Women and Science
Bowman, Martie | Calendar for 1936 depicting pilot Martie Bowman in her WACO INF biplane.
£450.00
-
A remarkable piece of early aviation ephemera, this calendar was produced as a Christmas greeting by the early female aviator Marguerite (Martie) Bowman (1901-1985) and her husband Leslie, also a pilot. It depicts Bowman flying in her WACO INF biplane, registration number NC625Y, in formation with two others, and includes portraits of Bowman, her husband, and their daughter Larnie Bowman Allen. We have learned from one of the Bowmans’ grandchildren that Larnie joined the family profession, becoming a wing-walker at eight and soloing at twelve.
The Bowmans established an aviation business together and, during the 1920s, 30s and 40s, Martie Bowman ferried planes from factories and regularly participated in air races. She competed in the 1930 Women’s Dixie Air Derby from Washington D. C. to Chicago, and won the Women’s International Air Derby of 1934 and the two-day women’s championship Shell Trophy Cup at Long Beach, California. In her biography of fellow pilot Phoebie Omlie, Janann Sherman recounts that during the Dixie Derby Bowman selflessly assisted Omlie, who had an injury, by waking up each hour during the night to apply medicated drops to her eyes (Sherman, Walking on Air, p. 65).
The Bowman’s papers are held at the Smithsonian Air and Space Museum, and as of 2001 two of Martie Bowman’s planes were still registered as flight-worthy with the FAA.
-
[Olympia, WA], 1935.
Silver gelatin composite photograph (250 x 200 mm) with small tear-off monthly calendar for 1936. Inscribed “Merry Christmas, The Bowmans”. A few minor nicks and spots at the edges. Excellent, unused condition.
Chinsamy-Turan, Anusuya | The Microstructure of Dinosaur Bone
£150.00
-
First edition, first printing. A superb copy of the first book devoted solely to dinosaur bone histology.
Some of the earliest paleontological researchers, including Louis Agassiz and Gideon Mantell, studied the microscopic structure of fossilised bones, but it was not until the 1950s that “the systematic study of archosaur palaeohistology began in earnest with the pioneering studies of Enlow & Brown”, who showed that cellular structure was preserved intact in fossils and that it “contained a wealth of information regarding the evolution and function of skeletal tissues in extinct organisms”. This was followed in the 1970s by the work of Armand de Ricqlès, who posited that “palaeohistological features could be correlated with growth rates and thus could indirectly shed light on the thermal physiology of extinct organisms”, in other words, that the microstructures of bones could reveal whether dinosaurs were warm-blooded (Bailleul, et al. “Dinosaur Palaeohistology: Review, Trends, and New Avenues of Investigation”, PeerJ, September 2019, pp. 3-4).
Author Anusuya Chinsamy-Turan (1962 - ), of the University of Cape Town, was the first scientist to attempt reconstruction of a dinosaur growth curve based on the microstructure of its fossilised bones, and is today one of the world’s leading experts on dinosaur histology. She is the author of more than one hundred academic articles and four books, and has won numerous awards, including the Academy of Science of South Africa’s Gold Medal.
The Microstructure of Dinosaur Bones draws on Chinsamy-Turan’s extensive experience in this field. “In this well-written, well-edited volume, she concludes that bone microstructure does indicate how bone formed during growth, and it does provide information on how factors such as seasonality, ontogenetic age, and lifestyle adaptations affected its growth, but she also finds that speculations about physiology based on bone histology are just that: speculations... Chinsamy-Turan has done the scientific community a great service by pulling together the wealth of information about dinosaur bone microstructure, and interpreting that information clearly and logically. Starting with a clear explanation of the organization of bone tissue on a microstructural level and the changes in bone composition during fossilization, she moves on to a helpful overview of dinosaur phylogeny and an insightful explanation of modern approaches to the study of dinosaur bones. Detailed descriptions of bone biology and beautiful color plates of dinosaur bone histology make dinosaur osteology accessible to any biologist who is fascinated with the biology of dinosaurs, as well as to both professors and graduate students working in this field” (Spotila, “Bred in the Bone: Bone Microstructures Bring Dinosaurs to Life”, BioScience 56 (3), 2006).
-
...Deciphering Biology with Fine-Scale Techniques. Baltimore & London: The Johns Hopkins University Press, 2005.
Octavo. Original black cloth, titles to spine in silver. With the dust jacket. 4 double-sided plates from colour photographs, diagrams, charts, and illustrations from black and white photos throughout the text. Excellent condition, with just a single tiny bump to the edge of the upper board and a few small scratches to the dust jacket.
Hassard, Annie | Floral Decorations for the Dwelling House
£250.00
-
First edition, and a lovely copy, of this delightful work on flower arrangements and indoor plants that was highly praised by contemporaries.
By 1875, botanical pursuits such as flower and fern collecting, pressing, and arranging had been a major hobby for British women for at least a generation. Floral Decorations for the Dwelling House expanded on the work of earlier authors, such as A. E. Maling (Flowers for Ornament and Decoration, 1875), by adding advice on living plants in addition to cut flowers. It “offers a very detailed account, both practically and artistically oriented, of the best plants and best pieces of equipment to use for a wide variety of indoor plant and flower decorations, from bouquets to dining tables, window displays, hanging baskets and Christmas decorations, as well as giving advice on how best to arrange them” (Sparke, Nature Inside, p. 48).
