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Vos, George H. | Birds and Their Nests and Eggs
£95.00
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A handsomely bound copy of a later impression, originally published in 1907. This lovely little book is "an attempt to describe by camera and pen the recent rambles of two friends, during the months of May and June, in search of birds and their nests for the purpose of photographing them in and near London". It includes a large number of photographs of British birds (usually stuffed specimens) as well as their nests, eggs, and habitats.
- Found in and Near Great Towns. Illustrated by reproduction of photographs of each bird, its nest and eggs, made by the author from Nature, and of incidental scenes. Second edition, revised. London: George Routledge and Sons, Ltd., 1910. Octavo (174 x 117 mm). Contemporary tree calf prize binding, spine elaborately gilt in compartments, red morocco label, gilt floral roll to boards, gilt crest of the Terra Nova School to the upper board, marbled endpapers and edges. Prize bookplate. Frontispiece and illustrations throughout from photographs. Very lightly rubbed at extremities, spine a little faded. Excellent condition.
Perry, John | The Romance of Science. Spinning Tops.
£75.00
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Second edition, first published in 1890. A nice copy of this book which is scarce in all early editions. Copiously illustrated and in the attractive publisher’s cloth. Unusually, there is a contemporary pencilled note on the dedication leaf stating “no! no!!” in reference to the printed acknowledgement of Sir William Thomson as “the real author of whatever is worth publication in the following pages”.
Electrical engineer and mathematician John Perry (1850-1920) lectured at the Royal College of Science and the School of Mines in London (part of Imperial College from 1907), and also developed a number of important instruments for the rapidly expanding electrical industry. After retiring from teaching, Perry "continued to pursue his interest in spinning tops, a subject on which he had lectured and published often since 1890, and which embodied his wide-ranging concerns from engineering to cosmology" (ODNB).
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...The "Operatives Lecture" of the British Association, Meeting at Leeds, 6th September, 1890. With Numerous Illustrations. Published under the direction of the general literature committee. London, Brighton, & New York: Society for Promoting Christian Knowledge, 1901.
Octavo. Original red cloth blocked in gilt and black with an image of a gyroscope on the upper board. Engraved frontispiece and engravings throughout the text. 8 pages of separately paginated publisher’s ads at rear. Ink ownership signature of B. G. Davies to the half title, pencilled remark “No! no!!” to the dedication leaf. Spine slightly rolled, lower corner bumped, cloth a little rubbed and marked with some waviness on the spine, contents tanned in the margins. Very good condition.
Scharrer, Ernst & Berta | Neuroendocrinology.
£165.00
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First edition, first printing and a very attractive copy of this “seminal, comprehensive monograph” by the founders of neuroendocrinology (Ogilvie, Biographical Dictionary of Women in Science, p. 1158). From the library of prominent American psychologist Henry Guze, with his ownership inscription on the front endpapers.
“There are very few scientists whose discoveries have marked the advent of a new discipline. Berta Scharrer was one of these pioneers. Her scientific career was crowned with great success. The concept of neurosecretion (the storage, synthesis and release of hormones from neurons) developed by Ernst and Berta Scharrer between 1928 and 1937 formed the foundation for contemporary neuroendocrinology... Today we know that secretory nerve cells are widely distributed over the whole nervous system” and “serve to maintain the organism and preserve the species” (Ogilvie). Scharrer was the recipient of honorary degrees from eleven institutions, including Harvard, and “among her numerous medals and prizes were the Kraepelin Gold Medal of the Max Planck Society, the Schleiden Mdal of the German Academy of Sciences Leopoldina, and the National Medal of the Science of the United States of America” (Ogilvie).
The previous owner of this copy, Henry Guze, “specialized in psychosomatic illness, schizophrenia and disorders of sexual behavior. He was a founder of The American Academy of Psychotherapists and the Society for Clinical and Experimental Hypnosis and co‐founder and former president of the Society for the Scientific Study of Sex” (New York Times obituary, July 4, 1970).
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New York & London: Columbia University Press, 1963.
Octavo. Original teal cloth, title to spine in gilt on light blue ground, publisher’s logo to upper board in blind. With the dust jacket. 3 plates, illustrations and diagrams within the text. Ownership inscriptions of Henry Guze to the front endpapers. An excellent copy in the jacket that is lightly rubbed and faded along the spine panel, with two short closed tears to the upper panel and light dampstain affecting the lower panel.
Lebour, Marie V. | The Planktonic Diatoms of the Northern Seas
£250.00
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First edition, first impression. Presentation copy inscribed by the author to her sister on the front free endpaper, “To dear Yvonne, From M. V. L.” (see Lebour’s obituary in the Journal of the Marine Biological Association of the United Kingdom, volume 52, p. 778).
Diatoms, a type of phytoplankton, are one of the earth’s keystone species. They are microscopic algae with silica shells that live in both freshwater and marine environments, and produce an amount of oxygen comparable to that of the all terrestrial rainforests combined. They are a primary food source for many other organisms, and accumulations of their shells in sediments record changes in the oceans and climate. Much was learned about phytoplankton during the early twentieth century, and marine biologist Marie Lebour (1876-1971) became one of the leading experts through her work at the Plymouth Marine Biological Laboratory. She “published two classical papers on this topic in 1917. Her subsequent work on taxonomy of plankton species resulted in her first book, Dinoflagellates of the Northern Seas, and in a subsequent volume in 1930 [the present work]. She identified no fewer than twenty-eight new species” (Ogilvie, Biographical Dictionary of Women in Science). Lebour also studied molluscs and their parasites, euphausiid larvae, and the eggs and larvae of fish. She was also a talented draftsperson, and “her detailed and artistic sketches enhanced her publications” (Ogilvie).
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...With Four Plates. London: printed for the Ray Society, sold by Dulau & Co., Ltd., 1930.
Octavo. Original blue cloth elaborately blocked in blind, titles to spine and floral roundel to upper board gilt, yellow coated endpapers, top edge gilt. Ray Society half title with portrait vignette, 4 plates, engravings throughout the text. 16 page Ray Society membership and recent publications lists dated January 1930 at rear. Cloth just a little rubbed at the extremities, spine and edges of the boards tanned, free endpapers partially tanned. An excellent copy.
Norman, David & Angela Milner | Eyewitness Books: Dinosaur
£150.00
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First edition, first impression of Dinosaur, one of the earliest titles in the best-selling Eyewitness Books series, together with the first printing of the American edition, published in the same year. Copies of the first printings of the 1980s Eyewitness books are scarce, particularly in such beautiful condition.
The publisher Dorling Kindersley was founded in London 1974, and in the 1980s began taking advantage of new design technologies to radically revise the traditional page layouts of children’s books. As they described to Children’s Software Review in 1997, the goal was to “slow down the pictures and speed up the text”, allowing children to “experience information from their own particular point of view” (cited by Stringham, “The Efficacy of Small Multiples in the Visual Language of Instructional Designs”, Brigham Young University thesis, 2012). "What DK did—with almost revolutionary panache—was essentially to reinvent nonfiction books by breaking up the solid pages of gray type that had previously been their hallmark, reducing the text to bite-size, nonlinear nuggets that were then surrounded by pictures that did more than adorn—they also conveyed information. Usually full color, they were so crisply reproduced they seemed to leap off the page” (Cart, “Eyewitness Books: Putting the Graphic in Lexographic”, Booklist, October 15, 2002). There are now more than 100 Eyewitness Books, and more than 50 million copies have been sold in thirty-six languages.
The first Eyewitness Books were published in 1988, and Dinosaur appeared the following year, one of the first sixteen in the series and still in print today. Its authors are both prominent palaeontologists. Angela Milner, of the Natural History Museum in London, has done important work on archaeopteryx, providing evidence in the debate over whether it was a bird or dinosaur. David Norman is curator of vertebrate paleontology at Cambridge University’s Sedgwick Museum. In 2017 he and two other paleontologists made the case for a complete revaluation of early dinosaur evolution and taxonomy, arguing that the two main dinosaur clades were more closely related than previously understood.
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London & New York: Dorling Kinderseley, Ltd. & Alfred A. Knopf, Inc., 1989.
2 volumes, tall quarto. Original glossy white boards illustrated with photos, dinosaur-patterned endpapers. Colour illustrations throughout. The London printing has faint toning of the front free endpaper, the New York printing is lightly rubbed at the tips. An excellent, fresh set.
Gilmore, Charles W. | "A Nearly Complete Articulated Skeleton of Camarasaurus
£350.00
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The rare offprint announcing “the most perfect sauropod skeleton ever discovered” (Ashworth, Paper Dinosaurs 40).
This superb, nearly complete specimen of a juvenile Camarasaurus was discovered at the Carnegie quarry shortly after it became Dinosaur National Monument. “In 1925 Gilmore described the specimen in this fully illustrated memoir” which includes a photo of the fossil as it was found and later as it was displayed as a panel mount (Ashworth). “The articulation of the bones allowed Gilmore to conclude that Camarasaurus did not have its highest elevation at the shoulders, as Osborn and Mook had reconstructed it, but rather stood highest at the hips, like Apatosaurus and Diplodocus” (Ashworth).
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...a Saurischian Dinosaur from the Dinosaur National Monument, Utah". [And] "Osteology of Ornithopodous Dinosaurs from the Dinosaur National Monument, Utah." Extracted from Memoirs Carnegie Museum, Vol. X. No. 3, pp. 347-410. Issued July 10, 1925. Pittsburgh, PA: Carnegie Museum, 1925.
Folio. Original wrappers printed in black, wire-stitched. Unopened. Housed in a new, custom archival folder by Bainbridge Conservation. 6 plates, of which 1 is folding. This offprint was previously bound in an over-sized card binding applied by a library, with the upper and lower wrapper each having an additional stiff paper backing applied. The card binding has been removed by Bainbridge Conservation, who professionally conserved the spine with tissue, but the staff paper backing on the wrappers has been left intact. Some loss from the corners of the original wrappers, especially the upper wrapper, but not affecting text. Edges of wrappers a little toned, minor paper flaws affecting a few leaves, top corners of the final few leaves creased. A good copy.
Wood, J. G. | Insects at Home
£95.00
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An attractively bound and copiously illustrated work on British insects by the naturalist John George Wood (1827-1889), originally published in 1872.
Wood began his career in the Church of England, but from the early 1880s "was developing a career as a natural historian; his first book, The Illustrated Natural History, was published in 1851. Several more works had followed by 1856, when he began to give occasional lectures on natural history subjects. Wood's appeal as a populariser of natural history was spotted by the publisher George Routledge. Routledge asked him to contribute to a shilling series of handbooks, starting with Common Objects of the Seashore (1857), which enjoyed huge popularity among holiday-makers to the coast. Common Objects of the Country (1858) had an even greater success, and Routledge followed this with a three-volume Illustrated Natural History (1859) by Wood. Many future naturalists were said to have been inspired by reading these books at an early age" (ODNB)
"Wood wrote more than seventy books, some under the pseudonym George Forrest. The majority of them were on natural history, but he also published works on the history of the biblical period and English scenery... and edited titles as diverse as Gilbert White's Natural History of Selbourne and the Boy's Own Magazine. His own natural history titles, such as Our Garden Friends and Foes (1863) and Handy Natural History (1886), were not rigorously scientific but were influential in popularizing the subject. His works on microscopy such as Common Objects of the Microscope (1861) and Nature's Teaching (1877) are still in use by amateur microscopists who hold him in affection" (ODNB).
