Products
Turner, E. L. | Broadland Birds
£250.00
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First and only edition of this beautifully illustrated work by pioneering bird photographer Emma Louise Turner (1867-1940), which includes the first publication of her award-winning photo of a Great Crested Grebe on its nest. This copy from the library of prominent bird photographer Eric J. Hosking (1909-1991), demonstrating the strong influence that Turner had on later generations in her field. In the introduction to their 1947 book, Masterpieces of Bird Photography, Hosking and co-author Harold Lowes lamented that they were unable to include her image of a water rail because no prints or negatives could be located.
This copy from the library of prominent bird photographer Eric J. Hosking (1909-1991), with his owl bookplate and a blank sheet of his stationery loosely inserted, as well as a Christmas card signed “Cyril, 1934”. This was likely from Cyril Newberry, a Fellow of the Royal Photographic Society employed by the London Midlands & Scottish Railway Scientific Research Laboratory, and one of Hosking’s frequent co-authors.
Author E. L. Turner became interested in photography after meeting wildlife photographer Richard Kearton in 1900. She joined the Royal Photographic Society the following year, and by 1904 was giving talks illustrated with her own slides. Turner was particularly interested in birds and travelled throughout the UK and Europe to photograph them, but her main base was in the Norfolk Broads, where she lived for part of each year beginning as early as 1901. This was where, in 1911, she photographed a nestling bittern, proving that the species was breeding in Britain for the first time since 1886. Another highlight of her career was the award of the Royal Photographic Society’s Gold Medal for a photograph of a great crested grebe on its nest, published in Broadland Birds in 1924. In 1904 Turner was elected one of the first fifteen female members of the Linnean Society. In 1909 she became one of the first four honorary female members of the British Ornithologist’s Union, and she was the only woman involved in the 1933 appeal that led to the creation of the British Trust for Ornithology.
The owner of this copy, Eric Hosking, developed his loves for nature and photography at an early age and by 1937 he was first person in Britain to make their living solely in this field. Hosking was intrepid in his pursuit of wild birds. He designed his own hides and made a number of important technical advances, among them the use of the flash in nature photography. His most famous photo is the “technically perfect” shot of a barn owl carrying prey that he captured using an electronic flash in 1948 (Sage, “A Photographer in Hiding”, New Scientist, September 1979). He is widely credited with developing wildlife photography into a mature art form. Hosking was awarded the RSPB’s Gold Medal in 1974, and three years later received an OBE. -
London: Country Life, Ltd., 1924.
Quarto. Original green quarter cloth, green boards, titles to spine gilt and to upper board in white, marbled endpapers. Frontispiece and 25 double-sided plates from photos by the author. Spine very slightly toned, boards with mottled fading as usual for this book, spotting to the contents and edges of the text block.
Turner, E. L. | Every Garden a Bird Sanctuary
£75.00
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Second impression, published the year after the first. A rare guide to gardening and managing outdoor spaces for wild birds, by the pioneering bird photographer and conservationist Emma Louise Turner.
The prominent American ornithologist Margaret Morse Nice (1883-1974) reviewed this volume for Bird Banding magazine in July, 1936, writing that, “The title of this book is an inspiration in itself. In this sane, readable little volume, Miss Turner, well-known bird photographer and student of life-history of birds, gives excellent advice, not only for garden sanctuaries, but also for woodland and marsh sanctuaries. She points out the ruthless advance of present-day civilization against the few remnants of wild life”.
Turner (1867-1940) became interested in wildlife photography after meeting Richard Kearton in 1900. She joined the Royal Photographic Society the following year, and by 1904 was giving talks illustrated with her own slides. Turner was particularly interested in birds and travelled throughout the UK and in Europe to photograph them, but her main base of operations was in the Norfolk Broads, where she lived for part of each year beginning as early as 1901. This was where, in 1911, she photographed a nestling bittern, proving that the species was breeding in Britain for the first time since 1886. Another highlight of her career was the award of the Royal Photographic Society’s Gold Medal for a photograph of a great crested grebe on its nest, published in her book Broadland Birds in 1924. In 1904 Turner was elected one of the first fifteen female members of the Linnean Society, in 1909 she became one of the first four honorary female members of the British Ornithologist’s Union, and she was the only woman involved in the 1933 appeal that led to the creation of the British Trust for Ornithology.
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...With Plates and Drawings. London: H. F. & G. Witherby, Ltd., 1935.
Octavo. Original blue cloth, titles to spine in white. With the dust jacket. Frontispiece and 7 plates from photographs by the author. Plate II detached and loosely inserted. Spine rolled and partially faded, shallow dents affecting the upper board and spine, edges of the boards a little rubbed and faded, spotting to contents and edges of text block. A very good copy in the rubbed and nicked jacket with chips from the head and tail of the tanned spine panel and ink gift inscription to the upper panel.
Turner, E. L. | Every Garden a Bird Sanctuary
£75.00
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First edition, first impression. A rare guide to gardening and managing outdoor spaces for wild birds, by the pioneering wildlife photographer and conservationist Emma Louise Turner.
The prominent American ornithologist Margaret Morse Nice (1883-1974) reviewed this volume for the journal Bird Banding in July, 1936, writing that, “The title of this book is an inspiration in itself. In this sane, readable little volume, Miss Turner, well-known bird photographer and student of life-history of birds, gives excellent advice, not only for garden sanctuaries, but also for woodland and marsh sanctuaries. She points out the ruthless advance of present-day civilization against the few remnants of wild life”.
