “On the verge of war. Germany bombed Warsaw & has marched into Poland at several points. No ultimatum — the final note from Germany to Poland with terms was never sent. British Gov. waiting for answer to our ultimatum to Hitler. Father who is 71 is an air raid warden. His job is to patrol the street from the Cathedral gateway to Bishop’s Road & see all is in darkness — give advice & warning... I am an ambulance driver’s attendant which meant being trained in first aid, gas & map reading...”

The diary continues in this fashion for the next two years, chronicling international events alongside her voluntary work, local goings-on, private and public sentiment, and rumours. She closely follows the advances of Germany and Russia across the continent, and the efforts made by western European governments and armies as one by one they fell to the Blitzkrieg, often commenting on the fortitude of the Europeans.

May 15^th, 1940: “Today the Dutch Army have laid down their arms. Barely a week ago they were a free people. The Queen, government, Princess Juliana & children are all in England.” Sunday, May 19^th: “The war is getting very close now. There is a terrible melee taking place in Sedan and on the French Belgian border — The Germans have penetrated about 60 odd miles into France. They have brought super heavy tanks which have gone through the weakest part of the Maginot Line.” Saturday, June 15th: “The Germans marched into Paris yesterday. A heavy depression has all but NOT despair. To-day we had most of our windows painted with triplex. This should prevent the glass from flying if shattered.”

During this early part of the war True focuses on the watching and waiting in Britain, a time during which she and her fellow citizens were swinging between anxiety and inattention. In September 1939 she writes that “here things are getting rather slack. We feel Hitler cannot bother with us until Poland is finished. Already people are forgetting their gas masks…” Later, “For weeks now we have all been suffering from colds in the head. In fact they have been so persistent that there have been grave doubts in some parts that it could be one of Hitler’s trump cards, or his ‘Secret Weapon’ which he boasts of.” She describes her experience of measures such as the blackout and reports that, “Amongst the things I miss is the sounding of the church clocks in the night”. In December that year she visits London for the first time since the outbreak of war and describes seeing “high in the sky only just visible in the fog & mist… barrage balloons looking rather like fat sausages with large [?] fins. Sandbags everywhere — but apart from the darkened streets & shops there seemed quite as many people as ever.”

But always there is the sense that Germany is getting closer, and True carefully records instances of German fighters being downed in the Firth of Forth and Scapa Flow, as well as the numerous U-boat attacks on ocean liners and Allied battleships.

The unprecedently severe winter of 1939/40 is a frequent subject. On January 25^th, 1940 she writes, “This cold has nearly driven us all crazy - frost & snow - burst pipes - water coming through ceilings & general awful discomfort has been our lot for what seems like months”. And she discusses the rationing that had just started. “To-day Father went through the business of procuring our sugar for making homemade marmalade or jam! The fruiterer gives one a signed receipt for so many lbs of Seville oranges (no sugar is allowed for the sweet oranges) this has to be taken to the food control office where a [?] is made out for 1lb of sugar to each 16 of fruit. What a game.”

Other aspects of the diary are both troubling and revealing. In recent decades historians have been at pains to point out that the perception of British self-sacrifice and “stiff upper lip” during the war was only part of a much more complex and morally ambiguous reality, with elements of class, colonialism, and anti-Semitism often at the forefront of events. This is apparent almost immediately in the diary, when on September 3rd, 1939 True reports that, “Since 11 am we have been at war with Germany. All day there has been a flood of evacuees from London — hundreds & hundreds of women & children all housed at the Government’s expense & billeted on private homes here — almost as we were sitting down to lunch we had 2 women & 3 children thrust on us... All the evacuees seem to be Jewish. Why they should choose a small cathedral town to let them loose on beats me. In a very short time both women were grumbling so we tried to get them removed & fortunately were able to do so late in the day to Mrs. Mellow at Vineyard House... We are sorry for these women who have had to break up their homes but they forget our homes are broken up too. Life would have been unbearable had we had to live with that crowd — the women were passable but horribly cheap — the kind who jar horribly”.

Again, in September of the following year she reports that, “The town is again getting flooded with refugees – real refugees this time. People whose houses are in ruins or who have fled the unceasing crash of A.A. guns & explosions. There are some terrible looking Jews about, I would be glad if those people did not send such a feeling of loathing thro’ on. Why is it? I always feel I must hurry by because what I am feeling must be written on my face.”

