Recent Acquisitions
Turner, E. L. | Broadland Birds
£250.00
-
First and only edition of this beautifully illustrated work by pioneering bird photographer Emma Louise Turner (1867-1940), which includes the first publication of her award-winning photo of a Great Crested Grebe on its nest. This copy from the library of prominent bird photographer Eric J. Hosking (1909-1991), demonstrating the strong influence that Turner had on later generations in her field. In the introduction to their 1947 book, Masterpieces of Bird Photography, Hosking and co-author Harold Lowes lamented that they were unable to include her image of a water rail because no prints or negatives could be located.
This copy from the library of prominent bird photographer Eric J. Hosking (1909-1991), with his owl bookplate and a blank sheet of his stationery loosely inserted, as well as a Christmas card signed “Cyril, 1934”. This was likely from Cyril Newberry, a Fellow of the Royal Photographic Society employed by the London Midlands & Scottish Railway Scientific Research Laboratory, and one of Hosking’s frequent co-authors.
Author E. L. Turner became interested in photography after meeting wildlife photographer Richard Kearton in 1900. She joined the Royal Photographic Society the following year, and by 1904 was giving talks illustrated with her own slides. Turner was particularly interested in birds and travelled throughout the UK and Europe to photograph them, but her main base was in the Norfolk Broads, where she lived for part of each year beginning as early as 1901. This was where, in 1911, she photographed a nestling bittern, proving that the species was breeding in Britain for the first time since 1886. Another highlight of her career was the award of the Royal Photographic Society’s Gold Medal for a photograph of a great crested grebe on its nest, published in Broadland Birds in 1924. In 1904 Turner was elected one of the first fifteen female members of the Linnean Society. In 1909 she became one of the first four honorary female members of the British Ornithologist’s Union, and she was the only woman involved in the 1933 appeal that led to the creation of the British Trust for Ornithology.
The owner of this copy, Eric Hosking, developed his loves for nature and photography at an early age and by 1937 he was first person in Britain to make their living solely in this field. Hosking was intrepid in his pursuit of wild birds. He designed his own hides and made a number of important technical advances, among them the use of the flash in nature photography. His most famous photo is the “technically perfect” shot of a barn owl carrying prey that he captured using an electronic flash in 1948 (Sage, “A Photographer in Hiding”, New Scientist, September 1979). He is widely credited with developing wildlife photography into a mature art form. Hosking was awarded the RSPB’s Gold Medal in 1974, and three years later received an OBE. -
London: Country Life, Ltd., 1924.
Quarto. Original green quarter cloth, green boards, titles to spine gilt and to upper board in white, marbled endpapers. Frontispiece and 25 double-sided plates from photos by the author. Spine very slightly toned, boards with mottled fading as usual for this book, spotting to the contents and edges of the text block.
Gunther, Robert Theodore [manuscript by Lionel James Picton] | Coelenterata: Hydrozoa, Acraspeda, Anthozoa, Ctenophora. Notes from the Lectures of Mr. R. Gunther of Magdalen...
£650.00
-
RESERVED A remarkable and unusual anatomical manuscript on jellyfish based on laboratory work and lectures by Oxford zoologist Robert Theodore Gunther (1869-1940). The title, Coelenterata, is an antiquated term for species in the phyla Cnidaria (corals, sea anemones, true jellies) and Ctenophora (comb jellies). The student who compiled these notes would win the Welsh Prize for anatomical drawing in 1898 and go on to become a highly respected physician. While volumes of lecture notes in popular subjects such as zoology, anatomy, and botany are not uncommon, we have never come across one related to species such as jellyfish.
Gunther was the child of the zoologist Albert Charles Lewis Gotthilf Günther (1830–1914) and Roberta M’Intosh, herself “a gifted zoological painter” and he “absorbed his family's consummate involvement in medicine, natural history, and the museum”. After graduating with a first in morphology (now termed zoology) from oxford he spent two years studying marine and freshwater medusae at the Marine Zoological Research Laboratory in Naples.
Gunther was appointed lecturer in natural science at Magdalen College, Oxford in 1894, beginning this course in the same year. “As natural science tutor he had supervision of all Magdalen's science students, and from 1894 of the Daubeny Laboratory (which served a wider clientele within the university). He also lectured in comparative anatomy (biology) from 1900 to 1918, was librarian, 1920–23, published various works relating to Magdalen's history, and was a curator of the adjacent botanic garden, 1914–20” (ODNB).