The book was praised in the January 1876 issue of The Floral World and Garden Guide as “a systematic treatise on the subject. The truth is, the gifted author of this stands alone and far in advance of all competitors, whether as an exhibitor or a judge of exhibitions, whether in the preparation of a bouquet for a princess or the decoration of a grand saloon for an important public ceremony”. In that year an American edition was published by Macmillan, in which additional emphasis was placed on living plants in decorative schemes (Sparke).
-
...A Practical Guide to the Home Arrangement of Plants and Flowers. With Numerous Illustrations. London: Macmillan & Co., 1875. Octavo. Original green cloth elaborately blocked in gilt and black with floral designs on the spine and upper board, brown coated endpapers. Burn & Co. binder’s ticket to the rear pastedown. 9 steel engraved plates, steel engravings throughout the text. Single leaf of ads at rear. Blind stamp of the W. H. Smith lending library to the front free endpaper. Cloth only very lightly rubbed at the extremities with a few small marks, a few light spots to the title. An excellent copy.
Lebour, Marie V. | The Planktonic Diatoms of the Northern Seas
£250.00
-
First edition, first impression. Presentation copy inscribed by the author to her sister on the front free endpaper, “To dear Yvonne, From M. V. L.” (see Lebour’s obituary in the Journal of the Marine Biological Association of the United Kingdom, volume 52, p. 778).
Diatoms, a type of phytoplankton, are one of the earth’s keystone species. They are microscopic algae with silica shells that live in both freshwater and marine environments, and produce an amount of oxygen comparable to that of the all terrestrial rainforests combined. They are a primary food source for many other organisms, and accumulations of their shells in sediments record changes in the oceans and climate. Much was learned about phytoplankton during the early twentieth century, and marine biologist Marie Lebour (1876-1971) became one of the leading experts through her work at the Plymouth Marine Biological Laboratory. She “published two classical papers on this topic in 1917. Her subsequent work on taxonomy of plankton species resulted in her first book, Dinoflagellates of the Northern Seas, and in a subsequent volume in 1930 [the present work]. She identified no fewer than twenty-eight new species” (Ogilvie, Biographical Dictionary of Women in Science). Lebour also studied molluscs and their parasites, euphausiid larvae, and the eggs and larvae of fish. She was also a talented draftsperson, and “her detailed and artistic sketches enhanced her publications” (Ogilvie).
-
...With Four Plates. London: printed for the Ray Society, sold by Dulau & Co., Ltd., 1930.
Octavo. Original blue cloth elaborately blocked in blind, titles to spine and floral roundel to upper board gilt, yellow coated endpapers, top edge gilt. Ray Society half title with portrait vignette, 4 plates, engravings throughout the text. 16 page Ray Society membership and recent publications lists dated January 1930 at rear. Cloth just a little rubbed at the extremities, spine and edges of the boards tanned, free endpapers partially tanned. An excellent copy.
Mann, Ida C. | The Development of the Human Eye
£650.00
-
The rare first edition of this groundbreaking work on the embryology of the human eye. No copies are noted in auction records since 1980.
Dame Ida C. Mann (married name Gye, 1893-1983) entered the London School of Medicine for Women in 1914, and also undertook training at the Royal Free and St Mary's hospitals. During the period at St Mary's she assisted Professor J. E. S. Frazer in embryological research; her developmental studies were presented as a dissertation for the DSc (London, 1924), and formed the basis of her notable first textbook, The Development of the Human Eye (1928), still in print forty years later” (ODNB).
“After qualifying Mann decided to specialize in ophthalmology, and took her first post under Leslie Paton at St Mary's, becoming FRCS in 1924. She also held several teaching appointments while she progressed up the ladder towards consultant ophthalmologist status, reaching the highest point in 1927 with appointment as senior surgeon on the staff of Moorfields Eye Hospital, London, the first woman ever to do so. At the same time she established a Harley Street practice and consolidated herself as a leading clinical ophthalmologist in London, but still carried on her developmental studies and teaching (including the diploma course in Oxford). In this period up to the Second World War she learned and promoted the then new technique of slit-lamp microscopy of the eye, applying it both to patients and to animals in the London Zoo. She was also instrumental in bringing to London in 1938 Josef Dallos, the Hungarian pioneer of glass contact lenses, just ahead of the Nazi take-over of Hungary, and with him she established the first contact lens centre in the United Kingdom. With the outbreak of war it became necessary to evacuate Moorfields. At the instigation of Sir Hugh Cairns Mann moved to Oxford in 1941 to undertake the clinical training of medical students diverted from London, and there she was appointed to Margaret Ogilvy's readership in ophthalmology, as well as a personal chair, the first woman ever to hold the title of professor in the University of Oxford, and a professorial fellowship in St Hugh's College. Despite this time-consuming work she still travelled to London to perform surgery, carried out important research on the ocular effects of war gases, and kept up a staggering number of other activities, including the vigorous reorganization of Oxford Eye Hospital. In this period she was the first to use penicillin to treat ocular infection.” (ODNB).