Emma Louise Turner (1867-1940) became interested in wildlife photography after meeting Richard Kearton in 1900. She joined the Royal Photographic Society the following year, and by 1904 was giving talks illustrated with her own slides. Turner was particularly interested in birds and travelled throughout the UK and in Europe to photograph them, but her main base of operations was in the Norfolk Broads, where she lived for part of each year beginning as early as 1901. This was where, in 1911, she photographed a nestling bittern, proving that the species was breeding in Britain for the first time since 1886. Another highlight of her career was the award of the Royal Photographic Society’s Gold Medal for a photograph of a great crested grebe on its nest, published in her book Broadland Birds in 1924. In 1904 Turner was elected one of the first fifteen female members of the Linnean Society, in 1909 she became one of the first four honorary female members of the British Ornithologist’s Union, and she was the only woman involved in the 1933 appeal that led to the creation of the British Trust for Ornithology.
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...With Plates and Drawings. London: H. F. & G. Witherby, Ltd., 1935.
Octavo. Original blue cloth, titles to spine in white. Frontispiece and 7 plates from photographs by the author. Ownership signature of E. H. Stevenson to the title. Spine tanned and rolled, some small marks and bumps to the cloth, text block shaken and with spotting on the edges, light offsetting to the title. Very good condition.
Turner, E. L. | My Swans the Wylly-Wyllys and Others
£100.00
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First edition, first impression of this charming memoir of a family of mute swans by the bird photographer and conservationist Emma Louise Turner (1867-1940). As Turner explains in the introduction, the swans lived near her houseboat at Hickling Broad and the name she gave them, the “Wylly-Wyllys”, “arose out of the swan cry, ‘Wulla, wulla, wulla,’ repeated very quickly by the fen men when calling the swans”. The text follows the birds through their breeding season and also discusses some of the other species of wild swans in the area, and it is illustrated with 26 of Turner’s own photographs. Copies with the dust jacket are particularly uncommon.
Turner became interested in photography after meeting wildlife photographer Richard Kearton in 1900. She joined the Royal Photographic Society the following year, and by 1904 was giving talks illustrated with her own slides. Turner was particularly interested in birds and travelled throughout the UK and in Europe to photograph them, but her main base of operations was in the Norfolk Broads, where she lived for part of each year beginning as early as 1901. This was where, in 1911, she photographed a nestling bittern, proving that the species was breeding in Britain for the first time since 1886. Another highlight of her career was the award of the Royal Photographic Society’s Gold Medal for a photograph of a great crested grebe on its nest, published in her book Broadland Birds in 1924. In 1904 Turner was elected one of the first fifteen female members of the Linnean Society, in 1909 she became one of the first four honorary female members of the British Ornithologist’s Union, and she was the only woman involved in the 1933 appeal that led to the creation of the British Trust for Ornithology.
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London: Arrowsmith, 1932.
Octavo. Original grey cloth, titles to spine and upper board blocked in green. With the dust jacket. Frontispiece and 15 plates from photographs by the author. Contemporary gift inscriptions to the front free endpaper. Dampstain and loss of size affecting the boards but not the contents, what may be a little light brown mildew on the lower board and corresponding area of the jacket verso. A good copy in the rubbed, spotted, and dulled jacket with a chip and closed tear to the upper panel, a small chip at the head of the spine panel affecting the name of the series but not the title, and some smaller nicks and creases.
Turner, E. L. | Togo, My Squirrel and His Lady-Friend Buda
£150.00
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First edition, first impression of this memoir of a red squirrel saved and reared by the author, the pioneering wildlife photographer and conservationist Emma Louise Turner (1867-1940). This volume was published in the Arrowsmith series The Library of Animal Friends, which also featured books by fellow photographers Frances Pitt and Cherry Kearton, and included another of Turner’s books, My Swans the Wylly-Wyllys. Uncommon in the dust jacket.
Turner became interested in wildlife photography after meeting Richard Kearton in 1900. She joined the Royal Photographic Society the following year, and by 1904 was giving talks illustrated with her own slides. Turner was particularly interested in birds and travelled throughout the UK and in Europe to photograph them, but her main base of operations was in the Norfolk Broads, where she lived for part of each year beginning as early as 1901. This was where, in 1911, she photographed a nestling bittern, proving that the species was breeding in Britain for the first time since 1886. Another highlight of her career was the award of the Royal Photographic Society’s Gold Medal for a photograph of a great crested grebe on its nest, published in her book Broadland Birds in 1924. In 1904 Turner was elected one of the first fifteen female members of the Linnean Society, in 1909 she became one of the first four honorary female members of the British Ornithologist’s Union, and she was the only woman involved in the 1933 appeal that led to the creation of the British Trust for Ornithology.
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....His Successor Tim, and Dinah and the Owls. With 25 Photographs. London: Arrowsmith, 1932.
Square octavo. Original red cloth, titles to spine and upper board in black. With the dust jacket. Frontispiece and 15 plates from photographs by the authors and others. Spine very slightly faded, cloth lightly rubbed at the extremities. A very good copy in the rubbed and dulled jacket with some creases, small chips, and short closed tears.
Tyson, Neil deGrasse | Death by Black Hole
£150.00
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Sixth printing, published in the same year as the first. Presentation copy inscribed by the author in elaborate calligraphy on the half title, “To: Ravonne, Welcome to the Universe, Neil D. Tyson, May 2007”. Uncommon signed. The present volume is a collection of forty-two essays originally published in Tyson’s “Universe” column in Natural History Magazine between 1995 and 2005.
Astrophysicist Neil DeGrasse Tyson’s (1958 - ) interest in astronomy began during childhood, when he viewed the Moon’s surface through a friend’s binoculars. Tyson studied at Harvard, the University of Texas, and Columbia, then joined the faculty of Princeton, where “many students found him a particularly inspiring professor” (Krapp, Notable Black American Scientists, p. 304). His academic research has been focused on cosmology, particularly star births and supernovae, and the structure of the Milky Way and other galaxies.