True was a member of the Women’s Voluntary Services, working as an ambulance driver’s attendant and stationed at the local swimming pool. Many entries record her training sessions, experiences of nights on call, and interactions with other volunteers.

Early in the diary there are multiple reports about conflict over some volunteers being paid, a practice that True disdained, with strong undertones of classism. “…there is a rather [?] air amongst the many so called ‘voluntary’ helpers. I say ‘so called’ because so many of them are being paid... I was called to the Ambulance Station last Friday and stayed there from 7 to 10-20. For this I get nothing however many times I do it after my day’s work. The whole idea of payment is pernicious...”

Voluntary work could be physically difficult but emotionally rewarding. On May 11^th, 1941 True describes a practice session. “Saturday I tried my hand at putting out a fire by a stirrup pump. As I was wearing my best slacks & not the usual dungarees, I did not feel too enthusiastic when Mr. Brown invited us to try. However, rolling up my slacks & wearing an old oilskin over my Ambulance coat I waded in. It was great fun really... All went well except for my helmet which fell off… Also we were taken — four at a time into a smoke-filled room — here we had to crawl round the room…I felt sure I was to be the one to cry out for the door to be opened but pride as usual came to the rescue and I crawled out with the others after the longest four or five minutes of my life.”

But there are also happier times. True frequently writes about the other women who were good companions during long days and nights, and the socialising they did. Most of these friend and colleagues are mentioned by name and depicted in the numerous photographs pasted-in to the diary (there are also several pages where True has had the other women sign their own names.) Some photos depict the volunteers doing practice exercises such as preparing equipment, cleaning an ambulance, carrying a comrade on a stretcher, and wearing gas masks and emergency oilskins “for mustard gas”. Other images are casual, and show women relaxing together, having tea, holding pets, and posing in front of official vehicles. True usually rode her bicycle to the station, and there are several photos labelled with variations of “Me & my bike”, including one in uniform. There are also images of True’s father — with the handlebar moustache of a different era — in his warden uniform. Additionally, newspaper clippings record the visit of the Marchioness of Reading to the station, as well as a test mobilisation of firefighters in downtown Peterborough (“that’s me talking to Mrs. Fowlis in the ambulance”).

By spring of 1940 the tension reflected in the diary has considerably ramped up, with the German threat coming ever closer to Peterborough. The diary covers the entire period of the Blitz and Battle for Britain, which began that summer, and reports on events throughout the country. On June 19^th True describes the anxious wait for the large-scale air raids that the population knew was coming. “A whole week gone & no Battle for England – or rather Britain started yet. Our airmen have put in some marvellous work – this may be one factor. However many hours grace means a lot to us.” And by September she is reporting on the effects of the Blitz, which began on the 7^th. Her entry for September 14^th, 1940 reads, “London has suffered terribly – & not only London. The Docks have been the chief target but Buckingham Palace received its first & let’s hope last bomb the other night. There have been marvellous tales of courage…”

In early June True describes Peterborough’s first air raid.

Friday June 7th: “This morning about 1-15am? we had our first real air raid warning. It was hot & still and my window was wide open & I suddenly wakened to the fearful din of the air raid siren. I have often said when listening to the practices that we should never hear it but at 1-15 am on a still summer morning it sounded absolutely devilish. After the first paralysing second I leapt out of bed and tried feverishly to get into my battle dress which by great good fortune was handy. Of course the dungarees went on back to front & it seemed hours to me before I set off on my cycle to the ambulance station. At first I was so rattled I had to get off my bike but gradually I calmed down & rode as fast as the darkness would allow — arriving at last to find I was the first of the part timers to appear. I was given a hearty welcome and we then commenced our long wait until the ‘all clear’ went at 3-15. We looked a grim party of women — none of us looking our best, shining noses and hair entirely out of hand. Now and then we heard the uneven drone of the German planes but that thank goodness was all that happened.”