Mann emigrated to Australia in 1949 and continued her medical and research career, travelling throughout Australasia and the Pacific to study eye diseases. “In recognition of Mann's many contributions to research, teaching, and clinical practice, she was appointed CBE (1950) and DBE (1980), as well as receiving honorary degrees, prizes, and medals from many countries (ODNB).
-
...With a Foreword by Sir John Herbert Parsons. Cambridge: at the University Press, 1928.
Octavo. Original blue cloth, titles to spine gilt. 2 plates, numerous diagrams and illustrations from photos within the text. Spine rolled and a little faded, cloth rubbed at the extremities, upper corner bumped, lower hinge cracked, contents faintly toned. Very good condition.
Maryańska, Teresa | O Gadach bez Sensacji
£250.00
-
First edition, first impression. A rare copy of this charming, illustrated booklet on dinosaurs published by Warsaw’s Museum of the Earth. WorldCat only locates one copy, at the National Library of Poland. The detailed edition statement records that this book was submitted for typesetting in October 1969 and approved for printing in March 1970, with the order number dated 1969, for a total of 5,200 copies. Though the date 1979 appears above the statement, this is a typo, likely for 1970 (many thanks to Philip Penka of Bernett Penka Rare Books for the translation).
Author Teresa Maryańska (1937-2019)) was a leading dinosaur palaeontologist associated with the Museum of the Earth at the Polish Academy of Sciences in Warsaw, where she as vice-director between 1976 and 2006. “Her research was initially on invertebrate palaeontology. Her thesis concerned the Bryozoa, but she was always interested in vertebrates and looked for an opportunity to study them. Eventually, she was invited to participate in the Polish-Mongolian Palaeontological Expeditions to the Gobi desert, and became an active, highly appreciated participant of all four expeditions” (Borsuk-Białynicka & Jakubowski, “In Memoriam: Teresa Maryańska”, Acta Palaeontologica, volume 64, number 4, 2019).
Maryańska’s first dinosaur research was on the ankylosaurs, and her magnum opus on their anatomy and taxonomy was published in 1977. She then worked on specimens of the pacycephalosaurs, protoceratopsians, and hadrosaurs, and oviraptors, and many of her discoveries were made while working closely with her colleague and friend Halszka Osmólska (1930-2008). She was also a co-author of several chapters of The Dinosauria, one of the most important scholarly reference works on dinosaurs, first published in 1990 and “unparalleled for its comprehensiveness at the time” (Borsuk-Białynicka). -
Warsaw: Wydawnictwa Geologiczne, Muzeum Ziemi pan Warszawa, 1970.
Duodecimo. Original yellow wrappers printed in black with a black and white photo of fossilised dinosaur skin to the upper wrapper. Folding map. Diagrams and illustrations from black and white photographs throughout the text. Contemporary price sticker to the rear cover. Wrappers a little tanned and rubbed, tail of spine bumped. A very good copy.
Morgan, Ann Haven | Field Book of Animals in Winter
£150.00
-
First edition, first printing and a lovely copy in the dust jacket. The Field Book of Animals in Winter is much less common than Morgan’s book on ponds and streams, and is rarely found in such nice condition.
As a child, Ann Haven Morgan (1882-1966) developed a love of nature by exploring the areas around her home in Connecticut. She earned her bachelor’s degree and doctorate at Cornell, the latter under James G. Needham at the Limnological Laboratory.
Returning to Cornell, “she advanced steadily up the academic ladder, becoming a full professor in 1918. During the summer she conducted research and taught courses on echinoderms at the Marine Biological Laboratory, Woods Hole... Although limnology (the study of inland waters) was her special subject – on which she wrote a useful book, Field Book of Ponds and Streams (1930) – Morgan was also interested in many other facets of zoology, particularly hibernating animals. Her Field Book of Animals in Winter (1939) reflected this interest. In 1949 the Encyclopaedia Britannica made it into an educational film” (Ogilvie, Biographical Dictionary of Women in Science p. 913).
Among her other scientific interests were conservation and ecology and educational reform. Morgan was a member of numerous professional societies, including the American Entomological Society, American Society of Naturalists, American Society of Zoologists, and the New York Herpetological Society. She was prominent enough to be one of only three women included in the 1933 edition of American Men of Science. -
...With 283 Illustrations, Including 4 Full-Colour Plates. New York: G. P. Putnam’s Sons, 1939.
Octavo. Original blue cloth, titles to spine gilt, all edges dyed red. With the dust jacket. Photographic frontispiece and 14 plates of which 11 are double-sided, including 2 double-sided colour illustrations. Numerous illustrations within the text. Yellow pencil sometimes used to highlight passages, primarily in the early chapters. A few tiny bumps at the edges of the cloth. An excellent, fresh copy in a very attractive example of the dust jacket that is lightly rubbed with some small nicks and chips, a little creasing at the edges, and mild toning of the spine panel.
Neurath, Marie | Inside the Atom
Sold Out
-
RESERVED First edition, first impression of this important work of science illustration by data-visualisation pioneer Marie Neurath (1898-1986).