Throughout his career Tyson has also been focused on sharing astronomy with the general public, leading to him becoming one of the world’s most famous scientists. Since 1996 he has been the director of the Hayden Planetarium in New York; written columns in popular magazines; published sixteen books; become a popular figure on Twitter; and hosted several television shows, including the 2004 PBS series Origins and the 2014 reboot of Carl Sagan’s Cosmos. His reputation, however, has been affected by rape and sexual harassment allegations made public by fellow graduate student Thchiya Amet El Maat, professor Katelyn Allers, former assistant Ashley Watson, and an anonymous woman in late 2018.
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...and Other Cosmic Quandaries. New York & London: W. W. Norton & Company, 2007.
Octavo. Original yellow boards, black paper backstrip, titles to spine gilt. With the dust jacket. A little light rubbing at the edges, minor bump to the upper corner of the boards. An excellent copy in the jacket with a little creasing at the head of the spine panel and a minor vertical crease near the top of the spine panel.
Urey, Harold | Archive of correspondence with astronomer Arthur Beer
£1,250.00
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An archive of correspondence between astronomer Arthur Beer and Nobel Prize winning chemist Harold Urey regarding the latter’s contribution to Vistas in Astronomy.
Beer (1900-1980) was born in Richenberg, Bohemia (later Czechoslovakia), and educated in Austria and Germany. He worked as an astronomer at Breslau University, where he studied binary stars, and at the German Maritime Observatory. He also wrote newspaper columns and was responsible for developing one of the first scientific radio programmes, Aus Natur und Technik. Beer escaped from Germany in 1934, assisted by Einstein, who wrote him a public letter of recommendation, and spent the rest of his life in the UK. He worked at the Cambridge Solar Physics Observatory and at the Kew Observatory, and became a member of the Royal Astronomical Society. Beer’s most significant contribution to science was as the founding editor of Vistas in Astronomy, a “voluminous and thorough survey of present-day astronomy” in two volumes, conceived as a Festschrift celebrating the 70th birthday of astrophysicist Frederick J. M. Stratton, under whom he had served in Cambridge. The resulting volumes were so impressive that it was continued first as an annual book and then a quarterly journal.
American chemist Harold Urey (1893-1981) did key work on atomic and molecular structures, particularly hydrogen isotopes. This led him to the discovery of deuterium, for which he was awarded the Nobel Prize in 1934. During the Second World War he led the Manhattan Project’s branch at Columbia University, where he applied his knowledge of isotope separation techniques to the problem of isolating of pure uranium 235 on an industrial scale. After the war he worked at the Institute for Nuclear Studies at the University of Chicago. In 1958 Urey moved to the University of California, San Diego, where he did groundbreaking work on the origins of life on Earth, conducting a laboratory simulation of the conditions on the early Earth and proving that they were ideal for the production of cellular building blocks such as amino acids.
The correspondence present here consists of five letters from Urey, mainly on practical issues connected with his contribution to Beer’s book. In the first, on September 10th, 1952, he replies to Beer’s request for submissions, apologising for taking so long to reply as “I have not been able to think of a subkect to write about. I am leaving for Europe on the 14th of September and hope to visit Cambridge about October 15th. If it isn’t too late by that time perhaps we can discuss the question then. In the meantime, I will turn this over in my mind and try to think of something that I might contribute to the book.” On January 8th the following year he writes, “At last the paper for the Stratton volume!... I wish it were a better paper. If you do not wish to publish it I shall not be offended at all. There are quite a few notes and I believe references and notes are more easily read if placed at the bottom of the page. But perhaps your rules are all made long ago.” Later that month Urey sends short note to confirm receipt of the document, and in July he asks that the proofs be mailed to him in Stockholm. The final letter, dated by Beer in pencil as postmarked July 31st, 1953, discusses the terms he has chosen for the index (”I have underlined [in the returned proof, not present here] expressions indicating topics for the index... on the margins I have written additional suggestions” and relates that the illustrations had not arrived yet when he left for the states, but that “I believe the figures can be assumed to be all right”.
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Chicago, 1952-53. Including 3 typed letters signed (one with the signature removed for reproduction in Vistas in Astronomy) and 2 autograph letters signed by Urey. Housed in Beer’s tan paper folder with “Urey” in ink on the cover. Just a little creasing to some pieces. Excellent condition.
Van Hoosen, Bertha | Scopolamine-Morphine Anaesthesia
£250.00
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First edition of this important book on the use of “twilight sleep” anaesthesia during labour by the female surgeon who first advocated its use in the United States. Rare, with WorldCat listing only electronic copies, and only one copy appearing in auction records (Bonhams 2020).
Born into a Michigan farming family, Bertha van Hoosen (1863-1952) insisted on a medical education despite her parent’s active opposition, and put herself through school by working as a teacher, obstetrical nurse, and demonstrator in anatomy. After graduating she opened a private practice and also worked at the Woman’s Medical School of Northwestern University and as a professor of clinical gynaecology at the Illinois University Medical School. In 1918 Van Hoosen became the first woman to head a medical division at a coeducational university when she was appointed professor and head of obstetrics at Loyola. She was a founder and first president of the American Medical Women's Association, and advocated for women physicians to serve in the First World War.
“Throughout her career, Bertha van Hoosen’s major interest was in women’s health. She was an excellent general surgeon, but she was particularly concerned with women and children. She pioneered the use of scopolamine-morphine anaesthesia for childbirth. Although this method, known as twilight sleep, had become popular in Germany, it was not used in the United States. She produced a book and two articles on her research in this area” (Ogilvie, Biographical Dictionary of Women in Science p. 1320).
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...A Psychological Study of "Twilight Sleep" Made by the Giessen Method. Chicago: The House of Manz, 1915.