Saturday June 8th: “Last night we had our baptism by fire. To-day the town has a weary look after two practically sleepless nights. About 1-15 again — without any warning a German plane dropped what sounded like three or four bombs in Bridge St., Bishop’s Gardens & the swimming pool!... It is not just a bang - there is a sickening thud which shatters the nerves - At the first moment I felt sick & then began gathering my things in my arms to get downstairs… I must say I listened carefully and sought the sky before venturing forth... What I hate most is thinking of Father on his beat, right in the midst of things. He says that there are several good places to shelter but we are very worried. After another ghastly ride with my heart beating like a sledge hammer & my knees knocking I arrived for the second night in succession at the A.S.”

True seems to have returned to this diary much later in life, as there are a few annotations in a spidery ballpoint pen and some pieces of late-20th century ephemera inserted. On one loose wartime photo of a group of women she writes “How easily one forgets. My Party. This is what I remember of my Party.” The final contemporary entry is dated October 26^th, 1941, and ends on the recto of the very last page in the diary. On the verso of that page True has obtained the signatures of a number of her colleagues, and below them, she has later written: “I wish I had got more names to help my memory now on April 12 1992 when the war is over…” This is followed by additional text that is difficult to read because it has been overlaid with white address label stickers, presumably because she or a relative wanted it to remain private.

A striking Art Nouveau design portfolio, unusual for using photography to depict geometric floral arrangements.

This portfolio is usually attributed to the French designer and commercial artist Maurice Pillard Verneuil (1869-1942), a student of Eugène Grasset whose career successfully spanned both Art Nouveau and Art Deco eras. If so it would be his only known photographic work. As bookseller Daniela Kromp has explained, it may be that Verneuil was inspired by the Viennese pioneer of botanical photography, Martin Gerlach (1846-1918), who was producing botanical portfolios as early as 1893.

“Although in Helen Bieri Thomson's bibliography, Verneuil is named as the author (or editor) of Le Décor Floral (cf. p. 118), he isn't known as a photographer so far. Thus, Verneuil presumably has not done the photographs himself, but at least he made the arrangements of the plants and of each particular plate... it is known that Verneuil made a journey to Vienna in 1902 (cf. Thomson p. 13). Perhaps he got to know Martin Gerlach's photographic work there in detail and received the essential inspiration for Le Décor Floral” (Kromp, "Short List for London 2018", item 45).

The publisher of this set, Librairie Centraledes Beaux-Arts, was one of the primary firms of the Art Nouveau movement, producing important work by Alphonse Mucha and Eugène Grasset, as well as other important portfolios by Verneuil.

A remarkable relic of the Cold War, this interactive tin toy allowed a child to pretend that they were manning a distant early warning station with a radar “scope” showing the silhouette of a moving plane, as well as a rotating radar dish and blinking lights. It was made by the famed Masudaya firm of Tokyo, which was founded in 1923 and became the leading producer of battery and mechanical-operated toys during the post-war period (fabtintoys.com). This toy has been tested and is only partially functional, with two of the lights and the rotating wheel of plane silhouettes not working at present, possibly due to loose connections. it is nevertheless a lovely example, and rare in the original box with the paper signal key, as here.

Though early warning radar systems had been in use since Britain’s deployment of Chain Home in 1938, the post-war threat of nuclear bombers led to the development of increasingly sophisticated long-range systems, particularly to monitor activity over the Arctic. The most successful of these was the DEW Line, which was constructed primarily in Canada’s far north, with additional stations in Alaska, Greenland, and Iceland. It went on-line in 1957 but quickly became semi-obsolete as the nuclear threat shifted from bombers to ICBMs, though it continued to operate until the early 1990s to provide an early warning of airborne invasion forces that might have proceeded a missile strike by several hours. The militarisation of the Canadian Arctic had significant effects on Canadian politics, and resulted in increased government interference in the lives of the Inuit as well as serious environmental damage.

This toy was probably inspired by DEW, and it might be a coincidence, but the illustration on the box looks remarkably similar to a 1955 ad in Time magazine extolling Raytheon’s role in designing and manufacturing the radar for that undertaking. Though the toy is undated it was probably sold in the late 1950s or early 1960s, given the short period during which distant early warning radar was of military significance. Work at these stations would have involved fairly dull duties, monitoring radar screens for the start of World War III in an isolated and harsh environment, and it’s strangely charming that someone chose to produce a colourful toy based on what must have been one of the more demoralising jobs in the Air Force.