- ...Being a Popular Account of British Insects, their Structure, Habits, and Transformations. With Upwards of 700 Figures by E. A. Smith and J. B. Zwecker, Engraved by G. Pearson. New Edition. Large octavo (215 x 140 mm). Contemporary tan calf prize binding, spine elaborately gilt in compartments, black morocco label, double lines rules to boards and Hanley Castle Grammar School Crest to upper board gilt, marbled edges and endpapers, turn-overs ruled in blind. Contemporary presentation inscription to the front blank. Colour frontispiece and 20 engraved plates, engravings throughout the text. Boards a little rubbed and scuffed, small gouge from top edge of lower board, blank piece of paper pasted over an inscription on the verso of the front free endpaper, light spotting to contents. A very good copy.
Hingston & Company | Trade card of Hingston & Company, Chemists and Druggists
£135.00
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An attractive trade card for the chemists Hingston & Company of Cheltenham, “opposite the Plough Hotel. Prescriptions accurately prepared with drugs and Chemicals from Apothecaries Hall”. The text is elaborately engraved and the card features a well-executed bust of Hippocrates and staff of Asclepius. The Science Museum in London has a copy of the same trade card, and the National Archives hold the company’s day book and bankruptcy papers from 1837-1839.
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Cheltenhem, c. 1837. Trade card (90 x 61 mm). Elaborate copperplate engraved text and illustrations of a bust Hippocrates and staff of Asclepius. A few tiny, light spots, adhesive marks to verso.
Michael Birk | [Art Nouveau chromolithographic pharmacy catalogue] Katalog No. 4.
£500.00
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A superb, unused Art Nouveau chromolithographic catalogue issued by the German pharmaceutical and medical supply firm Michael Birk, probably in the 1890s.
This remarkable, 320 page catalogue catalogue contains 15 double-sided plates of elaborate chromolithographic, metallic, and embossed designs for product labels, as well as another 290 pages advertising an incredible array of other products. The chromolithographic labels could be ordered in bulk to be used on bottles and jars filled in person by the pharmacist, and some could be personalised with the shop’s name and address. The catalogue was evidently designed for international distribution, as the examples are shown in a variety of languages, including Arabic. Some of the products include lemon and orange syrup, ginger ale, Egyptian nerve tonic, quinine, toothpaste, cod liver oil, antiseptics, a wide variety of alcoholic beverages including wine, port, rum and rum punch, champagne, and gin, and cosmetics products such as eau de cologne, agua de florida and scented waters. Most of the labels are very elaborate, with colourful designs echoing the origins or contents of the products, some with an exotic or Orientalist flavour, and others using historical imagery. Some are plainer, giving only the product name or a number. Nine pages of labels incorporate fine metallic and die-cut and embossed cameo-like decoration - of note are the two pages of delicate perfume bottle labels.
The remainder of the catalogue details a variety of products, all depicted in large and well-executed engravings. They include bottles, pots, boxes, tubes and dispensers, including decorative bottles and perfume atomisers, and display units. For the use of the pharmacist are moulds, rollers, mortars and pestles, scales, laboratory glassware, bunsen burners, alembics, and ovens. And there are sections for medical dressings and devices, generators of therapeutic electricity, and all types of surgical and dental tools, including large items such as chairs, tables and boilers. A superb catalogue encompassing all of late-19th century pharmacy and medicine. -
Tuttlingen, Germany: Michael Birk, [c. 1890s].
Quarto. Original limp cloth wrappers blocked in gilt, grey, black, and white, blue endpapers, blue top-stain. 15 double-sided leaves of chromolithographic, metallic-printed, and embossed decoration, of which 6 are folding, engravings throughout the other 290 pages. Minor bumps at the corners. A superb, fresh copy in unused condition with many of the leaves unopened and still delicately adhering to each other at the edges.
Aikin, John | The Calendar of Nature
£350.00
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Third edition of this charming little book on the changing of the seasons from month to month by the “physician and man of letters” John Aiken (1747-1822) (Hahn, The Oxford Companion to Children’s Literature).
Aiken charming combines practical knowledge of nature and gardening with literary references. For April he writes: “This month gives the most perfect image of Spring; for its vicissitudes of warm gleams of sunshine, and gentle showers, have the most wonderful effects in hastening that universal springing of the vegetable tribes, from whence the season derives its appellation. April generally begins with raw unpleasant weather, the influence of the equinoctial storms still in some degree prevailing, Its opening is thus described in a poem of Mr. Warton’s: ‘Mindful of disaster past, And thinking of the northern blast, The fleety storm returning still, The morning hoar; the evening chill; Reluctant comes the timid Spring...’ Early in the month, that welcome guest and harbinger of Summer, the swallow, returns. The kind first seen, is the chimney, or house, swallow, known by its long forked tail, and red breast. At first, here and there, only one appears, glancing quick by us, as if scarcely able to endure the cold. ‘The swallow for a moment seen, Skims in haste the village green’.”
A very nice copy in an attractive contemporary tree calf binding. With the ownership inscription and notes of a woman, Eliza Davenport, who obtained this copy in 1810. Davenport’s short pencilled notes at the rear of the volume relate to a handful of observations of flowering plants and other phenomena.
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...Designed for the Instruction and Entertainment of Young Persons. The Third Edition. London: Joseph Johnson, 1787.
Duodecimo (155 x 95mm). Contemporary tree calf, spine gilt in compartments, marbled endpapers. 1810 ownership inscription to the verso of the front free endpaper, pencilled notes of a similar date to the verso of the rear blank. Binding lightly rubbed at the extremities, the corner of B6 torn, not affecting the text, light spotting to the contents. Very good condition.
Jeans, James | The Stars in Their Courses
£150.00
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First edition, first impression. Rare in the jacket and much less common than the US edition published by Macmillan in the same year. This copy with the bookplate of Edward Beldam Diver, London manager of the Cambridge University Press (The Historical Register of the University of Cambridge. Supplement, 1921-1930).
Author James Jeans (1877-1946) was a respected Cambridge mathematician and astronomer, best known for his work on rotating, gravitational bodies, "a problem of fundamental importance that had already been tackled by some of the leading mathematicians" (ODNB), and the motions, structures, and life-cycles of stars and stellar clusters.
"In 1928 Jeans's academic work Astronomy and Cosmogony came to the attention of S. C. Roberts, the secretary of Cambridge University Press, who appreciated the general interest of its subject matter and the attraction of Jeans's writing style. He persuaded Jeans to write a popular account, The Universe Around Us, which was published by the press in 1929" (ODNB). Jeans' popularity as a writer "depended partly on his topic — new, thought provoking views of the universe — and partly on his style, which combined an authoritative knowledge of the subject with a vivid turn of phrase" (ODNB).
The present volume was his third popular work, with the dust jacket prominently advertising the previous two. It is based on a series of radio broadcasts written for listeners with no previous scientific knowledge, and with the hope of introducing them to “the fascination of modern astronomy” and “the wonder of the universe we see through the giant telescopes of to-day” (preface).
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Cambridge: at the University Press, 1931.
Octavo. Original blue cloth, titles to spine gilt. With the dust jacket. Black and white frontispiece and 46 plates, 2 folding astronomical charts. Contemporary bookplate of Edward Beldam Diver. Spine very slightly faded, cloth a little rubbed at the tips. A very good copy in the rubbed and creased jacket with tanned spine panel and some nicks and small chips.
True, Marjorie | Diary of a British Second World War Civil Defence Volunteer: September 1939-October 1941
£2,500.00
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Content advisory: contains anti-Semitism.
A dense, detailed, and revealing diary chronicling the first two years of the Second World War by Marjorie True of Peterborough’s Cathedral precinct, who was active in the Women’s Voluntary Service. In addition to the eighty-six pages of manuscript text there are sixty-five photographs pasted-in, as well as ephemera (including her clothes ration book and City of Peterborough registration card for Civil Defence Duties) and news clippings, mainly documenting her civil defence work. This diary is of historical importance and would benefit from knowledgeable institutional cataloguing and conservation.True seems to have begun her diary specifically to document the war, with the first entry dated September 2nd, 1939: “On the verge of war. Germany bombed Warsaw & has marched into Poland at several points. No ultimatum — the final note from Germany to Poland with terms was never sent. British Gov. waiting for answer to our ultimatum to Hitler. Father who is 71 is an air raid warden. His job is to patrol the street from the Cathedral gateway to Bishop’s Road & see all is in darkness — give advice & warning... I am an ambulance driver’s attendant which meant being trained in first aid, gas & map reading...”
The diary continues in this fashion for the next two years, chronicling international events alongside her voluntary work, local goings-on, private and public sentiment, and rumours. She closely follows the advances of Germany and Russia across the continent, and the efforts made by western European governments and armies as one by one they fell to the Blitzkrieg, often commenting on the fortitude of the Europeans.
May 15th, 1940: “Today the Dutch Army have laid down their arms. Barely a week ago they were a free people. The Queen, government, Princess Juliana & children are all in England.” Sunday, May 19th: “The war is getting very close now. There is a terrible melee taking place in Sedan and on the French Belgian border — The Germans have penetrated about 60 odd miles into France. They have brought super heavy tanks which have gone through the weakest part of the Maginot Line.” Saturday, June 15th: “The Germans marched into Paris yesterday. A heavy depression has all but NOT despair. To-day we had most of our windows painted with triplex. This should prevent the glass from flying if shattered.”
During this early part of the war True focuses on the watching and waiting in Britain, a time during which she and her fellow citizens were swinging between anxiety and inattention. In September 1939 she writes that “here things are getting rather slack. We feel Hitler cannot bother with us until Poland is finished. Already people are forgetting their gas masks…” Later, “For weeks now we have all been suffering from colds in the head. In fact they have been so persistent that there have been grave doubts in some parts that it could be one of Hitler’s trump cards, or his ‘Secret Weapon’ which he boasts of.” She describes her experience of measures such as the blackout and reports that, “Amongst the things I miss is the sounding of the church clocks in the night”. In December that year she visits London for the first time since the outbreak of war and describes seeing “high in the sky only just visible in the fog & mist… barrage balloons looking rather like fat sausages with large [?] fins. Sandbags everywhere — but apart from the darkened streets & shops there seemed quite as many people as ever.”
But always there is the sense that Germany is getting closer, and True carefully records instances of German fighters being downed in the Firth of Forth and Scapa Flow, as well as the numerous U-boat attacks on ocean liners and Allied battleships.