Neurath, together with her husband Otto and their colleague Gerd Arntz, was one of the founders of Isotype, a simplified visual method of displaying complex information to the public. First developed in the 1920s, and originally known as the Vienna Method of Pictorial Statistics, the goal of Isotype was ”to cross national and social divides in a time before widespread global communication. To do that, Isotype went back to basics and stripped away all things unnecessary, illogical, or alienating—and in doing so, helped to establish some of the core principles of graphic design. Today, Isotype’s legacy can be seen everywhere from newspapers and textbooks to signage, transit maps, interfaces, and emojis” (Inglis, “Meet Marie Neurath,” AIGA Eye on Design, September 17, 2019).
Marie Neurath “was a remarkable practitioner” who “researched, calculated, and co-designed nearly every Isotype ever created, from the early days in Vienna in 1925 all the way to when she retired in 1971” (Forrest, “The Missing Legacy of Marie Neurath,” Medium, January 20, 2020). She described her role as that of the “Transformer” of data, writing that “From the data given in words and figures, a way has to be found to extract the essential facts and put them into picture form. It is the responsibility of the transformer to understand the data, to get all necessary information from the expert, to decide what is worth transmitting to the public, how to make it understandable, how to link it with general knowledge or with information already given in other charts. In this sense, the transformer is the trustee of the public” (Neurath, The Transformer, 2009).
Marie continued the work after Otto’s death in 1945, becoming best known for the series of children’s books she published over the next twenty years. “In children’s educational books Marie found an ideal place to put Isotype’s methods into practice. Young readers were more engaged by pictures than words, and this focus on the visual meant these books were easily translated and published abroad, fulfilling Isotype’s original aims of being truly international” (Inglis).
-
London: Max Parrish, Isotype. Printed by Graphic Reproductions Ltd., 1956.
Quarto. Original red cloth-patterned boards, titles to spine and upper board, and crystal design to upper board gilt. 3-colour offset lithography. Corners bumped, spine rolled, boards darkened corresponding to jacket chips, contents toned with occasional small spots, spotting to edges of text block. A good copy in the dulled and marked jacket with chips from the corners and ends of the spine, and a closed tear running halfway up the spine panel.
Norman, David & Angela Milner | Eyewitness Books: Dinosaur
£150.00
-
First edition, first impression of Dinosaur, one of the earliest titles in the best-selling Eyewitness Books series, together with the first printing of the American edition, published in the same year. Copies of the first printings of the 1980s Eyewitness books are scarce, particularly in such beautiful condition.
The publisher Dorling Kindersley was founded in London 1974, and in the 1980s began taking advantage of new design technologies to radically revise the traditional page layouts of children’s books. As they described to Children’s Software Review in 1997, the goal was to “slow down the pictures and speed up the text”, allowing children to “experience information from their own particular point of view” (cited by Stringham, “The Efficacy of Small Multiples in the Visual Language of Instructional Designs”, Brigham Young University thesis, 2012). "What DK did—with almost revolutionary panache—was essentially to reinvent nonfiction books by breaking up the solid pages of gray type that had previously been their hallmark, reducing the text to bite-size, nonlinear nuggets that were then surrounded by pictures that did more than adorn—they also conveyed information. Usually full color, they were so crisply reproduced they seemed to leap off the page” (Cart, “Eyewitness Books: Putting the Graphic in Lexographic”, Booklist, October 15, 2002). There are now more than 100 Eyewitness Books, and more than 50 million copies have been sold in thirty-six languages.
The first Eyewitness Books were published in 1988, and Dinosaur appeared the following year, one of the first sixteen in the series and still in print today. Its authors are both prominent palaeontologists. Angela Milner, of the Natural History Museum in London, has done important work on archaeopteryx, providing evidence in the debate over whether it was a bird or dinosaur. David Norman is curator of vertebrate paleontology at Cambridge University’s Sedgwick Museum. In 2017 he and two other paleontologists made the case for a complete revaluation of early dinosaur evolution and taxonomy, arguing that the two main dinosaur clades were more closely related than previously understood.
-
London & New York: Dorling Kinderseley, Ltd. & Alfred A. Knopf, Inc., 1989.
2 volumes, tall quarto. Original glossy white boards illustrated with photos, dinosaur-patterned endpapers. Colour illustrations throughout. The London printing has faint toning of the front free endpaper, the New York printing is lightly rubbed at the tips. An excellent, fresh set.
Patterson, Flora W. & Vera K. Charles | Mushrooms and Other Common Fungi
£35.00
-
First edition of this well-illustrated guide to mushroom identification for the amateur collector.
The first female mycologist to work at the United States Department of Agriculture, Flora Patterson (1847-1928) exhibited “the tenacity, audacity, and perspicacity of a true scientific visionary” (Reynolds, “Flora Patterson”, Women in Microbiology, p. 219). She initially studied fungi as a childhood hobby, then attended several universities as a non-traditional student, taking a plant pathology course at Iowa State and completing her education at Radcliffe College, from where she was able to work in the Harvard Grey Herbarium.
At the USDA Patterson “published on edible and poisonous mushrooms and on fungus diseases of economic importance, working and publishing with the mycologist Vera Charles” (Ogilvie, p. 990). Patterson directed the US National Fungus Collections for nearly thirty years, growing it from 19,000 to 115,000 specimens. She was in charge of identifying fungal diseases of agricultural importance, and made numerous important contributions in this area, including the identification of chestnut blight and pineapple rot. Her involvement in Japan’s gift of cherry trees to the US led to the passage of the Plant Quarantine Act of 1912.