Octavo. Brown cloth library binding, titles to spine and upper board in black. Tipped-in photographic frontispiece and 8 plates from photographs. From the library of the Los Angeles Medical Association, with partially removed numbers at the tail of the spine, blind stamp to the title and page 49, pencilled library notes to the contents list, remnants of a bookplate to the front pastedown, and abraded spots on the rear pastedown where the the card pocket was removed. Cloth a little rubbed and marked with a small knock to the edge of the lower board and a scuff affecting the same board. Contents clean. A very good copy.
Vernon, M. D. | Visual Perception
Sold Out
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First edition, first impression. A lovely, fresh copy of this important work.
Magdalen Dorothea Vernon (1901-1999) studied psychology at Newnham College, Cambridge, then carried out experimental research with Professor Frederick Bartlett at the Cambridge Psychological Laboratory. “There she studied eye movements in proofreading and then moved into the broader area of visual perception. Vernon was internationally recognised for her experimental study of reading, published in 1931. After examining the flicker phenomenon in binocular fusion, she wrote a widely read book on visual perception toward the end of the decade [the present volume]. She also collaborated with Kenneth Clark on a study of dark adaptation. By 1946, Vernon was offered a lectureship at reading rising to the rank of reader and head of department. She trained an important group of psychologists at Reading and was noted for her good humour and her direct approach... Her last book, published when she was seventy, again examined reading difficulties” and in the same year she was made an honorary Fellow of the British Psychological Society.
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Cambridge: at the University Press, 1937.
Octavo. Original green cloth, titles to spine gilt. Diagrams within the text. Minor bump to lower corner. Excellent condition.
Von Neumann, John | Theory of Self-Reproducing Automata
£1,200.00
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First edition of this important work on self-reproduction in machines and life forms, scare in the dust jacket.
Von Neumann became interested in the abilities of computers to self-reproduce during his work on the Institute for Advanced Studies computer project - noting that, since a Turing machine can make exact copies of any readable sequence, it can copy itself. He hoped to formulate a theory of self-reproduction that would be general enough to explain and predict self-reproduction in both machines and living things. “Viewing the logic of self-replication and self-reproduction through the lens of formal logic and and self-referential systems, von Neumann applied the results of Gödel and Turing to the foundations of biology” with his conjectures hitting “the heart of the probability or improbability of the origin of life” (Dyson, Turing’s Cathedral, pp. 283-285).
Together with Stanislaw Ulam, von Neumann attempted to develop these ideas for publication, but they remained remained unfinished at his death. “The incomplete manuscript, including a lengthy introduction based on a series of five lectures given by von Neumann at the University of Illinois in 1949, was eventually assembled, with careful editing by Arthur Burks, and published as Theory of Self-Reproducing Automata almost ten years after von Neumann’s death... Our understanding of self-reproduction in biology, and our development of self-reproducing technology, proceeded almost exactly as the proposed theory described” (Dyson, p. 286).
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Edited and Compiled by Arthur W. Banks. Urbana & London: University of Illinois Press, 1966.
Octavo. Original green cloth, titles to spine and upper board in black. With the dust jacket. Contemporary ownership signature in blue ink to the front free endpaper. An excellent, fresh copy in the lightly rubbed jacket that is tanned, particularly along the spine panel, and has some nicks and short splits at the edges.
Vos, George H. | Birds and Their Nests and Eggs
£95.00
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A handsomely bound copy of a later impression, originally published in 1907. This lovely little book is "an attempt to describe by camera and pen the recent rambles of two friends, during the months of May and June, in search of birds and their nests for the purpose of photographing them in and near London". It includes a large number of photographs of British birds (usually stuffed specimens) as well as their nests, eggs, and habitats.
- Found in and Near Great Towns. Illustrated by reproduction of photographs of each bird, its nest and eggs, made by the author from Nature, and of incidental scenes. Second edition, revised. London: George Routledge and Sons, Ltd., 1910. Octavo (174 x 117 mm). Contemporary tree calf prize binding, spine elaborately gilt in compartments, red morocco label, gilt floral roll to boards, gilt crest of the Terra Nova School to the upper board, marbled endpapers and edges. Prize bookplate. Frontispiece and illustrations throughout from photographs. Very lightly rubbed at extremities, spine a little faded. Excellent condition.
Waddington, G. & Monica Taylor | Principles of Biology
£75.00
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The rare first edition of this well-regarded introductory biology textbook co-authored by entomologist Monica Taylor (1877-?).
“Monica Taylor joined the Order of Notre Dame as a nun when she was twenty-three. She went on to study science at the University of London and the University of Glasgow and taught for almost forty years in the School of Education in Glasgow with occasional stints as a visiting lecturer in Belgium and the United States. She published a popular biology textbook with the distinguished biologist C. H. Waddington in the 1930s. In her later life she was recognized with a medal from the Royal Society of Edinburgh and served as vice-president of the Royal Society of Glasgow. the UNiversity of Glasgow awarded her an honorary degree in 1973. Taylor’s scientific research included an analysis of the development of the insect Symbrachus, a study of the chromosome complex of Culex pipens. She also studied amoeba and polypoidy and the connection to evolution, On the technical side, she developed laboratory growth materials for protozoa.” (Ogilvie, Biographical Dictionary of Women in Science, p. 1272.)
Though Ogilvie states that C. H. Wadington was the co-author of this volume, the title page gives the name as “G. Waddington”. G. was not one of the well-known Waddington’s initials, and he was never a professor at either Heythrop or Stonyhurst College as described of the author on the title page. The identity of G. Waddington remains unclear.
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London: John Murray, 1935.