The unprecedently severe winter of 1939/40 is a frequent subject. On January 25th, 1940 she writes, “This cold has nearly driven us all crazy - frost & snow - burst pipes - water coming through ceilings & general awful discomfort has been our lot for what seems like months”. And she discusses the rationing that had just started. “To-day Father went through the business of procuring our sugar for making homemade marmalade or jam! The fruiterer gives one a signed receipt for so many lbs of Seville oranges (no sugar is allowed for the sweet oranges) this has to be taken to the food control office where a [?] is made out for 1lb of sugar to each 16 of fruit. What a game.”
Other aspects of the diary are both troubling and revealing. In recent decades historians have been at pains to point out that the perception of British self-sacrifice and “stiff upper lip” during the war was only part of a much more complex and morally ambiguous reality, with elements of class, colonialism, and anti-Semitism often at the forefront of events. This is apparent almost immediately in the diary, when on September 3rd, 1939 True reports that, “Since 11 am we have been at war with Germany. All day there has been a flood of evacuees from London — hundreds & hundreds of women & children all housed at the Government’s expense & billeted on private homes here — almost as we were sitting down to lunch we had 2 women & 3 children thrust on us... All the evacuees seem to be Jewish. Why they should choose a small cathedral town to let them loose on beats me. In a very short time both women were grumbling so we tried to get them removed & fortunately were able to do so late in the day to Mrs. Mellow at Vineyard House... We are sorry for these women who have had to break up their homes but they forget our homes are broken up too. Life would have been unbearable had we had to live with that crowd — the women were passable but horribly cheap — the kind who jar horribly”.
Again, in September of the following year she reports that, “The town is again getting flooded with refugees – real refugees this time. People whose houses are in ruins or who have fled the unceasing crash of A.A. guns & explosions. There are some terrible looking Jews about, I would be glad if those people did not send such a feeling of loathing thro’ on. Why is it? I always feel I must hurry by because what I am feeling must be written on my face.”
True was a member of the Women’s Voluntary Services, working as an ambulance driver’s attendant and stationed at the local swimming pool. Many entries record her training sessions, experiences of nights on call, and interactions with other volunteers.
Early in the diary there are multiple reports about conflict over some volunteers being paid, a practice that True disdained, with strong undertones of classism. “…there is a rather [?] air amongst the many so called ‘voluntary’ helpers. I say ‘so called’ because so many of them are being paid... I was called to the Ambulance Station last Friday and stayed there from 7 to 10-20. For this I get nothing however many times I do it after my day’s work. The whole idea of payment is pernicious...”
Voluntary work could be physically difficult but emotionally rewarding. On May 11th, 1941 True describes a practice session. “Saturday I tried my hand at putting out a fire by a stirrup pump. As I was wearing my best slacks & not the usual dungarees, I did not feel too enthusiastic when Mr. Brown invited us to try. However, rolling up my slacks & wearing an old oilskin over my Ambulance coat I waded in. It was great fun really... All went well except for my helmet which fell off… Also we were taken — four at a time into a smoke-filled room — here we had to crawl round the room…I felt sure I was to be the one to cry out for the door to be opened but pride as usual came to the rescue and I crawled out with the others after the longest four or five minutes of my life.”
But there are also happier times. True frequently writes about the other women who were good companions during long days and nights, and the socialising they did. Most of these friend and colleagues are mentioned by name and depicted in the numerous photographs pasted-in to the diary (there are also several pages where True has had the other women sign their own names.) Some photos depict the volunteers doing practice exercises such as preparing equipment, cleaning an ambulance, carrying a comrade on a stretcher, and wearing gas masks and emergency oilskins “for mustard gas”. Other images are casual, and show women relaxing together, having tea, holding pets, and posing in front of official vehicles. True usually rode her bicycle to the station, and there are several photos labelled with variations of “Me & my bike”, including one in uniform. There are also images of True’s father — with the handlebar moustache of a different era — in his warden uniform. Additionally, newspaper clippings record the visit of the Marchioness of Reading to the station, as well as a test mobilisation of firefighters in downtown Peterborough (“that’s me talking to Mrs. Fowlis in the ambulance”).
By spring of 1940 the tension reflected in the diary has considerably ramped up, with the German threat coming ever closer to Peterborough. The diary covers the entire period of the Blitz and Battle for Britain, which began that summer, and reports on events throughout the country. On June 19th True describes the anxious wait for the large-scale air raids that the population knew was coming. “A whole week gone & no Battle for England – or rather Britain started yet. Our airmen have put in some marvellous work – this may be one factor. However many hours grace means a lot to us.” And by September she is reporting on the effects of the Blitz, which began on the 7th. Her entry for September 14th, 1940 reads, “London has suffered terribly – & not only London. The Docks have been the chief target but Buckingham Palace received its first & let’s hope last bomb the other night. There have been marvellous tales of courage…”
In early June True describes Peterborough’s first air raid.
Friday June 7th: “This morning about 1-15am? we had our first real air raid warning. It was hot & still and my window was wide open & I suddenly wakened to the fearful din of the air raid siren. I have often said when listening to the practices that we should never hear it but at 1-15 am on a still summer morning it sounded absolutely devilish. After the first paralysing second I leapt out of bed and tried feverishly to get into my battle dress which by great good fortune was handy. Of course the dungarees went on back to front & it seemed hours to me before I set off on my cycle to the ambulance station. At first I was so rattled I had to get off my bike but gradually I calmed down & rode as fast as the darkness would allow — arriving at last to find I was the first of the part timers to appear. I was given a hearty welcome and we then commenced our long wait until the ‘all clear’ went at 3-15. We looked a grim party of women — none of us looking our best, shining noses and hair entirely out of hand. Now and then we heard the uneven drone of the German planes but that thank goodness was all that happened.”
Saturday June 8th: “Last night we had our baptism by fire. To-day the town has a weary look after two practically sleepless nights. About 1-15 again — without any warning a German plane dropped what sounded like three or four bombs in Bridge St., Bishop’s Gardens & the swimming pool!... It is not just a bang - there is a sickening thud which shatters the nerves - At the first moment I felt sick & then began gathering my things in my arms to get downstairs… I must say I listened carefully and sought the sky before venturing forth... What I hate most is thinking of Father on his beat, right in the midst of things. He says that there are several good places to shelter but we are very worried. After another ghastly ride with my heart beating like a sledge hammer & my knees knocking I arrived for the second night in succession at the A.S.”
True seems to have returned to this diary much later in life, as there are a few annotations in a spidery ballpoint pen and some pieces of late-20th century ephemera inserted. On one loose wartime photo of a group of women she writes “How easily one forgets. My Party. This is what I remember of my Party.” The final contemporary entry is dated October 26th, 1941, and ends on the recto of the very last page in the diary. On the verso of that page True has obtained the signatures of a number of her colleagues, and below them, she has later written: “I wish I had got more names to help my memory now on April 12 1992 when the war is over…” This is followed by additional text that is difficult to read because it has been overlaid with white address label stickers, presumably because she or a relative wanted it to remain private.
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Peterborough, 1939-1941.
Quarto (230 x 175 mm). Ready-made journal, burgundy pebble-grain cloth backstrip, blue moiré boards, lined paper. Approximately 86 pages of manuscript text, plus loosely inserted manuscript leaves. Ephemera and documents both pasted in and loosely inserted. 65 photographs, primarily 85 x 60 mm with white borders, though a handful are slightly larger and without borders. Most of these are pasted-in, but a handful are loosely inserted. Early in the diary there are glue spots where 4 photos were once attached, and at least two of the loosely inserted prints also have glue on the back. 4 modern white label stickers pasted over some text on the final left, presumably to hide it. Significant wear to the spine and boards, contents shaken, occasional light spotting to contents which are clean and legible. Very good condition.
(Art Nouveau) [Verneuil, Maurice Pillard] | Le Décor Floral
£1,500.00
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A striking Art Nouveau design portfolio, unusual for using photography to depict geometric floral arrangements.
This portfolio is usually attributed to the French designer and commercial artist Maurice Pillard Verneuil (1869-1942), a student of Eugène Grasset whose career successfully spanned both Art Nouveau and Art Deco eras. If so it would be his only known photographic work. As bookseller Daniela Kromp has explained, it may be that Verneuil was inspired by the Viennese pioneer of botanical photography, Martin Gerlach (1846-1918), who was producing botanical portfolios as early as 1893.
“Although in Helen Bieri Thomson's bibliography, Verneuil is named as the author (or editor) of Le Décor Floral (cf. p. 118), he isn't known as a photographer so far. Thus, Verneuil presumably has not done the photographs himself, but at least he made the arrangements of the plants and of each particular plate... it is known that Verneuil made a journey to Vienna in 1902 (cf. Thomson p. 13). Perhaps he got to know Martin Gerlach's photographic work there in detail and received the essential inspiration for Le Décor Floral” (Kromp, "Short List for London 2018", item 45).
The publisher of this set, Librairie Centraledes Beaux-Arts, was one of the primary firms of the Art Nouveau movement, producing important work by Alphonse Mucha and Eugène Grasset, as well as other important portfolios by Verneuil.
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Documents d’Art Décoratif d’après Nature...50 Planches. Bordures et Panneaux Semis, Fonds ornés, etc. Paris: Librairie Centraledes Beaux-Arts, [c. 1904].
Folio. Half title and 50 tinted collotype prints after photographs, 4-page title and publisher’s prospectus printed in green and brown. In the original linen-backed card portfolio with linen ties. Bernard Quaritch ink stamp to the title, ink stamp of the Birmingham Assay office Library to the inside of the cover. Portfolio browned and rubbed with some wear at the corners and slight creasing to the upper cover, linen ties browned but intact, title and prospectus toned and a little rubbed at the extremities, plates very faintly toned at the edges. Portfolio professionally cleaned and spine caps repaired by Bainbridge Conservation. Very good condition.
[Masudaya] Modern Toys | Distant Early Warning Radar Station
£500.00
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A remarkable relic of the Cold War, this interactive tin toy allowed a child to pretend that they were manning a distant early warning station with a radar “scope” showing the silhouette of a moving plane, as well as a rotating radar dish and blinking lights. It was made by the famed Masudaya firm of Tokyo, which was founded in 1923 and became the leading producer of battery and mechanical-operated toys during the post-war period (fabtintoys.com). This toy has been tested and is only partially functional, with two of the lights and the rotating wheel of plane silhouettes not working at present, possibly due to loose connections. it is nevertheless a lovely example, and rare in the original box with the paper signal key, as here.
Though early warning radar systems had been in use since Britain’s deployment of Chain Home in 1938, the post-war threat of nuclear bombers led to the development of increasingly sophisticated long-range systems, particularly to monitor activity over the Arctic. The most successful of these was the DEW Line, which was constructed primarily in Canada’s far north, with additional stations in Alaska, Greenland, and Iceland. It went on-line in 1957 but quickly became semi-obsolete as the nuclear threat shifted from bombers to ICBMs, though it continued to operate until the early 1990s to provide an early warning of airborne invasion forces that might have proceeded a missile strike by several hours. The militarisation of the Canadian Arctic had significant effects on Canadian politics, and resulted in increased government interference in the lives of the Inuit as well as serious environmental damage.