First edition, first impression of this masterpiece of 20th century nature writing, cited by Ted Hughes, Andrew Motion, Werner Herzog, and many others, as one of the most important works of its kind. Uncommon in such nice condition in the dust jacket. This copy from the library of eminent bird photographer Eric J. Hosking, with his owl bookplate.

Author J. A. Baker (1926-1987) was a librarian who spent ten years tracking peregrine falcons in coastal Essex during the 1950s and 60s. This, the first of his two published works, distils his observations of the birds and their changing habitat into a lyrical account of a single year, beginning in autumn with the birds’ migration from Scandinavia and ending with their return north in spring.

Born in 1909, Eric Hosking developed his love for nature and photography at an early age. He received a Kodak Box Brownie at age eight, and graduated to a plate camera by age ten, using it to photograph birds. He lost his job in car sales at the beginning of the Great Depression, but an opportunity arose when the Sunday Dispatch asked him to get a shot of an elephant seal at the London Zoo. For several years he supplemented his income by photographing weddings and children (including the young princesses for Country Life in 1935), but by 1937 he was a full-time nature photographer, the first person in Britain to make their living in this field.

Hosking was intrepid in his pursuit of wild birds. He designed his own hides and made a number of important technical advances, among them the use of the flash in nature photography. His most famous photo is the “technically perfect” shot of a barn owl carrying prey that he captured using an electronic flash in 1948 (Sage, “A Photographer in Hiding”, New Scientist, September 1979). He is widely credited with developing wildlife photography into a mature artform.

During his sixty-year career Hosking’s photographs were published thousands of times around the world. He authored thirteen books, including the autobiography An Eye for a Bird, and he lectured, wrote for popular periodicals, and appeared on television. Hosking was president of the Nature Photographic Society and served as vice-president of the Royal Society for the Protection of Birds and the British Ornithologists’ Union. He was awarded the RSPB’s Gold Medal in 1974, and three years later received an OBE.

First edition, and a lovely copy, of this delightful work on flower arrangements and indoor plants that was highly praised by contemporaries.

By 1875, botanical pursuits such as flower and fern collecting, pressing, and arranging had been a major hobby for British women for at least a generation. Floral Decorations for the Dwelling House expanded on the work of earlier authors, such as A. E. Maling (Flowers for Ornament and Decoration, 1875), by adding advice on living plants in addition to cut flowers. It “offers a very detailed account, both practically and artistically oriented, of the best plants and best pieces of equipment to use for a wide variety of indoor plant and flower decorations, from bouquets to dining tables, window displays, hanging baskets and Christmas decorations, as well as giving advice on how best to arrange them” (Sparke, Nature Inside, p. 48).

The book was praised in the January 1876 issue of The Floral World and Garden Guide as “a systematic treatise on the subject. The truth is, the gifted author of this stands alone and far in advance of all competitors, whether as an exhibitor or a judge of exhibitions, whether in the preparation of a bouquet for a princess or the decoration of a grand saloon for an important public ceremony”. In that year an American edition was published by Macmillan, in which additional emphasis was placed on living plants in decorative schemes (Sparke).

An elegant, substantial early-19th century manuscript containing practical mathematical and astronomical problems likely produced by a student of navigation.The majority of the text is from John Bonnycastle's A Treatise on Plane and Spherical Trigonometry, originally published in 1806. Bonnycastle was a respected mathematics teacher who tutored the children of the aristocracy and taught at the Royal Military Academy in Woolwich. A man of “considerable classical and general literary culture”, he was a great friend of Fuseli and also of Leigh Hunt, who included Bonnycastle in his book Lord Byron and Some of His Contemporaries.

“Bonnycastle was a prolific and successful writer of textbooks. Of his chief works, The Scholar's Guide to Arithmetic first appeared in 1780 and ran to an eighteenth edition in 1851… His Introduction to Astronomy (1786), intended as a popular introduction to astronomy rather than as an elementary treatise, was one of the best-selling books on the subject for many years… Besides elementary mathematical books, Bonnycastle was in early life a frequent contributor to the London Magazine. He also wrote the introduction to a translation (by T. O. Churchill) of Bossut's Histoire des mathématiques (1803) and a ‘chronological table of the most eminent mathematicians from the earliest times’ for the end of the book” (ODNB).