Octavo. Original green cloth, titles to spine and upper board in black, double line border and publisher’s monogram to upper board in black. Single leaf publisher’s ads at rear. Diagrams and black and white illustrations from photos throughout. Pencilled ownership signature to the front free endpaper. Spine a little rolled, cloth rubbed with some wear at the extremities, particularly the head of the spine where the cloth has pulled back a little, some spotting and dulling of the cloth, slight musty smell when fanning the leaves but contents clean. A very good copy.
War Manpower Commission | Women in the War—We Can't Win Without Them
£1,750.00
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Due to this item's size and shape, extra shipping charges will apply. Please contact us for an estimate.
An original Second World War poster promoting women in the wartime workforce, produced in 1942 by the War Manpower Commission. At the time, “Women in the War” was one of the most widely distributed images of a woman labouring in war production, unlike the “We Can Do It” poster, which was produced only for Westinghouse plants during a few weeks in 1943 and did not become iconic until the 1980s.“Among the many agencies President Roosevelt had created during the war was the War Manpower Commission, formed in April 1942 to oversee war labor issues in the military, industrial, and civilian sectors. And in June 1942, the Office of War Information was formed to manage the flows of news and propaganda about the war to the public. By 1943, when the labor shortage was most acute, the two agencies worked together in concerted campaigns, targeting employers to hire women and women to become ‘production soldiers’” (Yellin, Our Mothers’ War, p. 44). Women labouring in factories, even in the service of the war effort, was controversial, with only 30 percent of husbands giving unqualified support to the idea of their wives performing such jobs. “Despite the tide of public opinion against working wives, War Manpower Commission director Paul McNutt had a strategy for quelling opposition: ‘The money appeal will continue strong,’ he said in 1943, but we’ll concentrate on patriotism’. Sure enough, all across the country, the public was bombarded with spirited print and radio ads, magazine articles, and posters with slogans like ‘Do the Job He Left Behind’ or ‘Women in the War—We Can’t Win Without Them’ depicting noble, pretty but serious, female war workers on the job... The campaigns glamorized war work, always showing that women could maintain their femininity and still be useful” (Yellin, pp. 45-46).
Examples of this important poster are held at numerous institutions, including the Library of Congress, Imperial War Museum, MOMA, and the Pritzker Military Museum. Copies in such beautiful, unused condition are uncommon in commerce.
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Washington D.C.: US Govt. Printing Office, 1942.
Colour poster (28 x 40 in). Professionally mounted, framed and glazed using archival materials. Original creases from folding, else bright and fresh. Excellent condition. Professionally mounted, glazed and framed using archival materials.
Watson, Hewett Cottrell | Topographical Botany
£400.00
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First edition, presentation set inscribed by the author on each title, “Mary Edmonds from the Author, H. C. W. 1873” and “Mary Edmonds from the Author, June 24th 1874”.
Inspired by the work of Alexander von Humboldt, Hewett Cottrell Watson (1804-1881) became Victorian Britain’s leading phytogeographer, and his research contributed to Charles Darwin’s Origin of Species. “Watson's major botanical endeavour was producing several versions of a work first entitled Outlines of the Geographical Distribution of British Plants (1832); it reached its most extensive form as Cybele Britannica, or, British Plants, and their Geographical Relations (4 vols., 1847–59). Volume four contains his most detailed phytogeographical conclusions. After publishing several supplements, he summarized his data in Topographical Botany: being Local and Personal Records towards shewing the Distribution of British Plants (2 vols., 1873–4). He was working on a second edition of it when he died; it was completed by John G. Baker and William W. Newbould (1883)” (ODNB). Watson was also responsible for the foundation of botanical exchange clubs and the publication of the London Catalogue of British Plants, which amassed the contributions of thousands of amateur and professional botanists across Britain.
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...Being Local and Personal Records Towards Shewing the Distribution of British Plants Traced Through the 112 Counties and Vice-Counties of England and Scotland. Thames Ditton: for private distribution, 1873 & 74.
2 volumes, octavo. Original green cloth, titles to spine and upper board gilt, yellow coated endpapers. Map. Corners and edges bumped, dampstains to both lower boards, small area of dampstain to edge of upper board of volume II, occasional light spotting to contents and edges of text block of volume II. A very good set.
Webb, James E. | Space Age Management. The Large-Scale Approach.
£850.00
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First edition, first printing and rare in commerce.
James E. Webb (1906-1996) was NASA’s second administrator and arguably its most significant, seeing the agency through the Mercury and Gemini programs and the preparation for the Apollo missions. This volume is based on a series of lectures given at Columbia University’s Graduate School of Business in 1968, and discusses Webb’s experience of leading one of the largest and most complex organisations ever established. It explores why traditional management systems were no longer sufficient for modern technological undertakings, describes new methods pioneered by NASA, and asks that government and private companies invest in research on new organisational models.
To Webb, “the space program was more than a political race. He believed that NASA had to strike a balance between human space flight and science because such a combination would serve as a catalyst for strengthening the nation's universities and aerospace industry... Webb's vision of a balanced program resulted in a decade of space science research that remains unparalleled today. During his tenure, NASA invested in the development of robotic spacecraft, which explored the lunar environment so that astronauts could do so later, and it sent scientific probes to Mars and Venus, giving Americans their first-ever view of the strange landscape of outer space. As early as 1965, Webb also had written that a major space telescope, then known as the Large Space Telescope, should become a major NASA effort. By the time Webb retired just a few months before the first moon landing in July 1969, NASA had launched more than 75 space science missions to study the stars and galaxies, our own Sun and the as-yet unknown environment of space above the Earth's atmosphere. Missions such as the Orbiting Solar Observatory and the Explorer series of astronomical satellites built the foundation for the most successful period of astronomical discovery in history, which continues today”. Webb also “enhanced the role of scientists in key ways. He gave them greater control in the selection process of science missions and he created the NASA University Program, which established grants for space research, funded the construction of new laboratories at universities and provided fellowships for graduate students” (”Who is James Webb?”, NASA James Webb Space Telescope website).