This toy was probably inspired by DEW, and it might be a coincidence, but the illustration on the box looks remarkably similar to a 1955 ad in Time magazine extolling Raytheon’s role in designing and manufacturing the radar for that undertaking. Though the toy is undated it was probably sold in the late 1950s or early 1960s, given the short period during which distant early warning radar was of military significance. Work at these stations would have involved fairly dull duties, monitoring radar screens for the start of World War III in an isolated and harsh environment, and it’s strangely charming that someone chose to produce a colourful toy based on what must have been one of the more demoralising jobs in the Air Force.
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...Battery operated. With revolving radar scope, blinking warning lights, telegraph key and light blinker. Japan: [Masudaya] Modern Toys, [c. 1960].
Enamelled tin toy, approximately 19.5 x 12 x 14cm. Opaque backlit “scope” with moving airplane silhouette on the interior, red and green lights, red signal key button, and on/off button. With the detachable beacon tower in tin with red light, the plastic radar dish, and the paper with signal key in morse code. The battery compartment accommodates two D batteries. All together in the original card box (20.5 x 14 x 13cm). Price of 39/6’ in ink to the box lid. Some scuffs and wear commensurate with use, some loss of the green and red paint from the lightbulbs, occasional tiny spots to the tin, on/off button slightly cracked, morse code card torn at the top where there was originally a string, light wear and some creasing and toning of the box. This toy has been tested and is only partially functional, possibly due to loose connections. Both the red light on the body and the light at the top of the tower are not working, and the interior wheel with airplane silhouettes does not rotate. The “morse code” buzzzer works, as does the green light and the backlight. A very good example.
(Hosking, Eric) Baker, J. A. | The Peregrine.
£650.00
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First edition, first impression of this masterpiece of 20th century nature writing, cited by Ted Hughes, Andrew Motion, Werner Herzog, and many others, as one of the most important works of its kind. Uncommon in such nice condition in the dust jacket. This copy from the library of eminent bird photographer Eric J. Hosking, with his owl bookplate.
Author J. A. Baker (1926-1987) was a librarian who spent ten years tracking peregrine falcons in coastal Essex during the 1950s and 60s. This, the first of his two published works, distils his observations of the birds and their changing habitat into a lyrical account of a single year, beginning in autumn with the birds’ migration from Scandinavia and ending with their return north in spring.
Born in 1909, Eric Hosking developed his love for nature and photography at an early age. He received a Kodak Box Brownie at age eight, and graduated to a plate camera by age ten, using it to photograph birds. He lost his job in car sales at the beginning of the Great Depression, but an opportunity arose when the Sunday Dispatch asked him to get a shot of an elephant seal at the London Zoo. For several years he supplemented his income by photographing weddings and children (including the young princesses for Country Life in 1935), but by 1937 he was a full-time nature photographer, the first person in Britain to make their living in this field.
Hosking was intrepid in his pursuit of wild birds. He designed his own hides and made a number of important technical advances, among them the use of the flash in nature photography. His most famous photo is the “technically perfect” shot of a barn owl carrying prey that he captured using an electronic flash in 1948 (Sage, “A Photographer in Hiding”, New Scientist, September 1979). He is widely credited with developing wildlife photography into a mature artform.
During his sixty-year career Hosking’s photographs were published thousands of times around the world. He authored thirteen books, including the autobiography An Eye for a Bird, and he lectured, wrote for popular periodicals, and appeared on television. Hosking was president of the Nature Photographic Society and served as vice-president of the Royal Society for the Protection of Birds and the British Ornithologists’ Union. He was awarded the RSPB’s Gold Medal in 1974, and three years later received an OBE.
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London: Collins, 1967.
Octavo. Original black boards, titles to spine gilt. With the dust jacket. Bookplate of Eric J. Hosking. Tail of spine a little bumped, lightly rubbed at the edges. An excellent copy in the jacket that is also a little faded on the spine panel and edges, and lightly rubbed at the extremities.
Hassard, Annie | Floral Decorations for the Dwelling House
£250.00
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First edition, and a lovely copy, of this delightful work on flower arrangements and indoor plants that was highly praised by contemporaries.
By 1875, botanical pursuits such as flower and fern collecting, pressing, and arranging had been a major hobby for British women for at least a generation. Floral Decorations for the Dwelling House expanded on the work of earlier authors, such as A. E. Maling (Flowers for Ornament and Decoration, 1875), by adding advice on living plants in addition to cut flowers. It “offers a very detailed account, both practically and artistically oriented, of the best plants and best pieces of equipment to use for a wide variety of indoor plant and flower decorations, from bouquets to dining tables, window displays, hanging baskets and Christmas decorations, as well as giving advice on how best to arrange them” (Sparke, Nature Inside, p. 48).
The book was praised in the January 1876 issue of The Floral World and Garden Guide as “a systematic treatise on the subject. The truth is, the gifted author of this stands alone and far in advance of all competitors, whether as an exhibitor or a judge of exhibitions, whether in the preparation of a bouquet for a princess or the decoration of a grand saloon for an important public ceremony”. In that year an American edition was published by Macmillan, in which additional emphasis was placed on living plants in decorative schemes (Sparke).
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...A Practical Guide to the Home Arrangement of Plants and Flowers. With Numerous Illustrations. London: Macmillan & Co., 1875. Octavo. Original green cloth elaborately blocked in gilt and black with floral designs on the spine and upper board, brown coated endpapers. Burn & Co. binder’s ticket to the rear pastedown. 9 steel engraved plates, steel engravings throughout the text. Single leaf of ads at rear. Blind stamp of the W. H. Smith lending library to the front free endpaper. Cloth only very lightly rubbed at the extremities with a few small marks, a few light spots to the title. An excellent copy.
Bonnycastle, John | A student’s manuscript of mathematical problems from A Treatise on Plane and Spherical Trigonometry.
£1,500.00
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An elegant, substantial early-19th century manuscript containing practical mathematical and astronomical problems likely produced by a student of navigation.The majority of the text is from John Bonnycastle's A Treatise on Plane and Spherical Trigonometry, originally published in 1806. Bonnycastle was a respected mathematics teacher who tutored the children of the aristocracy and taught at the Royal Military Academy in Woolwich. A man of “considerable classical and general literary culture”, he was a great friend of Fuseli and also of Leigh Hunt, who included Bonnycastle in his book Lord Byron and Some of His Contemporaries.
“Bonnycastle was a prolific and successful writer of textbooks. Of his chief works, The Scholar's Guide to Arithmetic first appeared in 1780 and ran to an eighteenth edition in 1851… His Introduction to Astronomy (1786), intended as a popular introduction to astronomy rather than as an elementary treatise, was one of the best-selling books on the subject for many years… Besides elementary mathematical books, Bonnycastle was in early life a frequent contributor to the London Magazine. He also wrote the introduction to a translation (by T. O. Churchill) of Bossut's Histoire des mathématiques (1803) and a ‘chronological table of the most eminent mathematicians from the earliest times’ for the end of the book” (ODNB).
This manuscript, titled “Bonnycastle’s Trigonometry”, contains the practical portions of the text, including rules for solving different types of trigonometric problems (“cases”) and practice problems. The practice problems have been completed in full, including large, precise geometrical diagrams made with ruler and compass. Page numbers are given and the problems are dated, the first section having been completed on September 24th, 1813 with additions every few days until the final dated entry on March 31, 1814. The final, undated portion, about a quarter of the manuscript, comprises “Miscellaneous Astronomical Problems” from Andrew Mackay’s The Theory and Practice of Finding the Longitude at Sea or Land (first published in 1793, the second edition in 1801), an important work for which its author “received the thanks of the boards of longitude of England and France” (ODNB).
This manuscript’s focus on mathematical rules and practice problems (at the expense of the more theoretical, text-heavy portions), together with the fact that it was updated regularly between September and March, indicates that it was produced by an advanced student working through the book as part of a regular course of study. The script is elegant, clear, and controlled throughout, and pencilled guide rules indicate that the student took great pains to ensure the manuscript was attractive and readable, suggesting that it was evaluated as part of coursework rather than used as a notebook for producing rough calculations (indeed, some rough calculations are included on sheets of scrap paper loosely inserted). Mathematics of this type, focused on spherical trigonometry, astronomy, and navigational problems, would have been of interest primarily to mariners, and it seems reasonable to conclude that the student was attending a naval or military institution, or was perhaps under private tutelage with a naval career in mind. A beautiful example of a student’s efforts at practical mathematics for navigation at a time when Britain was the major power on the seas.
- ...as well as Andrew MacKay’s The Theory and Practice of Finding the Longitude at Sea or Land. 170 page manuscript. Contemporary half speckled sheep, marbled sides. Several contemporary sheets of manuscript with mathematical notations loosely inserted. Corners repaired, a little wear and some discolouration to boards, endpapers tanned, contents with the occasional light spot but overall quite clean. Very good condition.
Babcock & Wilcox Co. | Dampf. Dessen Erzeugung und Verwendung nebst katalog der Fabrikate
£150.00
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“Steam, Its Production and Use, together with a Catalogue of Manufactures”. A very attractive 1893 German language catalogue of the pioneering power firm Babcock & Wilcox, the first edition of which was published in 1875.
This 180-page catalogue is heavily illustrated with both photos and engravings. In addition to specifications for the firm’s boiler models, it includes a detailed overview of steam power and the operations of different types of boilers, as well as information about the company and a complete list of the boilers they have already installed. Loosely inserted is a single leaf advert for the Babcock & Wilcox boiler “with Colonial Furnace, suitable for burning green bagasse”, and three charming, pictorial advertising flyers for equipment produced by the Bopp & Reuther firm of Mannheim, Germany.
Babcock & Wilcox was founded as a manufacturer of industrial steam boilers in Providence, Rhode Island in 1867, and has remained a leader in power generation to the present day. Among their many achievements have been: the supply of a boiler for Edison’s Menlo Park laboratory in 1878; the powering of America’s first electricity-producing central generating station in Philadelphis in 1881; supplying the equipment for Edison’s Pearl Street Station in New York City, the worlds first public electrical utility, which opened in 1882 (Edison would later write that Babcock & Wilcox manufactured “the best boiler God has permitted man yet to make”); the supply of boilers to power US and British naval vessels in the 1890s; the production of electricity for New York’s first subway; the construction of the water pipe system at the Hoover Dam; and the supply of weapons components for the Manhattan Project and equipment for the world’s first nuclear-powered sub, the USS Nautilus.
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...der Babcock & Wilcox Co. 30 Cortlandt Street, New York und von Babcock & Wilcox, Limited 114 Newgare Street, London. New York & London: Babcock & Wilcox, March, 1893.
Tall quarto. Original brown cloth blocked in gilt and blind, all edges red, floral patterned endpapers. Lithographic half title. Engravings and illustrations from photos throughout. Ownership ink stamp of Edmund Prechtel to front pastedown and title, ownership signature of the same to the front blank. Cloth a little rubbed and spotted with some scattered loss of size, small tear at the base of the spine panel, contents faintly toned. Excellent condition.