This manuscript, titled “Bonnycastle’s Trigonometry”, contains the practical portions of the text, including rules for solving different types of trigonometric problems (“cases”) and practice problems. The practice problems have been completed in full, including large, precise geometrical diagrams made with ruler and compass. Page numbers are given and the problems are dated, the first section having been completed on September 24th, 1813 with additions every few days until the final dated entry on March 31, 1814. The final, undated portion, about a quarter of the manuscript, comprises “Miscellaneous Astronomical Problems” from Andrew Mackay’s The Theory and Practice of Finding the Longitude at Sea or Land (first published in 1793, the second edition in 1801), an important work for which its author “received the thanks of the boards of longitude of England and France” (ODNB).

This manuscript’s focus on mathematical rules and practice problems (at the expense of the more theoretical, text-heavy portions), together with the fact that it was updated regularly between September and March, indicates that it was produced by an advanced student working through the book as part of a regular course of study. The script is elegant, clear, and controlled throughout, and pencilled guide rules indicate that the student took great pains to ensure the manuscript was attractive and readable, suggesting that it was evaluated as part of coursework rather than used as a notebook for producing rough calculations (indeed, some rough calculations are included on sheets of scrap paper loosely inserted). Mathematics of this type, focused on spherical trigonometry, astronomy, and navigational problems, would have been of interest primarily to mariners, and it seems reasonable to conclude that the student was attending a naval or military institution, or was perhaps under private tutelage with a naval career in mind. A beautiful example of a student’s efforts at practical mathematics for navigation at a time when Britain was the major power on the seas.

“Steam, Its Production and Use, together with a Catalogue of Manufactures”. A very attractive 1893 German language catalogue of the pioneering power firm Babcock & Wilcox, the first edition of which was published in 1875.

This 180-page catalogue is heavily illustrated with both photos and engravings. In addition to specifications for the firm’s boiler models, it includes a detailed overview of steam power and the operations of different types of boilers, as well as information about the company and a complete list of the boilers they have already installed. Loosely inserted is a single leaf advert for the Babcock & Wilcox boiler “with Colonial Furnace, suitable for burning green bagasse”, and three charming, pictorial advertising flyers for equipment produced by the Bopp & Reuther firm of Mannheim, Germany.

Babcock & Wilcox was founded as a manufacturer of industrial steam boilers in Providence, Rhode Island in 1867, and has remained a leader in power generation to the present day. Among their many achievements have been: the supply of a boiler for Edison’s Menlo Park laboratory in 1878; the powering of America’s first electricity-producing central generating station in Philadelphis in 1881; supplying the equipment for Edison’s Pearl Street Station in New York City, the worlds first public electrical utility, which opened in 1882 (Edison would later write that Babcock & Wilcox manufactured “the best boiler God has permitted man yet to make”); the supply of boilers to power US and British naval vessels in the 1890s; the production of electricity for New York’s first subway; the construction of the water pipe system at the Hoover Dam; and the supply of weapons components for the Manhattan Project and equipment for the world’s first nuclear-powered sub, the USS Nautilus.

First edition. A lovely, fresh copy of this important early work on raising young salmon by the Victorian Era's leading authority on pisciculture.

The naturalist Francis Trevelyan Buckland (1826-1880) began his career as a military surgeon in London, where he "eagerly embraced every opportunity of examining curious specimens of natural history, and abnormal growths, describing his observations in his Curiosities of Natural History, begun in 1858". In 1856 he joined the staff of the Field newspaper, and in 1865 he founded his own journal, Land and Water, an ‘independent channel for diffusing knowledge of practical natural history, and fish and oyster culture’.

Buckland "applied himself to the many economic questions affecting the artificial supply of salmon, the length of the close season, the condition of different salmon rivers, and similar investigations, gradually becoming the highest authority on pisciculture. In February 1867... he was appointed inspector of salmon fisheries. No more congenial post could have been offered to him, and from then on he devoted all his energies not merely to the duties of his office, but to the study of every point connected with the history of the salmon, and endeavoured in every way to improve the condition of British fisheries and those employed in them. This involved frequent visits to the rivers and coasts of the country, when he was always a welcome guest among people of all classes" (ODNB).