-
Washington D.C.: Government Printing Office for the United States Department of Agriculture, 1915.
Octavo. Original cream wrappers printed in black. 38 plates from photographs. Wrappers faintly toned, mild dampstain affecting the lower corner of the wrappers and text, with some abraded areas where the corners of the leaves have stuck together, not generally affecting text. Very good condition.
Peckham, George W. & Elizabeth G. On the Instincts and Habits of the Solitary Wasps
£150.00
-
First edition, first printing of both titles, the “Additional Observations” being a presentation copy inscribed, “Mr, Claus H. Shirum [?], compliments of the authors”.
Authors Elizabeth and George Peckham were entomologists and archnologists who together pioneered the study of jumping spiders; were early proponents of including behaviour in taxonomical analysis; and performed some of the first studies on sexual selection. Elizabeth was the first female science graduate of Vasser, one of Milwaukee’s first librarians, and a suffragist. George obtained a medical degree but chose to teach high school, and in 1880 the Peckhams introduced the first biological laboratory course in an American High school, also incorporating Darwinian concepts in their pedagogy.
Together the Peckhams described 63 genera and 366 species, and one genus, at least twenty species, and a scientific society are named in their honour. Following George’s death in 1914, Elizabeth continued their scientific work and was awarded a PhD by Cornell in 1914. On the Instincts and Habits of the Solitary Wasps is now considered a scientific classic, for both its style and scholarship. -
[Bound together with] “Additional Observations on the Instincts and Habits of the Solitary Wasps” [in] Bulletin of the Wisconsin Natural History Society, vol. 1, no. 2, April 1900. Madison, WI: the state of Wisconsin, 1898.
Octavo. Contemporary library style binding of black half skiver, black cloth sides, spine gilt in compartments. 14 plates of which 2 are chromolithographs and the 12 are lithographs. Binding rubbed with wear at the corners, spine ends, and hinges, contents toned. A very good copy.
Robertson-Miller, Ellen. Butterfly and Moth Book
Sold Out
-
First edition, first printing. A beautiful copy of this uncommon and attractively designed work on butterflies and moths with numerous illustrations by the author.
Ellen Bell Robertson-Miller (1859-1937) was a noted painter, naturalist, and columnist who studied at the National Academy of Design and the Art Students’ League of New York. In addition to entomology, Robertston-Miller was interested in marine life and ornithology, and often held speaking engagements and published articles on natural subjects. She was co-author of Wild Flowers of the North-Eastern States (1895) with Margaret Christine Whiting.
-
...Personal Studies and Observations of the More Familiar Species. With Illustrations from Drawings by the Author and Photographs by J. Lyonel King, G. A. Bash, Dr. F. D. Snyder and Others. New York: Charles Scribner’s Sons, 1912.
Octavo. Original grey cloth elaborately blocked with an Art Nouveau design of a yellow swallowtail butterfly to the upper board and spine, buff endpapers. Photographic frontispiece with tissue guard, illustrations throughout the text from both photographs and drawings. Bookplate of John M. Witheridge. Fine condition.
Seibert, Florence B. | Pebbles on the Hill of a Scientist
£250.00
- First and only edition of this autobiography of the biochemist who was the first to produce purified tuberculin for use in studying and treating tuberculosis. Presentation copy inscribed by the author to a prominent nursing administrator on the front free endpaper, “To Anna Wolf and Eleanor Stewart, esteemed friends, Florence B. Seibert”. And with a photo of the author tipped-in with tape on the front pastedown, inscribed on the verso in pencil “Dr. Florence B. Seibert ‘73, friend who researched on all forms of cancer”.
Biochemist Florence Seibert (1897-1991) was a productive and highly regarded scientist who worked in a number of areas and received numerous awards, including a Guggenheim Fellowship.
As a postdoctoral fellow at the University of Chicago during the early 1920s she made her first breakthrough, “a method of eliminating bacterial contamination that was known to occur during the creation of solutions meant for vaccinations and injections. Patients could experience sudden fevers or illness during or after an injection or intravenous treatment. Such afflictions, Seibert discovered, were most often caused by bacterial contamination of the distilled water used to make the solutions. She was able to eliminate this contamination using a special apparatus and procedure she created for this purpose. This would be a great boon later not only for administering drugs but also for making blood transfusions safer during surgery” (Lemelson-MIT biography).
But Seibert’s most significant work was on tuberculosis, particularly her improvements to Robert Koch’s skin test for the infection. “Koch’s method was notoriously inaccurate, for the evaporated solution used in the test contained numerous impurities. Even people with a serious case of tuberculosis sometimes failed to get a positive test. Seibert worked for ten years on methods of isolating pure tuberculin by filtration, by using a guncotton membrane of a specific thickness. The result was a creamy white powder which was the purified protein from the tuberculosis bacillus, known as PPD. Never patenting the process (which would have made her rich), she furnished the National Tuberculosis Association with a large quantity of pure tuberculin” (Ogilvie, Biographical Dictionary of Women in Science, p. 1173).