Buckland, Frank T. | Fish Hatching
£75.00
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First edition. A lovely, fresh copy of this important early work on raising young salmon by the Victorian Era's leading authority on pisciculture.
The naturalist Francis Trevelyan Buckland (1826-1880) began his career as a military surgeon in London, where he "eagerly embraced every opportunity of examining curious specimens of natural history, and abnormal growths, describing his observations in his Curiosities of Natural History, begun in 1858". In 1856 he joined the staff of the Field newspaper, and in 1865 he founded his own journal, Land and Water, an ‘independent channel for diffusing knowledge of practical natural history, and fish and oyster culture’.
Buckland "applied himself to the many economic questions affecting the artificial supply of salmon, the length of the close season, the condition of different salmon rivers, and similar investigations, gradually becoming the highest authority on pisciculture. In February 1867... he was appointed inspector of salmon fisheries. No more congenial post could have been offered to him, and from then on he devoted all his energies not merely to the duties of his office, but to the study of every point connected with the history of the salmon, and endeavoured in every way to improve the condition of British fisheries and those employed in them. This involved frequent visits to the rivers and coasts of the country, when he was always a welcome guest among people of all classes" (ODNB).
This volume was originally presented as a lecture at the Royal Institution in April, 1863. Buckland wrote in the preface that it was "a record of the observations which I have made during my experiments in Fish Hatching carried out during the winter months". He also thanked "Professor Faraday for his kind attention" as well as "Professor Tyndall, who was good enough to exhibit the young fish alive under the electric lamp, thereby adding so much to the general interest which I was most pleased to hear was caused among those present on the night of the Lecture".
In May 1865 Buckland was appointed scientific referee to the South Kensington Museum (now the Science Museum), where he established a large collection related to pisciculture which formed the basis of the International Fisheries Exhibition of 1883 and was on display until the latter half of the 20th century. "In his lifetime Buckland was regarded as one of the most whimsical of naturalists and, with all its stories of his doings and escapades, his biography was published in popular fiction as a ‘good romance'" (ODNB). - London: Tinsley Brothers, 1863. Octavo. Original green pebble-grain cloth, titles to spine gilt, boards blocked in blind. Frontispiece. Contemporary ownership signature to front pastedown. Just a little rubbing at the extremities, minor spotting to edges of textblock. A fresh and attractive copy in excellent condition.
(Zallinger, Rudolph) Ostrom, John H. & Theodore Delevoryas | A Guide to the Rudolph Zallinger Mural The Age of Reptiles
£35.00
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Reissue of this illustrated visitor’s guide to the magisterial Age of Reptiles mural in the Great Hall of Yale’s Peabody Museum, written by John Ostrom, one of the most important palaeontologists of the 20th century. Originally published in 1966 in the same pamphlet form. A beautiful copy in unusually nice condition.
“The Age of Reptiles mural is an artistic masterpiece and was, for its time, perhaps the most scientifically accurate representation of the Mesozoic world ever created” (Black, “Creating the Age of Reptiles”, Smithsonian Magazine, January 3, 2012). The 110-foot-long, 16-foot-high mural was completed between 1943 and 1947 by art student Rudolph Zallinger (1919-1995), who had previously been employed at the museum painting seaweed specimens. Museum director Albert Parr had initially envisioned the space broken into panels illustrating individual species, but Zallinger developed the idea for a “sweep through time” from the Devonian period to the Cretaceous, “more than three million years of earth history” (introduction to the present).
“With the format established, Zallinger was rapidly schooled in vertebrate paleontology, paleobotany and anatomy by the museum’s experts. The animals had to be scientifically accurate, their environments appropriately stocked with plants from the right era, and the whole fossil cast had to fit together in an aesthetically pleasing style. Accuracy was of extreme importance, but so was making the painting visually appealing to visitors... The artist also faced the technical decision of how to execute the mural. Zallinger decided on a fresco secco, a classic method in which pigments are combined with egg and water and are painted on dried plaster that is moistened at the time of application. As Zallinger composed each successive rendition of the mural, the space he was going to paint on was prepared and covered in plaster. What is remarkable is how early Zallinger arrived at what became the final layout for his Mesozoic panorama. While the fine details of the plants and animals changed with each ever-more-detailed version, their general shapes and poses were established by the time Zallinger created a 1943 ‘cartoon’ version of the mural on rag paper” (Black).
The mural is one of the largest paintings in the world, and earned its creator a Pulitzer Fellowship in Art in 1949. It was highly influential in both paleontological art and in popular culture during the mid-century. A number of guides to the mural have been published over the years, including this one by John H. Ostrom (1928 - 2005). Ostrom was a Yale professor, director of the Peabody Museum, and “the most influential palaeontologist of the second half of the 20th century” (Dodson & Gingerich, “John H. Ostrom”, American Journal of Science, volume 306, number 1, January 2006). He discovered that dinosaurs had the metabolisms and agility of mammals and birds, and that they were closely related to modern birds, leading to the “dinosaur renaissance” of the second half of the century.
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...in the Peabody Museum, Yale University. Discovery Supplement Number 1. New Haven, CT: Peabody Museum of Natural History, Yale University, 1966.
38-page pamphlet, wire-stitched. Original green wrappers printed in black. Folding plate depicting the mural and “Earth Clock”. Pencilled number to the edge of the upper wrapper. A fine copy.
Morgan, Ann Haven | Field Book of Animals in Winter
£150.00
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First edition, first printing and a lovely copy in the dust jacket. The Field Book of Animals in Winter is much less common than Morgan’s book on ponds and streams, and is rarely found in such nice condition.
As a child, Ann Haven Morgan (1882-1966) developed a love of nature by exploring the areas around her home in Connecticut. She earned her bachelor’s degree and doctorate at Cornell, the latter under James G. Needham at the Limnological Laboratory.
Returning to Cornell, “she advanced steadily up the academic ladder, becoming a full professor in 1918. During the summer she conducted research and taught courses on echinoderms at the Marine Biological Laboratory, Woods Hole... Although limnology (the study of inland waters) was her special subject – on which she wrote a useful book, Field Book of Ponds and Streams (1930) – Morgan was also interested in many other facets of zoology, particularly hibernating animals. Her Field Book of Animals in Winter (1939) reflected this interest. In 1949 the Encyclopaedia Britannica made it into an educational film” (Ogilvie, Biographical Dictionary of Women in Science p. 913).
Among her other scientific interests were conservation and ecology and educational reform. Morgan was a member of numerous professional societies, including the American Entomological Society, American Society of Naturalists, American Society of Zoologists, and the New York Herpetological Society. She was prominent enough to be one of only three women included in the 1933 edition of American Men of Science. -
...With 283 Illustrations, Including 4 Full-Colour Plates. New York: G. P. Putnam’s Sons, 1939.
Octavo. Original blue cloth, titles to spine gilt, all edges dyed red. With the dust jacket. Photographic frontispiece and 14 plates of which 11 are double-sided, including 2 double-sided colour illustrations. Numerous illustrations within the text. Yellow pencil sometimes used to highlight passages, primarily in the early chapters. A few tiny bumps at the edges of the cloth. An excellent, fresh copy in a very attractive example of the dust jacket that is lightly rubbed with some small nicks and chips, a little creasing at the edges, and mild toning of the spine panel.
Horner, John [Jack] R. & James Gorman | Digging Dinosaurs
£75.00
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First edition, first printing. A lovely copy of this important memoir of excavating Egg Mountain in Montana, one of the most productive fossil beds on earth and the location of both the first dinosaur embryos and the first nests of baby dinosaurs to be discovered.
John “Jack” Horner (1946 – ) is one of the most recognisable of contemporary palaeontologists. The recipient of numerous awards, including a McArthur Fellowship, for his work on dinosaur reproduction, development, and physiology, he was also a staple of 1980s and 90s documentaries and served as a technical advisor for the Jurassic Park films, whose main character, Dr. Alan Grant, he partially inspired. Horner has come under scrutiny in recent years for having a romantic relationship with an undergraduate volunteer in his laboratory, resulting in his early retirement.
In 1977 Marion Brandvold, the owner of a mineral shop in Bynum, Montana, discovered fossils of juvenile dinosaurs and asked Horner to identify them when he happened to stop at the shop during a scouting trip the following year. At the time, only a handful of juvenile dinosaurs were known, and their absence in the geological record was a major problem for palaeontology. Realising their significance, Horner immediately contacted his employers at Princeton (remarkably, he was then working as a preparator of other researcher’s finds, and had not yet run a dig of his own) for permission to remain in Montana and begin excavating the site. Within a few days Horner, his colleague Bob Makela, and the Brandvolds had uncovered whole nests containing young duck-billed dinosaurs – a world first. The juveniles were clearly being cared for by their parents for an extended period, much like birds, and this discovery was the first evidence of complex reproductive behaviour in dinosaurs. The site also revealed the first egg clutches in the Western hemisphere and the first dinosaur embryos found anywhere. Excavations have since revealed that the site was home to thousands of Cretaceous-period dinosaurs, with evidence of more than 15,000 individuals, making it the largest group of dinosaur skeletons on Earth and evidence that some species exhibited social and possibly migratory behaviours (”Digging for Dino Eggs with Famed Paleontologist Jack Horner”, Wired, October 28, 2011).
Published in 1988, Digging Dinosaurs was written for a popular audience and covers the first six years of excavations, including the major discoveries of nests and embryos, and includes a foreword by Sir David Attenborough as well as numerous illustrations.
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...Illustrated by Donna Braginetz and Kris Ellingsen. New York: Workman Publishing, 1988.
Octavo. Original black boards, black cloth backstrip, titles to spine gilt, red endpapers. With the dust jacket. 4 double-sided plates from colour photographs, black and white illustrations throughout the text. Spine rolled. An excellent copy in the fresh dust jacket.
Augusta, Joseph, Greta Hort, & Zdeněk Burian | Prehistoric Animals
£250.00
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First English language edition, first impression of this vibrantly illustrated work, originally published in Prague under the title Tiere der Urzeit in the same year. Rare in the dust jacket in such nice condition.
Between the 1930s and 1960s “the foremost painter of dinosaur restorations was Zdeněk Burian (1905-1981). His canvasses were used to illustrate a number of popular books on prehistoric life by Joseph Augusta, and in the late 1950s and 1960s these were translated into English and widely circulated. So the Burian illustrations offered an alternative to those of Zallinger [responsible for the Peabody Museum mural], or of the late Charles Knight. But there was not much of a difference. Apatosaurus and Diplodocus stand quietly by their respective swamps, accompanied by partially submerged relatives. A T. rex besets a pair of Trachodon, but none of the three lifts a leg off the ground, or even seems to be moving at all” (Ashworth, Paper Dinosaurs 48). Though his dinosaurs are no longer considered anatomically accurate, Burian was highly respected in his time and his paintings were widely reproduced and copied, often without acknowledgement. In 2017 the first dinosaur discovered in the Czech Republic was named in his and Augusta’s honour, Burianosaurus augustai.