Webb’s legacy has been complicated by allegations that at the State Department and NASA he played a leading role in the lavender scare, in which hundreds of gay personnel were fired from the federal government. In 2021 four astronomers published an op-ed in Scientific American requesting the renaming of the soon-to-be-launched James Webb Space Telescope, but NASA administrators announced that an inquiry into Webb’s actions determined it was unlikely he had played a key role in the firings and the name would be kept.
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New York: McGraw-Hill, 1969.
Octavo. Original brick red cloth, titles to spine and upper board in white with black accents. With the dust jacket. A handful of lightly pencilled check marks in the margins. Spine rolled, cloth lightly rubbed at the edges, thin dark mark on the lower board. A very good copy in the rubbed jacket with faded spine panel and some wear and tiny nicks at the edges.
Webb, James E. | Three uncommon imprints by NASA administrator James E. Webb
£450.00
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James E. Webb (1906-1996) was NASA’s second administrator and one of its most significant, seeing the agency through the Mercury and Gemini programs and the preparation for the Apollo missions.
To Webb, “the space program was more than a political race. He believed that NASA had to strike a balance between human space flight and science because such a combination would serve as a catalyst for strengthening the nation's universities and aerospace industry... Webb's vision of a balanced program resulted in a decade of space science research that remains unparalleled today. During his tenure, NASA invested in the development of robotic spacecraft, which explored the lunar environment so that astronauts could do so later, and it sent scientific probes to Mars and Venus, giving Americans their first-ever view of the strange landscape of outer space. As early as 1965, Webb also had written that a major space telescope, then known as the Large Space Telescope, should become a major NASA effort. By the time Webb retired just a few months before the first moon landing in July 1969, NASA had launched more than 75 space science missions to study the stars and galaxies, our own Sun and the as-yet unknown environment of space above the Earth's atmosphere. Missions such as the Orbiting Solar Observatory and the Explorer series of astronomical satellites built the foundation for the most successful period of astronomical discovery in history, which continues today”. Webb also “enhanced the role of scientists in key ways. He gave them greater control in the selection process of science missions and he created the NASA University Program, which established grants for space research, funded the construction of new laboratories at universities and provided fellowships for graduate students” (”Who is James Webb?”, NASA James Webb Space Telescope website).
Webb’s legacy has been complicated by allegations that at the State Department and NASA he played a leading role in the lavender scare, in which hundreds of gay personnel were fired from the federal government. In 2021 four astronomers published an op-ed in Scientific American requesting the renaming of the soon-to-be-launched James Webb Space Telescope, but NASA administrators announced that an inquiry into Webb’s actions determined it was unlikely he had played a key role in the firings and the name would be kept.
These pamphlets deal with various aspects of space science and the space race. “Man Must Take Environment into Space” discusses the hostile environment of space and the ways that NASA scientists have prepared their vehicles and crew for it. “Administration and Management of Space Exploration” lays out the structure and goals of NASA, and “From Runnymede to Ganymede” is the text of a historical talk that Webb gave at the Celebration of the Prelude to Independence in Williamsburg, Virginia on May 27th, 1967.
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...“Man Must Take Environment into Space, Project Gemini.”, “Administration and Management of Space Exploration, Project Apollo”, and “From Runnymede to Ganymede” in Speaking of Space and Aeronautics Vol. IV, No. 1. Washington D.C.: NASA, 1962 & 1967.
3 16-page, wire-stitched pamphlets. The first two in white self-wraps printed in blue. The third in yellow wrappers printed in black and grey. Illustrations from photos within the texts of the first and second pamphlets. Just a little creasing and rubbing. Excellent condition.
Weeks, Mary Elvira | The Discovery of the Elements I-XVII
£250.00
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A rare and unusual set of the first seventeen parts of the classic The Discovery of the Elements, published as twenty-one articles in the Journal of Chemical Education in 1932 and 33 before it was republished in book form. Here collected and bound together in a contemporary, ready-made cloth binder with manuscript label.
Author Mary Elvira Weeks (1892 - ?) was a physical and analytical chemist at the University of Kansas. “She worked on the atmospheric oxidation of solutions of sodium sulfite in ultraviolet light, the role of hydrogen ion concentration in the precipitation of calcium and magnesium carbonates and the use of oxidation-reduction indicators in the determination of iron. She was also interested in the history of chemistry, particularly in the discovery of the elements” (Ogilvie, Biographical Dictionary of Women in Science, p. 1358).
Weeks “combined her dual interest in chemistry and languages to prepare a series of 21 articles in the Journal of Chemical Education in 1932-1933. The popularity of the series encouraged the Chemical Education Publishing Company of Easton, Pennsylvania, to collect the series and publish it as a paperbound book, Discovery of the Elements (1934). The articles and the resulting books were lavishly illustrated with pictures from [her colleague Frank B.] Dains’ collection, subsequently supplemented by pictures collected by Weeks. The book ultimately went though seven editions; the last in 1968 with the co-authorship of Henry M. Leicester. The book was, in many respects, a history of chemistry developed around the theme of discovering elements” (American Chemical Society, Division of the History of Chemistry biography).
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...[from] the Journal of Chemical Education volume 9, number 1 - volume 9, number 12. Journal of Chemical Education, 1932-33.
17 articles removed from the Journal of Chemical Education and bound together in green cloth ready-made binder by Baschaga. Paper label to the upper board with manuscript title in an early-twentieth century hand. Black and white illustrations throughout the texts. Endpapers a little toned, binder lightly rubbed at the extremities. Excellent condition.