It’s likely that one of the recipients of this copy was the prominent nursing instructor and educational administrator Anna Dryden Wolf (1890-1985), who served as director of the Johns Hopkins Hospital School of Nursing. She and Seibert probably met during the late 1920s when Wolf was on the faculty of the University of Chicago. In addition to laying the groundwork for the Johns Hopkins School of Nursing, “[Wolf] played a leadership role in numerous nursing professional organizations, such as the American Red Cross, Florence Nightingale International Foundation, National League of Nursing Education, and National Nursing Council. She also served as an advisor to government agencies such as the US Public Health Service, Veterans Affairs, and War Manpower Commission” (Johns Hopkins Medical Archives, Wolf papers finding aid). -
St. Petersburg, FL: for the author by St. Petersburg Printing Company, 1968.
Octavo. Original turquoise cloth, titles to spine and upper board gilt. With the dust jacket. 12 pages of integral illustrations from photographs. Spine rolled, cloth very lightly rubbed at the tips, some spots on the top edge not affecting the contents. An excellent copy in the jacket that is a little rubbed, toned, and marked, with some nicks and short splits.
Turner, E. L. | Broadland Birds
£250.00
-
First and only edition of this beautifully illustrated work by pioneering bird photographer Emma Louise Turner (1867-1940), which includes the first publication of her award-winning photo of a Great Crested Grebe on its nest. This copy from the library of prominent bird photographer Eric J. Hosking (1909-1991), demonstrating the strong influence that Turner had on later generations in her field. In the introduction to their 1947 book, Masterpieces of Bird Photography, Hosking and co-author Harold Lowes lamented that they were unable to include her image of a water rail because no prints or negatives could be located.
This copy from the library of prominent bird photographer Eric J. Hosking (1909-1991), with his owl bookplate and a blank sheet of his stationery loosely inserted, as well as a Christmas card signed “Cyril, 1934”. This was likely from Cyril Newberry, a Fellow of the Royal Photographic Society employed by the London Midlands & Scottish Railway Scientific Research Laboratory, and one of Hosking’s frequent co-authors.
Author E. L. Turner became interested in photography after meeting wildlife photographer Richard Kearton in 1900. She joined the Royal Photographic Society the following year, and by 1904 was giving talks illustrated with her own slides. Turner was particularly interested in birds and travelled throughout the UK and Europe to photograph them, but her main base was in the Norfolk Broads, where she lived for part of each year beginning as early as 1901. This was where, in 1911, she photographed a nestling bittern, proving that the species was breeding in Britain for the first time since 1886. Another highlight of her career was the award of the Royal Photographic Society’s Gold Medal for a photograph of a great crested grebe on its nest, published in Broadland Birds in 1924. In 1904 Turner was elected one of the first fifteen female members of the Linnean Society. In 1909 she became one of the first four honorary female members of the British Ornithologist’s Union, and she was the only woman involved in the 1933 appeal that led to the creation of the British Trust for Ornithology.
The owner of this copy, Eric Hosking, developed his loves for nature and photography at an early age and by 1937 he was first person in Britain to make their living solely in this field. Hosking was intrepid in his pursuit of wild birds. He designed his own hides and made a number of important technical advances, among them the use of the flash in nature photography. His most famous photo is the “technically perfect” shot of a barn owl carrying prey that he captured using an electronic flash in 1948 (Sage, “A Photographer in Hiding”, New Scientist, September 1979). He is widely credited with developing wildlife photography into a mature art form. Hosking was awarded the RSPB’s Gold Medal in 1974, and three years later received an OBE. -
London: Country Life, Ltd., 1924.
Quarto. Original green quarter cloth, green boards, titles to spine gilt and to upper board in white, marbled endpapers. Frontispiece and 25 double-sided plates from photos by the author. Spine very slightly toned, boards with mottled fading as usual for this book, spotting to the contents and edges of the text block.
Turner, E. L. | My Swans the Wylly-Wyllys and Others
£100.00
-
First edition, first impression of this charming memoir of a family of mute swans by the bird photographer and conservationist Emma Louise Turner (1867-1940). As Turner explains in the introduction, the swans lived near her houseboat at Hickling Broad and the name she gave them, the “Wylly-Wyllys”, “arose out of the swan cry, ‘Wulla, wulla, wulla,’ repeated very quickly by the fen men when calling the swans”. The text follows the birds through their breeding season and also discusses some of the other species of wild swans in the area, and it is illustrated with 26 of Turner’s own photographs. Copies with the dust jacket are particularly uncommon.
Turner became interested in photography after meeting wildlife photographer Richard Kearton in 1900. She joined the Royal Photographic Society the following year, and by 1904 was giving talks illustrated with her own slides. Turner was particularly interested in birds and travelled throughout the UK and in Europe to photograph them, but her main base of operations was in the Norfolk Broads, where she lived for part of each year beginning as early as 1901. This was where, in 1911, she photographed a nestling bittern, proving that the species was breeding in Britain for the first time since 1886. Another highlight of her career was the award of the Royal Photographic Society’s Gold Medal for a photograph of a great crested grebe on its nest, published in her book Broadland Birds in 1924. In 1904 Turner was elected one of the first fifteen female members of the Linnean Society, in 1909 she became one of the first four honorary female members of the British Ornithologist’s Union, and she was the only woman involved in the 1933 appeal that led to the creation of the British Trust for Ornithology.