The author of the text, Joseph Augusta (1903-1968) was a palaeontologist at Charles University in Prague between 1933 and 1968, and is best known for his role as a science populariser. He published around twenty books on science for the general public and served as an advisor to the hit 1955 film Journey to the Beginning of Time (Cesta do Pravěku), which combined human actors with stop-motion special effects.
The translator of the book, Greta Hort (1903-1967), was born in Copenhagen, the daughter of Vilhelm Hjort, astronomer royal. She earned her PhD at Newnham College, Cambridge and then became a research fellow at Girton College, publishing on mysticism and religious thought. In 1938 Hort was appointed principal of University Women's College (later University College) at the University of Melbourne. She was later made chair of English literature at Aarhus University, Denmark (Australian Dictionary of Biography).
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...Illustrated under the direction of the author by Zdeněk Burian. Translated by Dr. Greta Hort. London: Spring Books, [1956].
Folio. Original buff, heavy-grain cloth, titles to spine and Stegosaurus design to upper board in brown. With the dust jacket. 60 lithographic plates of which 31 are in colour. Lower corner of the binding knocked, which has also slightly creased the corner of the text block and the jacket, spine rolled. A very good copy in the bright jacket that is lightly rubbed at the extremities with a few nicks and short closed splits.
[Avon] California Perfume Company | Art Deco chromolithographic perfume & cosmetics catalogue for 1926
£750.00
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An early edition of this sumptuous chromolithographic beauty catalogue originally introduced at the 1915 Panama-Pacific International Exposition by the California Perfume Company. The firm was founded in 1886 by door-to-door book salesman David H. McConnell and would later become Avon. This catalogue includes 31 plates depicting perfumes and air fresheners, soaps, shampoo, skin creams, shaving kits, toothpaste, gift sets, food flavourings and colours, laundry powder, detergent, and household cleaning supplies. Of particular note are the attractive Art Deco packaging designs, a key aspect of the company’s success.
These catalogues were expensive to produce but extremely successful at promoting the company’s products. Between 1915 and 1917 they were bound with screw-back posts so that pages could be added and removed, but after 1924 the use of screw-back posts was discontinued, so that salesmen were required to buy new catalogues. Price lists were originally issued separately, but this was discontinued in 1919, and this catalogue includes product details and prices interleaved on a lighter paper stock.
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New York: California Perfume Company, [1926].
Oblong folio. Original limp black cloth with fold-over lower cover, bound with metal rivets, title and floral design to upper cover gilt. Chromolithographic title and 31 plates depicting beauty products, each chromolithographic leaf with a numbered cloth thumb-tab, interleaved with informational pages on lighter paper stock. With a pink order form dated October, 1926 loosely inserted. Cloth a little rubbed with light wear at the extremities, the gilt title significantly oxidised and rubbed, spotting, discolouration and some short splits to the title, some spotting to contents not generally affecting the illustrations, lacking the final cloth thumb-tab. Very good condition.
[Partridge, Margaret] Haslett, Caroline | The Electrical Handbook for Women
£150.00
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First edition, first impression, in the uncommon dust jacket.
The Electrical Handbook for Women was “the cornerstone publication” of the Electrical Association for Women, which was founded in 1924 by engineer Caroline Haslett and other members of the Women’s Engineering Society, “in part to encourage the use of electricity in the home” (ODNB). The contents are well-illustrated and include sections on the general principles underlying electrical technology, legal and regulatory issues, and the technical details of domestic electricity applications such as lighting, heating, cooking, and laundry.
Though edited by Haslett, the book’s main author was electrical engineer Margaret Partridge (1891-1967), who began her career as a munitions worker during the First World War and then founded her own firm, M. Partridge & Co., Domestic Engineers. “The new company focused on providing lighting and electric power for farm and country houses... In 1922 she put on an exhibition of electric models and machines in Exeter, including a range of labour-saving devices aimed at women in the home. It was predicted that her exhibition would ‘stir up the women of Exeter to demand the installation of electricity’ (The Woman Engineer, vol. 1 no. 17 [1923])... Her first rural electrification scheme was in Bampton, a contract gained in 1925 with the support of the electrical engineer Dr John Purves. She canvassed for shareholders among WES members, including Lady Parsons and Lady Shelley-Rolls, and the scheme was completed in 1926. She wrote to her friend Caroline Haslett from the power station, ‘My dear – for sheer exciting experience give me a town to light’ (Partridge to Caroline Haslett, n.d., Inst. ET UK0108 NAEST 092/4.9.68).” (ODNB).
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...Edited for The Electrical Association for Women. Foreword by Sir John Snell. London: Hodder & Stoughton, Limited, 1934.
Octavo. Original blue cloth, titles to spine and EWA roundel to upper board in silver. With the dust jacket. Photographic frontispiece and 19 plates of which 15 are double-sided, folding map, numerous diagrams and illustrations within the text. Spine slightly rolled, a few small spots to the edges of the text block, and very occasionally to the contents. A very good copy in the rubbed jacket with a closed tear affecting the title and a 1-inch chip in the upper panel, as well as a similarly-sized chip at the bottom of the lower panel not affecting the jacket blurb, and a few other smaller chips at the corners and edges.
War Manpower Commission | Women in the War—We Can't Win Without Them
£1,750.00
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Due to this item's size and shape, extra shipping charges will apply. Please contact us for an estimate.
An original Second World War poster promoting women in the wartime workforce, produced in 1942 by the War Manpower Commission. At the time, “Women in the War” was one of the most widely distributed images of a woman labouring in war production, unlike the “We Can Do It” poster, which was produced only for Westinghouse plants during a few weeks in 1943 and did not become iconic until the 1980s.“Among the many agencies President Roosevelt had created during the war was the War Manpower Commission, formed in April 1942 to oversee war labor issues in the military, industrial, and civilian sectors. And in June 1942, the Office of War Information was formed to manage the flows of news and propaganda about the war to the public. By 1943, when the labor shortage was most acute, the two agencies worked together in concerted campaigns, targeting employers to hire women and women to become ‘production soldiers’” (Yellin, Our Mothers’ War, p. 44). Women labouring in factories, even in the service of the war effort, was controversial, with only 30 percent of husbands giving unqualified support to the idea of their wives performing such jobs. “Despite the tide of public opinion against working wives, War Manpower Commission director Paul McNutt had a strategy for quelling opposition: ‘The money appeal will continue strong,’ he said in 1943, but we’ll concentrate on patriotism’. Sure enough, all across the country, the public was bombarded with spirited print and radio ads, magazine articles, and posters with slogans like ‘Do the Job He Left Behind’ or ‘Women in the War—We Can’t Win Without Them’ depicting noble, pretty but serious, female war workers on the job... The campaigns glamorized war work, always showing that women could maintain their femininity and still be useful” (Yellin, pp. 45-46).
Examples of this important poster are held at numerous institutions, including the Library of Congress, Imperial War Museum, MOMA, and the Pritzker Military Museum. Copies in such beautiful, unused condition are uncommon in commerce.
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Washington D.C.: US Govt. Printing Office, 1942.
Colour poster (28 x 40 in). Professionally mounted, framed and glazed using archival materials. Original creases from folding, else bright and fresh. Excellent condition. Professionally mounted, glazed and framed using archival materials.
Mead Cycle Company | Crusader Bicycles advertising booklet
£100.00
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An attractive, early 20th-century advertising booklet for Crusader Bicycles by the Mead Cycle Company of Chicago. It includes two wonderful chromolithographs, including a double page spread depicting the Advance Model Crusader de Luxe for $19.85 and the Crusader Coaster-Brake Special for $17.80. The upper cover advertises their policies, including free shipping, a free 30 day trial, and five year guarantee, and there are also ads for a variety of accessories. “What more do you want in a wheel? What greater assurance could you ask in buying a bicycle? We are putting our priceless reputation behind these two latest Crusader Models and behind the unqualified statement that when you buy one you are making the best bicycle selection and the wisest bicycle investment that anyone could possibly make”. Mead was one of Chicago’s first bicycle manufacturers, beginning operations in 1889 and selling nationally through mail order catalogues such as this one.
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Chicago: the Hollister Press for the Mead Cycle Company, [early 20th-century].
12 page advertising booklet, stapled self-wraps. Colour and two-tone chromolithographs. 2 horizontal creases from folding, some spotting and dulling to the cover. Very good condition.
Max Rigo Selling Company | International Aviation Meet. Grant Park Chicago. Panoramic Post Card.
£850.00
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A striking, oversized panoramic postcard photomontage depicting one of the most important aviation events prior to the First World War, the August 1911 International Aviation Meet at Grant Park in Chicago.
The Chicago meet was the largest airshow held up to that time, only eight years after the first powered flight by the Wright Brothers. Over the course of nine days thirty-three amateur and professional aviators competed for cash prizes totalling just over $100,000, watched by an estimated 300,000 spectators. Lincoln Beachey, the world’s premiere stunt pilot, set a world altitude record of 11,642 feet and two pilots, William R. Badger and St. Croix Johnstone, died in crashes.
This postcard is a fantastical composite image depicting the airshow, incorporating photographs of the lakefront buildings, Grant Park, railway tracks, and crowd shots, and all merging into painted backdrops and “crowds”. Fourteen planes are visible in the sky, and while most are painted, a few may have originally have been photographs. Another three are depicted on the ground or taking off, surrounded by people. This copy of the card was posted by “Laurie” of 1859 Sedgwick St, which is adjacent to Lincoln Park on the north side of town, and the recipient was “Miss Florence Ort” of Defiance Ohio. Laurie has additionally annotated the image, labelling for her friend Michigan Avenue, the famous Blackstone Hotel, opened just two years previously, the Auditorium theatre, and the Art Institute of Chicago.
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Chicago, IL: Max Rigo, 1911.
Folding panoramic postcard (290 x 195 mm). Professionally mounted, glazed, and framed using archival materials. Composite photographic image depicting the Chicago lakefront and early planes. The sender’s and receiver’s details filled out in black ink, and four landmarks noted on the image in the same hand. Marks from stamp, some toning and spotting of the verso, creasing and wear, particularly near the original folds (which are fragile) and at the corners and slightly affecting the image, small tape repair to one corner on the verso. Very good condition.
Bigelow, Frank H. | Balloon Ascensions
£750.00
- A substantial, 196-page manuscript of measurements obtained during meterological balloon flights in South America, Europe, Africa, and the United States between 1906 and 1911 (the title gives a date range of 1911-1913, but there do not seem to be any entries after 1911).
The compiler of this manuscript, meteorologist and astronomer Frank H. Bigelow (1851-1924), grew up in Concord, Massachusetts and was educated at the Episcopal Theological School in nearby Cambridge. During the 1870s and 80s he served two stints as assistant astronomer at the Argentine National Observatory at Cordoba, where many of these measurements were made, and also worked as a professor of mathematics at Racine College, as assistant in the National Almanac Office in Washington D. C., and as a professor of meteorology at the National Weather Bureau.