This volume was originally presented as a lecture at the Royal Institution in April, 1863. Buckland wrote in the preface that it was "a record of the observations which I have made during my experiments in Fish Hatching carried out during the winter months". He also thanked "Professor Faraday for his kind attention" as well as "Professor Tyndall, who was good enough to exhibit the young fish alive under the electric lamp, thereby adding so much to the general interest which I was most pleased to hear was caused among those present on the night of the Lecture".

In May 1865 Buckland was appointed scientific referee to the South Kensington Museum (now the Science Museum), where he established a large collection related to pisciculture which formed the basis of the International Fisheries Exhibition of 1883 and was on display until the latter half of the 20th century. "In his lifetime Buckland was regarded as one of the most whimsical of naturalists and, with all its stories of his doings and escapades, his biography was published in popular fiction as a ‘good romance'" (ODNB).

Reissue of this illustrated visitor’s guide to the magisterial Age of Reptiles mural in the Great Hall of Yale’s Peabody Museum, written by John Ostrom, one of the most important palaeontologists of the 20th century. Originally published in 1966 in the same pamphlet form. A beautiful copy in unusually nice condition.

“The Age of Reptiles mural is an artistic masterpiece and was, for its time, perhaps the most scientifically accurate representation of the Mesozoic world ever created” (Black, “Creating the Age of Reptiles”, Smithsonian Magazine, January 3, 2012). The 110-foot-long, 16-foot-high mural was completed between 1943 and 1947 by art student Rudolph Zallinger (1919-1995), who had previously been employed at the museum painting seaweed specimens. Museum director Albert Parr had initially envisioned the space broken into panels illustrating individual species, but Zallinger developed the idea for a “sweep through time” from the Devonian period to the Cretaceous, “more than three million years of earth history” (introduction to the present).

“With the format established, Zallinger was rapidly schooled in vertebrate paleontology, paleobotany and anatomy by the museum’s experts. The animals had to be scientifically accurate, their environments appropriately stocked with plants from the right era, and the whole fossil cast had to fit together in an aesthetically pleasing style. Accuracy was of extreme importance, but so was making the painting visually appealing to visitors... The artist also faced the technical decision of how to execute the mural. Zallinger decided on a fresco secco, a classic method in which pigments are combined with egg and water and are painted on dried plaster that is moistened at the time of application. As Zallinger composed each successive rendition of the mural, the space he was going to paint on was prepared and covered in plaster. What is remarkable is how early Zallinger arrived at what became the final layout for his Mesozoic panorama. While the fine details of the plants and animals changed with each ever-more-detailed version, their general shapes and poses were established by the time Zallinger created a 1943 ‘cartoon’ version of the mural on rag paper” (Black).

The mural is one of the largest paintings in the world, and earned its creator a Pulitzer Fellowship in Art in 1949. It was highly influential in both paleontological art and in popular culture during the mid-century. A number of guides to the mural have been published over the years, including this one by John H. Ostrom (1928 - 2005). Ostrom was a Yale professor, director of the Peabody Museum, and “the most influential palaeontologist of the second half of the 20th century” (Dodson & Gingerich, “John H. Ostrom”, American Journal of Science, volume 306, number 1, January 2006). He discovered that dinosaurs had the metabolisms and agility of mammals and birds, and that they were closely related to modern birds, leading to the “dinosaur renaissance” of the second half of the century.

First edition, first printing and a lovely copy in the dust jacket. The Field Book of Animals in Winter is much less common than Morgan’s book on ponds and streams, and is rarely found in such nice condition.

As a child, Ann Haven Morgan (1882-1966) developed a love of nature by exploring the areas around her home in Connecticut. She earned her bachelor’s degree and doctorate at Cornell, the latter under James G. Needham at the Limnological Laboratory.

Returning to Cornell, “she advanced steadily up the academic ladder, becoming a full professor in 1918. During the summer she conducted research and taught courses on echinoderms at the Marine Biological Laboratory, Woods Hole... Although limnology (the study of inland waters) was her special subject – on which she wrote a useful book, Field Book of Ponds and Streams (1930) – Morgan was also interested in many other facets of zoology, particularly hibernating animals. Her Field Book of Animals in Winter (1939) reflected this interest. In 1949 the Encyclopaedia Britannica made it into an educational film” (Ogilvie, Biographical Dictionary of Women in Science p. 913).