-
London: Arrowsmith, 1932.
Octavo. Original grey cloth, titles to spine and upper board blocked in green. With the dust jacket. Frontispiece and 15 plates from photographs by the author. Contemporary gift inscriptions to the front free endpaper. Dampstain and loss of size affecting the boards but not the contents, what may be a little light brown mildew on the lower board and corresponding area of the jacket verso. A good copy in the rubbed, spotted, and dulled jacket with a chip and closed tear to the upper panel, a small chip at the head of the spine panel affecting the name of the series but not the title, and some smaller nicks and creases.
Turner, E. L. | Togo, My Squirrel and His Lady-Friend Buda
£150.00
-
First edition, first impression of this memoir of a red squirrel saved and reared by the author, the pioneering wildlife photographer and conservationist Emma Louise Turner (1867-1940). This volume was published in the Arrowsmith series The Library of Animal Friends, which also featured books by fellow photographers Frances Pitt and Cherry Kearton, and included another of Turner’s books, My Swans the Wylly-Wyllys. Uncommon in the dust jacket.
Turner became interested in wildlife photography after meeting Richard Kearton in 1900. She joined the Royal Photographic Society the following year, and by 1904 was giving talks illustrated with her own slides. Turner was particularly interested in birds and travelled throughout the UK and in Europe to photograph them, but her main base of operations was in the Norfolk Broads, where she lived for part of each year beginning as early as 1901. This was where, in 1911, she photographed a nestling bittern, proving that the species was breeding in Britain for the first time since 1886. Another highlight of her career was the award of the Royal Photographic Society’s Gold Medal for a photograph of a great crested grebe on its nest, published in her book Broadland Birds in 1924. In 1904 Turner was elected one of the first fifteen female members of the Linnean Society, in 1909 she became one of the first four honorary female members of the British Ornithologist’s Union, and she was the only woman involved in the 1933 appeal that led to the creation of the British Trust for Ornithology.
-
....His Successor Tim, and Dinah and the Owls. With 25 Photographs. London: Arrowsmith, 1932.
Square octavo. Original red cloth, titles to spine and upper board in black. With the dust jacket. Frontispiece and 15 plates from photographs by the authors and others. Spine very slightly faded, cloth lightly rubbed at the extremities. A very good copy in the rubbed and dulled jacket with some creases, small chips, and short closed tears.
War Manpower Commission | Women in the War—We Can't Win Without Them
£1,750.00
-
Due to this item's size and shape, extra shipping charges will apply. Please contact us for an estimate.
An original Second World War poster promoting women in the wartime workforce, produced in 1942 by the War Manpower Commission. At the time, “Women in the War” was one of the most widely distributed images of a woman labouring in war production, unlike the “We Can Do It” poster, which was produced only for Westinghouse plants during a few weeks in 1943 and did not become iconic until the 1980s.“Among the many agencies President Roosevelt had created during the war was the War Manpower Commission, formed in April 1942 to oversee war labor issues in the military, industrial, and civilian sectors. And in June 1942, the Office of War Information was formed to manage the flows of news and propaganda about the war to the public. By 1943, when the labor shortage was most acute, the two agencies worked together in concerted campaigns, targeting employers to hire women and women to become ‘production soldiers’” (Yellin, Our Mothers’ War, p. 44). Women labouring in factories, even in the service of the war effort, was controversial, with only 30 percent of husbands giving unqualified support to the idea of their wives performing such jobs. “Despite the tide of public opinion against working wives, War Manpower Commission director Paul McNutt had a strategy for quelling opposition: ‘The money appeal will continue strong,’ he said in 1943, but we’ll concentrate on patriotism’. Sure enough, all across the country, the public was bombarded with spirited print and radio ads, magazine articles, and posters with slogans like ‘Do the Job He Left Behind’ or ‘Women in the War—We Can’t Win Without Them’ depicting noble, pretty but serious, female war workers on the job... The campaigns glamorized war work, always showing that women could maintain their femininity and still be useful” (Yellin, pp. 45-46).
Examples of this important poster are held at numerous institutions, including the Library of Congress, Imperial War Museum, MOMA, and the Pritzker Military Museum. Copies in such beautiful, unused condition are uncommon in commerce.
-
Washington D.C.: US Govt. Printing Office, 1942.
Colour poster (28 x 40 in). Professionally mounted, framed and glazed using archival materials. Original creases from folding, else bright and fresh. Excellent condition. Professionally mounted, glazed and framed using archival materials.
Weeks, Mary Elvira | The Discovery of the Elements I-XVII
£250.00
-
A rare and unusual set of the first seventeen parts of the classic The Discovery of the Elements, published as twenty-one articles in the Journal of Chemical Education in 1932 and 33 before it was republished in book form. Here collected and bound together in a contemporary, ready-made cloth binder with manuscript label.
Author Mary Elvira Weeks (1892 - ?) was a physical and analytical chemist at the University of Kansas. “She worked on the atmospheric oxidation of solutions of sodium sulfite in ultraviolet light, the role of hydrogen ion concentration in the precipitation of calcium and magnesium carbonates and the use of oxidation-reduction indicators in the determination of iron. She was also interested in the history of chemistry, particularly in the discovery of the elements” (Ogilvie, Biographical Dictionary of Women in Science, p. 1358).