Weinberg, Steven | The Discovery of Subatomic Particles
£175.00
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First edition, first printing of this important popular history of particle physics by “the preeminent public intellectual of fundamental physics”, Steven Weinberg (1933-2021) (Arkani-Hamad, “How Steven Weinberg Transformed Physics and Physicists, Quanta magazine, August 11, 2021). Uncommon in nice condition in the dust jacket.
Weinberg was one of the most important physicists of the 20th and 21st centuries, and was awarded the 1979 Nobel Prize for the electroweak theory, which unified two of the fundamental forces: electromagnetism and the nuclear weak force. “Working separately, Dr. Abdus Salam, a Pakistani theoretical physicist, came to the same conclusions as Dr. Weinberg. Their model became known as the Weinberg-Salam Theory. It was revolutionary, not only for proposing the unification of the electromagnetic and weak forces, but also for creating a classification system of masses and charges for all fundamental particles, thereby forming the basis of the Standard Model, which includes all the forces except gravity” (New York Times obituary, July 29, 2021).
“Though he had the respect, almost awe, of his colleagues for his scientific abilities and insights, he also possessed a rare ability among scientists to communicate and explain abstruse scientific ideas to the public. He was a sought-after speaker, and he wrote several popular books about science, notably The First Three Minutes: A Modern View of the Origin of the Universe (1977) (NYT). As Weinberg explains in the introduction, The Discovery of Subatomic Particles, “grew out of a course that I gave at Harvard in the spring of 1980... to engage students who were not assumed to have any prior training in mathematics or physics in learning about the great achievements of twentieth-century physics”. It “covers the discovery of the fundamental particles that make up all ordinary atoms: the electron, the proton, and the neutron” and was written “for readers who may not be familiar with classical physics, but are willing to pick up enough of it as they go along to be able to understand the rich tangle of ideas and experiments that make up the history of twentieth century physics”.
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New York & San Francisco: Scientific American Library, an imprint of W. H. Freeman and Company, 1983.
Quarto. Original blue cloth, titles to spine in silver, grey endpapers. With the dust jacket. Double-page frontispiece and illustrations throughout the text. An excellent copy – the cloth and contents fresh – in the jacket that is lightly toned with minor creasing and short splits at the edges, some scratches primarily affecting the upper panel, and a small dark spot on the illustration on the upper panel.
Weishampel, David B., Peter Dodson & Halszka Osmólska | The Dinosauria
£50.00
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First edition, first printing of this key reference work described by reviewers as “monumental” and an “instant classic” (Padian, K. “The Dinosauria”, Journal of Vertebrate Paleontology, volume 11, number 2, June 1991). Though later printings are commonly available online, it is difficult to find first printings in nice condition.
The Dinosauria was “a comprehensive, authoritative review of current knowledge and theory about the dinosaurs” that reflected the dramatic shifts in palaeontology during the previous two decades (Wilford, review in The New York Times, January 27, 1991). The first edition contains twenty-nine chapters on dinosaur anatomy, physiology, behaviour, and evolution by twenty-three contributors including leading palaeontologists J. H. Ostrom, Jack Horner, Teresa Maryańska, Halszka Osmólska, Michael Benton and Jacques Gauthier. It was so successful that a revised and expanded second edition published in 2004 and remains in print today.
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Berkeley, CA: University of California Press, 1990.
Folio. Original blue cloth, titles to spine gilt, dinosaur design blocked to upper board in blind, mottled cream endpapers. With the dust jacket. Illustrations and diagrams throughout the text. Ink ownership inscription to the half-title and occasional, neat annotations and underlining within the text. A little finger-soiling to the fore-edge, spotting to the top edge of the text block. A very good copy in the jacket that is lightly rubbed and scuffed with some small marks, creasing, and short closed tears.
Westell, W. Percival | British Mammals
£15.00
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A charming, illustrated children's book by the prolific natural history author William Percival Westell (1874-1943).
Westell was a self-educated naturalist who served as the curator of the Lechworth Museum for three decades and “strove to make his publications accessible to all by eschewing technical language” (Moore, “William Percival Westell”, Archives of Natural History, volume 42, issues 2). It is estimated that he sold around half a million copies of his many books, published by an astonishing 37 different publishers (Moore).
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...Illustrated by Doris Meyer. London: Chapman & Dodd, Ltd., [1920s].
Quarto. Original grey cloth blocked in dark blue with illustrations of various animals. Colour frontispiece and 1 plate, illustrations throughout the text. Prize bookplate of the Aldeborough School dated 1927, bookseller’s ticket of W. E. Harrison of Ipswich. Spine tanned and rolled, cloth spotted and a little worn at the extremities, light spotting to contents and edges of text block, damage to the edges of pages 105-112 caused by an attempt to open the leaves which were accidentally left closed during production, small pieces of excess paper on the edges of pages 123 and 127. Very good condition.
Wick, Frances G. & Louise S. McDowell | “A Preliminary Study of the Luminescence of the Uranyl Salts under Cathode Ray Excitation"
£150.00
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First edition, the journal issue in original wrappers, of a significant paper by two early professional female chemists.
Frances Wick (1875-1941) became interested in physics after teaching a high school course in the subject. In 1904 she enrolled at Cornell where her mentors, Edward L. Nichols and Ernest Merrit, were supportive of women students and introduced her to what would become her primary interest, the study of luminescence. After graduating she taught in women’s colleges, did research at General Electric, Harvard, Cornell, Cambridge, Berlin, and Vienna, and worked on gun sights and radio during the First World War.
Wick “took part in comprehensive studies of the fluorescence of uranium compounds coordinated by Nicholas and funded by the Carnegie Institution. During the remainder of her career, Wick investigated the luminescence produced by various agents, such as cathode, X, and radium rays; heat; and friction; as well as the effects of previous exposure to radiation on thermoluminescence… Wick was known as an inspiring, enthusiastic teacher who loved her research. She was well respected for her extensive experimental research on luminescence” and “was a Fellow of the American Physical Society, the Optical Society of America, and the American Association for the Advancement of Science”, as well as a member of numerous other research and teaching associations (Ogilvie, Biographical Dictionary of Women in Science, p. 1375).