Among her other scientific interests were conservation and ecology and educational reform. Morgan was a member of numerous professional societies, including the American Entomological Society, American Society of Naturalists, American Society of Zoologists, and the New York Herpetological Society. She was prominent enough to be one of only three women included in the 1933 edition of American Men of Science.

 First edition, first printing. A lovely copy of this important memoir of excavating Egg Mountain in Montana, one of the most productive fossil beds on earth and the location of both the first dinosaur embryos and the first nests of baby dinosaurs to be discovered.

John “Jack” Horner (1946 – ) is one of the most recognisable of contemporary palaeontologists. The recipient of numerous awards, including a McArthur Fellowship, for his work on dinosaur reproduction, development, and physiology, he was also a staple of 1980s and 90s documentaries and served as a technical advisor for the Jurassic Park films, whose main character, Dr. Alan Grant, he partially inspired. Horner has come under scrutiny in recent years for having a romantic relationship with an undergraduate volunteer in his laboratory, resulting in his early retirement.

In 1977 Marion Brandvold, the owner of a mineral shop in Bynum, Montana, discovered fossils of juvenile dinosaurs and asked Horner to identify them when he happened to stop at the shop during a scouting trip the following year. At the time, only a handful of juvenile dinosaurs were known, and their absence in the geological record was a major problem for palaeontology. Realising their significance, Horner immediately contacted his employers at Princeton (remarkably, he was then working as a preparator of other researcher’s finds, and had not yet run a dig of his own) for permission to remain in Montana and begin excavating the site. Within a few days Horner, his colleague Bob Makela, and the Brandvolds had uncovered whole nests containing young duck-billed dinosaurs – a world first. The juveniles were clearly being cared for by their parents for an extended period, much like birds, and this discovery was the first evidence of complex reproductive behaviour in dinosaurs. The site also revealed the first egg clutches in the Western hemisphere and the first dinosaur embryos found anywhere. Excavations have since revealed that the site was home to thousands of Cretaceous-period dinosaurs, with evidence of more than 15,000 individuals, making it the largest group of dinosaur skeletons on Earth and evidence that some species exhibited social and possibly migratory behaviours (”Digging for Dino Eggs with Famed Paleontologist Jack Horner”, Wired, October 28, 2011).

Published in 1988, Digging Dinosaurs was written for a popular audience and covers the first six years of excavations, including the major discoveries of nests and embryos, and includes a foreword by Sir David Attenborough as well as numerous illustrations.

First English language edition, first impression of this vibrantly illustrated work, originally published in Prague under the title Tiere der Urzeit in the same year. Rare in the dust jacket in such nice condition.

Between the 1930s and 1960s “the foremost painter of dinosaur restorations was Zdeněk Burian (1905-1981). His canvasses were used to illustrate a number of popular books on prehistoric life by Joseph Augusta, and in the late 1950s and 1960s these were translated into English and widely circulated. So the Burian illustrations offered an alternative to those of Zallinger [responsible for the Peabody Museum mural], or of the late Charles Knight. But there was not much of a difference. Apatosaurus and Diplodocus stand quietly by their respective swamps, accompanied by partially submerged relatives. A T. rex besets a pair of Trachodon, but none of the three lifts a leg off the ground, or even seems to be moving at all” (Ashworth, Paper Dinosaurs 48). Though his dinosaurs are no longer considered anatomically accurate, Burian was highly respected in his time and his paintings were widely reproduced and copied, often without acknowledgement. In 2017 the first dinosaur discovered in the Czech Republic was named in his and Augusta’s honour, Burianosaurus augustai.

The author of the text, Joseph Augusta (1903-1968) was a palaeontologist at Charles University in Prague between 1933 and 1968, and is best known for his role as a science populariser. He published around twenty books on science for the general public and served as an advisor to the hit 1955 film Journey to the Beginning of Time (Cesta do Pravěku), which combined human actors with stop-motion special effects.

The translator of the book, Greta Hort (1903-1967), was born in Copenhagen, the daughter of Vilhelm Hjort, astronomer royal. She earned her PhD at Newnham College, Cambridge and then became a research fellow at Girton College, publishing on mysticism and religious thought. In 1938 Hort was appointed principal of University Women's College (later University College) at the University of Melbourne. She was later made chair of English literature at Aarhus University, Denmark (Australian Dictionary of Biography).