Neatly written on graph paper, each entry in this manuscript is laid out as a grid with the columns headed by elevations. The rows are labelled with a variety of mathematical formula that often relate to each other as they descend the page, “T₁ - T₀” followed by “log T₁ - T₀”, or “T” followed by “log T” then “Log T₁ - T₀” and “Log (Log T₁ - T₀)”. There are also rows where work is presumably checked (check) and various rows are added together (summ). Unfortunately, we cannot locate a guide to the symbols used here, making it difficult to determine exactly what Bigelow was studying. Prose notes occasionally appear, however, and seem to indicate that his measurements were connected with heat and possibly solar activity. “Since z increases upwards the (-) sign indicates loss of heat energy from level to level outwards... The evidence is strongly against the theory that absorption is proportional to the density or path length...” “The assumed (E₁ - E₀) solar near surface seems to require special modification because the p values are impossible...”.
As well as meteorology, Bigelow studied the solar corona, aurora, and terrestrial magnetism, and it may be in pursuit of these subjects that the present ascensions were made. It is also unclear whether Bigelow or a colleague actually went up in the balloons, or whether they were uncrewed weather balloons which had first been used in the late 1890s by the French meteorologist Léon Teisserenc de Bort. We suspect the former, as results are given for multiple elevations during each flight. Unusually, within the manuscript the flights are bound entirely out of date order, and it’s unclear whether this was an accident or a way to highlight or connect certain results. This manuscript would benefit from attention by an informed cataloguer or scholar, in connection with similar materials....Cordoba - Argentina 1911 - 1913. Europe and United States. 1906-1911.
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Folio (352 x 215 mm), single leaves oversewn in sections onto sawn-in cords. 196 page manuscript in black and red ink and pencil, rectos only. Leaves numbered in blue crayon. Contemporary quarter black skiver, black pebble-grain cloth, titles to spine gilt, marbled endpapers, graph paper leaves. Spine professionally relined and reattached to text block by Bainbridge Conservation, binding rubbed and worn, particularly along the spine, endpapers and blanks tanned, contents a little toned, a few contemporary ink blotches. Very good condition.
Emiliani, Cesare | Ancient Temperatures
£35.00
- Offprint of an early popular article on ancient climate by one of the founders of the field, Cesare Emiliani (1922-1995).
During the late 1950s Emiliani studied the tests (shells) of marine amoebas called foraminifera that are found in samples taken from the floors of the deep oceans. He realised that the oxygen isotope composition of the tests was influenced by atmospheric conditions at the time they were alive and that the deep-sea cores could be used to chart climate going back millions of years. This work laid the foundations for modern analysis of past climates. It also established that the ice ages were a cyclic phenomena; contributed to our understanding ocean floor spreading and plate tectonics; and provided influential support for the hypothesis of Milutin Milanković that climate changes in the deep past had been driven by long-term alterations in the Earth’s orbit and geology. Emiliani remained a leading figure in the study of Earth’s climate history through the 1990s, and was awarded both the Vega Medal and the Alexander Aggasiz Medal. -
...Reprinted from Scientific American, February 1958. San Francisco: W. H. Freeman and Company, 1958.
12 page pamphlet, stapled. Illustrations throughout. Very faintly toned at the extreme edges of the spine and wrappers. A superb copy.
Smyth, Charles Piazzi | The Great Comet of 1843 as seen at the Cape of Good Hope...
£2,750.00
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A rare and evocative lithograph of the Great Comet of 1843 as seen from the Cape of Good Hope, observed and, most unusually, also lithographed by the Astronomer Royal for Scotland, Charles Piazzi Smyth (1819-1900). Copies of this print are exceptionally scarce, with none recorded in COPAC, WorldCat, or auction records. Given that the paper was never published, it seems unlikely that more than a handful were produced.
Smyth was born to well-connected British parents in Naples, his father being a naval officer and respected amateur astronomer, and his mother the daughter of the British Consul to the kingdom of the Two Sicilies. Smyth’s godfather was the famous Sicilian astronomer Giuseppe Piazzi, from whom he received his middle name. Thanks to his father’s connections, at age sixteen Smyth was made assistant to Thomas Maclear, HM Astronomer at the Royal Observatory, Cape of Good Hope. “He spent ten years in southern Africa working in positional astronomy and in arduous geodetic surveys of the province. Encouraged by John Herschel, he experimented in early photography and in 1843 succeeded in producing the oldest known calotypes of people and scenes in southern Africa” (ODNB).
During Smyth’s time in the Cape a remarkable comet appeared in the skies. “The Great March Comet of 1843 was so bright that it was seen in the daytime sky by many people on every continent”, though its brightest and largest appearance was in the southern hemisphere (Stoyan, Atlas of Great Comets). Its tail, measuring up to 70° (more than 350 million kilometers in length), still holds the record for length, and John Herschel described it in 1849 as “by far the most remarkable comet of the century” (Stoyan).
Smyth was a talented amateur artist who frequently painted and sketched, both in connection with his astronomical work and as an observer of the people and landscapes around him. “The naturalistic representations and watercolours by Chales Piazzi Smyth, who was working at the Cape of Good Hope when the comet appeared, are the most impressive reproductions of this apparition of a comet” (Stoyan). Smyth was particularly interested in printing techniques and their applications to scientific illustration. His first major published work was a paper submitted to the Royal Astronomical Society on this subject, in which he “reviews critically the illustrations in several recent publications and discourses with apparent authority on the processes of engraving, aquatintintg and mezzotinting. He suggests modifications that might be used to yield more subtle effects” (Warner, Charles Pizaai Smyth: Astronomer-Artist, His Cape Years, p. 113).
Smyth’s proficiency with lithography and copperplate engraving allowed him to print the illustrations for his own papers, a practice that was (and indeed, still is) unusual (Warner, p. 113). In 1846 he was appointed Astronomer Royal at Edinburgh, “the hub of the printing and illustration industry... in these circumstances he did not need to acquire a press, but bought or hired stones on which he could draw his pictures and then send the stones to the nearest printer. Piazzi was engaged in lithographing of his sketches ‘The Zodiacal Light as Seen at the Cape of Good Hope’ and ‘The Great Comet of 1843’ —to be used in his published accounts— when [his friend from South Africa, the artist] Charles Bell arrived in 1847”. At first, Piazzi sent his stones to the printer W. Walton, who was probably responsible for this print, but later Bell purchased a press which he and Piazzi shared (Warner, pp. 114-115).
Both The Great Comet and The Zodiacal Light were meant to illustrate Smyth’s unpublished paper “Attempt to apply instrumental measurement to the zodiacal light”, which was completed on March 25th, 1848, received by the Royal Society on the 13th of April, and withdrawn on the 2nd of November. The manuscript and the original painting are still at the Royal Society and have been digitised (references AP/30/18 and AP/30/18/5), and two oil paintings of the comet by Smyth are held at the National Maritime Museum at Greenwich (object ID BHC4148 and BHC4147). This copy of the lithograph is especially intriguing because of the pencilled annotation where Smith’s printed initials should be: “CPS del[iniavit] & lit”, indicating that he made the lithograph himself. Though the writing is dissimilar to Smyth’s formal hand, the likeliest explanation is that it was inserted by himself or someone close to him.
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...in the Evening of March 3rd. [Edinburgh], June 1848.
Lithograph (print 115 x 182 mm; sheet 277 x 384 mm). Conservation mounted, framed and glazed using archival materials. Professionally cleaned using archival methods but with some faint spots remaining, short closed tear at the right edge archivally repaired. Excellent condition.
Watson, Hewett Cottrell | Topographical Botany
£400.00
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First edition, presentation set inscribed by the author on each title, “Mary Edmonds from the Author, H. C. W. 1873” and “Mary Edmonds from the Author, June 24th 1874”.
Inspired by the work of Alexander von Humboldt, Hewett Cottrell Watson (1804-1881) became Victorian Britain’s leading phytogeographer, and his research contributed to Charles Darwin’s Origin of Species. “Watson's major botanical endeavour was producing several versions of a work first entitled Outlines of the Geographical Distribution of British Plants (1832); it reached its most extensive form as Cybele Britannica, or, British Plants, and their Geographical Relations (4 vols., 1847–59). Volume four contains his most detailed phytogeographical conclusions. After publishing several supplements, he summarized his data in Topographical Botany: being Local and Personal Records towards shewing the Distribution of British Plants (2 vols., 1873–4). He was working on a second edition of it when he died; it was completed by John G. Baker and William W. Newbould (1883)” (ODNB). Watson was also responsible for the foundation of botanical exchange clubs and the publication of the London Catalogue of British Plants, which amassed the contributions of thousands of amateur and professional botanists across Britain.
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...Being Local and Personal Records Towards Shewing the Distribution of British Plants Traced Through the 112 Counties and Vice-Counties of England and Scotland. Thames Ditton: for private distribution, 1873 & 74.
2 volumes, octavo. Original green cloth, titles to spine and upper board gilt, yellow coated endpapers. Map. Corners and edges bumped, dampstains to both lower boards, small area of dampstain to edge of upper board of volume II, occasional light spotting to contents and edges of text block of volume II. A very good set.
Hawker Siddeley Aviation Ltd. | Design Handbook Volume I General [&] A.300B Supplement
Sold Out
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Due to this item's weight, extra shipping costs will apply.
A rare copy of the Hawker Siddeley Design Handbook, published in 1969 in preparation for work on the revolutionary Airbus A300, the world’s first wide-body, twin-engine jet airliner, together with a copy of the 300-page Supplement specifically for that aircraft. As explained by Director and Chief Engineer J. P. Smith in the introduction, this handbook was distributed to “Design Engineering staff at Hatfield and Chester” as well as “all HSA design departments to enable those concerned to study the content in preparation for its use with new projects. The A 300B and the HS 144 [possibly an early version of the British Aerospace 146 short-haul airliner] will be the first projects to which the new Handbook will apply at Hatfield and Chester” while current handbooks would “remain in use for Trident, HS 125, Comet, and other earlier projects”.
The Handbook itself includes every annual amendment issued up to 1978, and the separate A300B Supplement also includes the twelve amendments up to 1970. Handbooks of this type are rare on the market, and we can locate no copies in institutional collections or at auction. As the introduction states, they were considered company property, to be returned “when not required or should an individual be leaving the service of the Company”. Their size and unwieldy format also made it less likely that copies would be preserved in such nice condition. With design handbooks of this type it was standard procedure for outdated sections to be destroyed and replaced with each amendment, and it appears that this was done here, as a number of different issues are represented throughout (as indicated in the footer of each page).
The Hawker Siddeley Aircraft Company was founded in 1935 by the combination of Armstrong Siddeley and Hawker Aircraft, then the two largest British aircraft manufacturing firms. Hawker Siddeley was one of the most important manufacturing firms of the Second World War, producing the famed Hawker Hurricanes. Following the war they moved into a variety of military and civilian markets, including guided missile, nuclear propulsion, electrical engineering, railway, and space technologies. Along with the Airbus A300, their most well-known post-war products were the HS Harrier, the first vertical take-off and landing jet aircraft, and the world’s first commercial jet airliner, the de Havilland Comet.