The compiler of these notes, Lionel James Picton OBE (1874-1948) earned undergraduate degrees at Oxford in 1901 the year after he qualified in medicine at St. Bartholomew’s Hospital. After several years as house surgeon at institutions in London and Liverpool he settled in practice at Holmes Chapel, a village Cheshire. He served as a medical officer for the nearby urban district of Winsford and as surgeon to the town’s infirmary. Picton was a driving force for innovation in medical care and administration both regionally and nationally as a member of the British Medical Association. He was particularly interested in the connections between agriculture and nutrition, particularly “the treatment of soils and the nourishing of crops by suitable manures and the breeding of tubercule-immune cattle... and the preparation of wholemeal bread, raw greenstuffs, turnip juice, and other vegetable products” (obituary in the British Medical Journal, November 27, 1948) and in 1946 published a book on the subject, Thoughts on Feeding.
-
...delivered in the Michaelmas term ‘94 & the Hilary term 1895: A : Di in the University Museum — supplemented by notes and sketches of laboratory work, & other additional matter from various sources. Merton College, Oxford. Oxford, 1894-95.
184-page manuscript (205 x 166 mm, text primarily on the rectos) bound in pale cloth, title “Coelenterata” in gilt to the spine and upper board. Extensive lecture notes and drawings in black ink with numerous elaborate illustrations, many coloured in with pencils. Cloth stained and darkened, hinges starting. Very good condition.
Neurath, Marie | Inside the Atom
Sold Out
-
RESERVED First edition, first impression of this important work of science illustration by data-visualisation pioneer Marie Neurath (1898-1986).
Neurath, together with her husband Otto and their colleague Gerd Arntz, was one of the founders of Isotype, a simplified visual method of displaying complex information to the public. First developed in the 1920s, and originally known as the Vienna Method of Pictorial Statistics, the goal of Isotype was ”to cross national and social divides in a time before widespread global communication. To do that, Isotype went back to basics and stripped away all things unnecessary, illogical, or alienating—and in doing so, helped to establish some of the core principles of graphic design. Today, Isotype’s legacy can be seen everywhere from newspapers and textbooks to signage, transit maps, interfaces, and emojis” (Inglis, “Meet Marie Neurath,” AIGA Eye on Design, September 17, 2019).
Marie Neurath “was a remarkable practitioner” who “researched, calculated, and co-designed nearly every Isotype ever created, from the early days in Vienna in 1925 all the way to when she retired in 1971” (Forrest, “The Missing Legacy of Marie Neurath,” Medium, January 20, 2020). She described her role as that of the “Transformer” of data, writing that “From the data given in words and figures, a way has to be found to extract the essential facts and put them into picture form. It is the responsibility of the transformer to understand the data, to get all necessary information from the expert, to decide what is worth transmitting to the public, how to make it understandable, how to link it with general knowledge or with information already given in other charts. In this sense, the transformer is the trustee of the public” (Neurath, The Transformer, 2009).
Marie continued the work after Otto’s death in 1945, becoming best known for the series of children’s books she published over the next twenty years. “In children’s educational books Marie found an ideal place to put Isotype’s methods into practice. Young readers were more engaged by pictures than words, and this focus on the visual meant these books were easily translated and published abroad, fulfilling Isotype’s original aims of being truly international” (Inglis).
-
London: Max Parrish, Isotype. Printed by Graphic Reproductions Ltd., 1956.
Quarto. Original red cloth-patterned boards, titles to spine and upper board, and crystal design to upper board gilt. 3-colour offset lithography. Corners bumped, spine rolled, boards darkened corresponding to jacket chips, contents toned with occasional small spots, spotting to edges of text block. A good copy in the dulled and marked jacket with chips from the corners and ends of the spine, and a closed tear running halfway up the spine panel.
Robertson-Miller, Ellen. Butterfly and Moth Book
Sold Out
-
First edition, first printing. A beautiful copy of this uncommon and attractively designed work on butterflies and moths with numerous illustrations by the author.
Ellen Bell Robertson-Miller (1859-1937) was a noted painter, naturalist, and columnist who studied at the National Academy of Design and the Art Students’ League of New York. In addition to entomology, Robertston-Miller was interested in marine life and ornithology, and often held speaking engagements and published articles on natural subjects. She was co-author of Wild Flowers of the North-Eastern States (1895) with Margaret Christine Whiting.
-
...Personal Studies and Observations of the More Familiar Species. With Illustrations from Drawings by the Author and Photographs by J. Lyonel King, G. A. Bash, Dr. F. D. Snyder and Others. New York: Charles Scribner’s Sons, 1912.
Octavo. Original grey cloth elaborately blocked with an Art Nouveau design of a yellow swallowtail butterfly to the upper board and spine, buff endpapers. Photographic frontispiece with tissue guard, illustrations throughout the text from both photographs and drawings. Bookplate of John M. Witheridge. Fine condition.