Weeks “combined her dual interest in chemistry and languages to prepare a series of 21 articles in the Journal of Chemical Education in 1932-1933. The popularity of the series encouraged the Chemical Education Publishing Company of Easton, Pennsylvania, to collect the series and publish it as a paperbound book, Discovery of the Elements (1934). The articles and the resulting books were lavishly illustrated with pictures from [her colleague Frank B.] Dains’ collection, subsequently supplemented by pictures collected by Weeks. The book ultimately went though seven editions; the last in 1968 with the co-authorship of Henry M. Leicester. The book was, in many respects, a history of chemistry developed around the theme of discovering elements” (American Chemical Society, Division of the History of Chemistry biography).
-
...[from] the Journal of Chemical Education volume 9, number 1 - volume 9, number 12. Journal of Chemical Education, 1932-33.
17 articles removed from the Journal of Chemical Education and bound together in green cloth ready-made binder by Baschaga. Paper label to the upper board with manuscript title in an early-twentieth century hand. Black and white illustrations throughout the texts. Endpapers a little toned, binder lightly rubbed at the extremities. Excellent condition.
[Embrace the Base] Greenham Common Women's Peace Camp Invite Women to Take Part in an International Action
£1,750.00
-
A rare poster advertising Embrace the Base, one of the key mass actions at the Greenham Common Women’s Peace Camp. We have been able to locate only two copies in institutional collections, at the LSE Women’s Library and the Glasgow Women’s Library.
The Greenham Common protest was established in September of 1981 by the Welsh group Women for Life on Earth, who were opposed to the deployment of nuclear tipped cruise missiles at the site. What was initially planned as a single march became a permanent protest camp, one of the most significant and longest lasting women’s protests of the 20th century. In February 1982, for political reasons, the camp was made women only, and the following month they engaged in their first blockade of the base. Embrace the Base was their next major action. Taking place on December 12th & 13th, 1982, it saw 30,000 women from across from across the UK—drawn by chain letter, word of mouth, and posters such as this one—join hands to surround the nine mile perimeter fence. This copy of the poster seems to have been used in Birmingham, and includes instructions for obtaining coach tickets at the “Peace Centre (opp New Street Station)”, as well as local activist contact details, in marker pen.
As well as being an early and rare example of Greenham Common ephemera, this poster is particularly interesting in that is features a spider web, “a frequently reoccurring symbol in Greenham women’s cultural imaginary” because of its mythological and symbolic associations. “The metaphor of ‘building a web’ and being connected to each other in a ‘web-like structure’ populated Greenham women’s speech and writing. Alison Young describes Greenham women’s reclamation of the spider as revolving primarily around the notion of the spider’s web. She writes that the web ‘shows connections between women or between ideas; it can be begun at any point or at any time; each single strand is weak and fragile, yet when interwoven it is strong, beautiful and efficient’ (1990, 38). In line with Young’s reading, Roseneil writes that, ‘the web was a symbol of women's collective power, seemingly fragile, but actually very strong’” (1999, 179, ft39)” (Feigenbaum, Tactics and Technology: Cultural Resistance at the Greenham Women’s Peace Camp, PhD thesis, McGill University, April 2008).
The Greenham Common camp had no hierarchy, and its nature was defined by the thousands of individual women who visited when they could or lived permanently onsite for years. The activists engaged in non-violent resistance by disrupting movement in and out of the gates, cutting down portions of the fence, and trespassing on military property, and they endured frequent police raids, arrests, and evictions. A large number of the protesters were middle aged and older; they considered themselves ordinary mothers and working women, and made a point of the fact were opposed to nuclear weapons for deeply personal reasons. Their gender was crucial to their message: “a woman’s place was not in the home, but at a protest. Women could use their identity as carers and mothers to say, this is about the future safety of our children. We weaponised traditional notions of femininity” (Suzanne Moore, “How the Greenham Common Protest Changed Lives, The Guardian, March 20th, 2017).
“Greenham was powerful. It taught my generation about collective action, about protest as spectacle, a way of life, incredibly hard but sometimes joyous. Still the image of resistance for me is not the famous photograph of a striking miner confronting a policeman at Orgreave, it is the picture of Greenham women dancing in 1982: witchy, unarmed women dancing on a missile silo. This magical, powerful image shows how the peace camp both played on traditional images of the feminine and then subverted them. Greenham created an alternative world of unstoppable women. It changed lives.” (Moore, 2017).
-
...to Stop the Siting of Cruise Missiles Anywhere in Europe. December 12th & 13th. Embrace the Base on Sunday. Close the Base on Monday.
[England, [1982].
Mechanically printed poster (420mm x 580mm). Professionally mounted, framed and glazed using archival materials. White text and illustration of a missile caught in a spider’s web superimposed over a grey and red photograph of the mushroom cloud over Nagasaki. Marker pen notes at the bottom of the poster give contact details and instructions for travelling to the camp by bus from Birmingham. Vertical and horizontal creases from folding, a little light rubbing. Very good condition.