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...Copy No. 232. [Kingston upon Thames]: Hawker Siddeley Aviation Ltd., 1969-78.
Handbook approximately 600 pages. Originally issued unbound with holes for a ring binder, this copy bound by the original owner with turquoise ribbon. The separate A300 Supplement being approximately 328 pages and bound with a metal clip. Some double page chart in both volumes. A little spotting to the top leaf and edges of text block of the handbook, some small marks and scuffs to the outer leaes of the Supplement. Excellent condition.
Wyatt, [Matthew Coates] | A Representation of the Meteor seen at Paddington...
£4,750.00
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A dramatic and uncommon mezzotint depicting the spectacular meteor seen in London on February 11th, 1850, by the prominent court artist Matthew Coates Wyatt (1777-1862). One other copy of this print appears in recent auction records, sold at Galerie Bassenge in 2016, and institutional copies are held at the National Maritime Museum at Greenwich, Museum Bojmans in Rotterdam, the Museum of Fine Arts Boston, and the British Museum, which has George Cruikshank’s copy, presented to him by the artist.
“In 1850 a huge meteor appeared over England and was visible in London. It was captured dramatically by Matthew Coates Wyatt over Paddington in a mezzotint that suggests, due to the explosion and sparks of its head, that it was a bolide... Other accounts and representations from various locations were reported in the Illustrated London News... as well as in other periodicals. James Glaisher, the assistant to the Astronomer Royal, published an appeal for additional reports in the same issue, and consequently so many accounts were sent in that Glaisher had them published in the Philosophical Magazine” (Olson & Pasachoff, Fire in the Sky: Comets and Meteors, the Decisive Centuries in British Art and Science, pp. 213-214).
“By good luck, the painter and sculptor Matthew Cotes Wyatt happened to witness the meteor over Paddington; sensing a market, he published this velvety mezzotint of the view two months later... The technique had largely gone out of fashion by 1850, but the rich darks and brilliant lights that it allows were a perfect choice for this dramatic nighttime scene” (Museum of Fine Arts Boston).
Wyatt was the youngest son of the architect James Wyatt and a favourite in the court of George III. “His designs represented a dramatic and full-blooded union of neo-classicism and baroque revival. He was more a theatrical designer than a sculptor in the conventional sense” (ODNB). Wyatt was responsible for a number of significant commissions, including the ceiling of the concert room at Hanover Square; the Nelson monument in the Exchange Flags at Liverpool; Princess Charlotte’s marble cenotaph in St. George’s Chapel at Windsor; the bronze equestrian statue of George III that stands in Pall Mall East; and extensive decorative work at Belvoir Castle, home of the Duke of Rutland.
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...About 12 Minutes before 11 O'Clock, on the Evening of the 11th of February 1850. Mr. Wyatt having retained that splendid object in view from its appearance until it passed away in brilliant corruscations, made a drawing of it whilst its impression upon him remained undiminished, and he shortly afterwards Engraved this Plate, in order that a faithfully graphical exhibition of its appearance might be more generally diffused. London: Lloyd Bros. & Leggatt, Hayward & Leggatt, May 1, 1850.
Mezzotint (print 280 x 425 mm, sheet 320 x 445 mm). Professionally conserved and cleaned. Mounted, framed and glazed using archival materials. Pencilled note ‘Astronomy” to the sheet. Some minor creases affecting the image, paper lightly toned. Very good condition.
Hibbert, Samuel | History of the Extinct Volcanos of the Basin of Neuwied
£950.00
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First and only edition of this rare work on the effect of volcanic activity on the development of the Rhine Valley, in the original cloth. WorldCat locates only three copies, at Berlin, Göttingen, and the University of Manchester. Only two have appeared at auction in the last decade, this copy at at Forum Auctions in 2017 and one in library cloth at Dominic Winter in 2013.
Author Samuel Hibbert Ware (1782-1848) was an antiquarian and geologist who spent most of his life in Edinburgh, where he was a member of numerous learned societies and was friendly with notables such as Sir Walter Scott. “In 1817 Hibbert visited Shetland, where he discovered 'chromate of iron' and undertook a geological survey of the country. For this discovery the Society of Arts awarded him in 1820 the Iris gold medal. In Shetland he also discovered what he described as 'native hydrate of magnesia'. In 1822 he published his Description of the Shetland Islands, in which he described the local geology and antiquities. Hibbert contributed various papers to the Society of Antiquaries of Scotland, of which he was secretary from 1823 to 1827, with responsibility for obtaining contributions for meetings and preparing them for publication. He remained an active member of the society, editing volumes and helping run the museum, under what were sometimes difficult conditions.... In 1824, at the request of the Manchester Literary and Philosophical Society, Hibbert delivered at Manchester a course of lectures on geology, and in 1827 a further course for the Manchester Royal Institution... He and his family also spent two or three years abroad, chiefly visiting the volcanic districts of France, Italy, and northern Germany, and he published a History of the Extinct Volcanoes of the Basin of Neuwied on the Lower Rhine (1832) on his return to Edinburgh” (ODNB).
A History of the Extinct Volcanos was well received in the scientific community. A near contemporary, Edward Hull, described it as a work of “remarkable merit, if we consider the time at which it was written. For not only does it give a clear and detailed account of the volcanic phenomena of the Eifel and the Lower Rhine, but it anticipates the principles upon which modern writers account for the formation of river valleys and other physical features; and in working out the physical history of the Rhine Valley below Mainz, and its connection with the extinct volcanos which are found on both banks of that river, he has taken very much the same line of reasoning which was some years afterwards adopted by Sir A. Ramsay when dealing with the same subject. It does not appear that the latter writer was aware of Dr. Hibbert’s treatise” (Hull, Volcanos Past and Present, p. 7).
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...on the Lower Rhine. With Maps, Views, and Other Illustrations. Edinburgh & London: W. and D. Lang; Treuttel and Wurtz ad Richter, 1832.
Octavo. Original brown silk morieé, printed paper label to spine. 2 hand-coloured maps, one being the double page folding frontispiece, 6 lithographed plates of which 3 are double page, 18 illustrations within the text. Table and directions to the binder at rear. Publisher’s advert on the front pastedown, covered by a late-19th century Munden family bookplate. Splits at the head of the spine, some small worn spots at the extremities, joints cracked, some light offsetting affecting the maps, some of the plates darkened, light spotting to the edges of the text block. Edges untrimmed. Very good condition.
Bowman, Martie | Calendar for 1936 depicting pilot Martie Bowman in her WACO INF biplane.
£450.00
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A remarkable piece of early aviation ephemera, this calendar was produced as a Christmas greeting by the early female aviator Marguerite (Martie) Bowman (1901-1985) and her husband Leslie, also a pilot. It depicts Bowman flying in her WACO INF biplane, registration number NC625Y, in formation with two others, and includes portraits of Bowman, her husband, and their daughter Larnie Bowman Allen. We have learned from one of the Bowmans’ grandchildren that Larnie joined the family profession, becoming a wing-walker at eight and soloing at twelve.
The Bowmans established an aviation business together and, during the 1920s, 30s and 40s, Martie Bowman ferried planes from factories and regularly participated in air races. She competed in the 1930 Women’s Dixie Air Derby from Washington D. C. to Chicago, and won the Women’s International Air Derby of 1934 and the two-day women’s championship Shell Trophy Cup at Long Beach, California. In her biography of fellow pilot Phoebie Omlie, Janann Sherman recounts that during the Dixie Derby Bowman selflessly assisted Omlie, who had an injury, by waking up each hour during the night to apply medicated drops to her eyes (Sherman, Walking on Air, p. 65).
The Bowman’s papers are held at the Smithsonian Air and Space Museum, and as of 2001 two of Martie Bowman’s planes were still registered as flight-worthy with the FAA.
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[Olympia, WA], 1935.
Silver gelatin composite photograph (250 x 200 mm) with small tear-off monthly calendar for 1936. Inscribed “Merry Christmas, The Bowmans”. A few minor nicks and spots at the edges. Excellent, unused condition.
The American Products Company | Zanol. The Better Way to Buy. Catalog No. 20
£450.00
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A beautiful, 78 page chromolithographic catalogue for the American Products Company’s Zanol line of cosmetics, food products, and home goods, including 16 pages in full colour. A superb example of Art Deco marketing design.
The American Products Company was founded in 1907 by three brothers, Albert, Edgar and Clarence Mihalovitch (Albert later changed his surname to Mills), of Cincinnati, who hoped to capture the growing Midwestern consumer market (see “Cosmetics by the American products Company”, Collecting Vintage Compacts blog, January 2012). This catalogue promotes “Shopping in Your Own Home the Zanol Way”, and explains that “the Zanol plan affords you the opportunity of buying the finest products possible to produce, direct from the maker, delivered right to your home, absolutely fresh, unconditionally guaranteed... The complete Zanol line comprises more than 350 products... all of them made from the choicest ingredients in our sanitary, daylight Pure Food Kitchens and Laboratories, under the direction of skilled chemists, chefs, and dieticians”.
Advertised here are a wide array of consumables, with a focus on powders and syrups that could be shipped easily and would appeal to an emerging middle class who were time and money-conscious. For the kitchen there are food flavourings and colours, and numerous instant mixes for soft drinks, jams and jellies, icing, cakes, pies, and puddings. Among them are Ezemade pumpkin pie filling (”it is now possible to serve delicious pumpkin pie throughout the year”); Flakykrust instant pie crust; Mapelade instant maple syrup (”now you can afford delicious maple syrup whenever you want it”); and even Ezemade ice cream powder (”just add to a quart of milk and freeze”). The broad selection of home goods include medications and hygiene products, house cleaning and repair supplies, hot water bottles, paints, insecticide, and even a set of salt and pepper shakers. Perhaps the most appealing section is the beauty line, comprising soaps and toothpaste (”don’t envy pretty teeth - have them”); face and body powders; a variety of lotions including almond, lemon and witch hazel, cucumber and benzoine, and “dermaline of roses” (”keep the alluring charms of radiant youth”); shampoos, pomade, and hair tonics; cosmetics including powder compacts and tubes of lipstick; and perfumes, primarily their three main lines, La Bara (named after the silent film “vamp” Theda Bara, best known for playing Cleopatra), Fleur d’Orient, and Dream Girl. There are also a number of gift sets packaging perfumes, soaps and cosmetics, including a shaving kit for men, sets for new mothers, and an attractive La Barra manicure kit.
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Edition A. Cincinnati, OH: The American Products Company, May, 1925.
Perfect bound (355 x 280 mm). Original brown wrappers printed in blue and cream, brown cloth backstrip. 78 pages, of which 16 are in full colour and the rest being uncoloured lithographs on single-colour backgrounds. With the original order form loosely inserted. Light rubbing at the extremities, small chips at the ends of the spine. A fresh copy in excellent condition.