Wicks’ co-author, Louise McDowell (1876-1966) also attended Cornell as a chemistry student, and the two became good friends. Her dissertation on the electrical properties of selenium “was one of the early studies of semiconductors. She investigated crystal detectors for the Signal Corps during World War I. Her determination of power loss in dielectrics provided much useful information on properties of different insulators, especially glass” (Ogilvie, p. 866). With Wick she studied luminescence and during the Second World War she worked on radar at Harvard for the U.S. office of Scientific Research and Development. Like Wick, she was also a respected and devoted teacher and member of numerous professional societies.
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...[in] The Physical Review, volume XI, number 6. Lancaster, PA & Ithaca, NY: The American Physical Society, June 1918.
Octavo. Original green wrappers printed in black. 1 plate, 3 leaves of ads at rear. Spine and edges of wrappers tanned, wear along the spine with a closed tear in the upper wrapper near the tail and loss from the head of the spine. Very good condition.
Wickes & Co. | Trade card of Wickes & Co., Chemists and Druggists
£35.00
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An attractive trade card for the chemists Wickes & Co. of Cheltenham, in fine condition and featuring elaborate copperplate engraving including illustrations of an alembic and a mortar and pestle. Both the Science Museum of London and the Society of Apothecaries hold copies of this trade card.
- Cheltenham, c. 1825-1835. Trade card (98 x 65 mm). Elaborate copperplate engraved text in an architectural border with the British crest, an alembic, and a mortar and pestle. Fine condition.
Williams, Paige | The Dinosaur Artist
£175.00
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First edition, first printing. Inscribed by the author on the title, “Paige Williams, Tucson Book festival, March 2, 2019”.
This best-selling true-crime tale centers on the remarkable 2013 legal case The United States of America v. One Tyrannosaurus Bataar Skeleton, in which the court decided the fate of a skeleton smuggled to the US from Mongolia by fossil dealer Eric Prokopi. Author Paige Williams, of the New Yorker, explores important questions that have surrounded the practice of palaeontology since its earliest days — who gets credit for, and benefits from, fossil discoveries, and is it ever ethical to sell fossils on the open market? An important contribution to the public’s understanding of the history and ethics of fossil hunting.
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...The Dinosaur Artist. Obsession, Betrayal and the Quest for Earth's Ultimate Trophy. New York: Hachette, 2018.
Octavo. Original white boards, titles to spine in copper. With the dust jacket. Corners very slightly bumped. An excellent copy in the fresh jacket with a little rubbing at the tips.
Wood, J. G. | Insects at Home
£95.00
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An attractively bound and copiously illustrated work on British insects by the naturalist John George Wood (1827-1889), originally published in 1872.
Wood began his career in the Church of England, but from the early 1880s "was developing a career as a natural historian; his first book, The Illustrated Natural History, was published in 1851. Several more works had followed by 1856, when he began to give occasional lectures on natural history subjects. Wood's appeal as a populariser of natural history was spotted by the publisher George Routledge. Routledge asked him to contribute to a shilling series of handbooks, starting with Common Objects of the Seashore (1857), which enjoyed huge popularity among holiday-makers to the coast. Common Objects of the Country (1858) had an even greater success, and Routledge followed this with a three-volume Illustrated Natural History (1859) by Wood. Many future naturalists were said to have been inspired by reading these books at an early age" (ODNB)
"Wood wrote more than seventy books, some under the pseudonym George Forrest. The majority of them were on natural history, but he also published works on the history of the biblical period and English scenery... and edited titles as diverse as Gilbert White's Natural History of Selbourne and the Boy's Own Magazine. His own natural history titles, such as Our Garden Friends and Foes (1863) and Handy Natural History (1886), were not rigorously scientific but were influential in popularizing the subject. His works on microscopy such as Common Objects of the Microscope (1861) and Nature's Teaching (1877) are still in use by amateur microscopists who hold him in affection" (ODNB).
- ...Being a Popular Account of British Insects, their Structure, Habits, and Transformations. With Upwards of 700 Figures by E. A. Smith and J. B. Zwecker, Engraved by G. Pearson. New Edition. Large octavo (215 x 140 mm). Contemporary tan calf prize binding, spine elaborately gilt in compartments, black morocco label, double lines rules to boards and Hanley Castle Grammar School Crest to upper board gilt, marbled edges and endpapers, turn-overs ruled in blind. Contemporary presentation inscription to the front blank. Colour frontispiece and 20 engraved plates, engravings throughout the text. Boards a little rubbed and scuffed, small gouge from top edge of lower board, blank piece of paper pasted over an inscription on the verso of the front free endpaper, light spotting to contents. A very good copy.
Wootton, Barbara | In a World I Never Made
£150.00
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Second impression. Presentation copy inscribed by the author on the front free endpaper, “Ted Willis, with love, B. W., December 1976” and additionally signed by the author on the title.
Wootton (1897-1988) was a prominent, left-leaning London University sociologist and economist who, in addition to her respected academic work, “served on four royal commissions and innumerable committees, was a governor of the BBC, and was a magistrate for forty years” (Ogilvie, Biographical Dictionary of Women in Science, p. 1400). “One of her most important academic works was published in 1959 and resulted from five years of research. In this work she reversed commonly accepted ideas about the criminal personality, juvenile delinquency, inherited behaviour trends, and problems of illegitimacy” (Ogilvie, p. 1400).
While the identify of the recipient is not known for sure, it may have been Baron Willis (1914-1992), the playwright, screenwriter, and active supporter of the Labour Party who was made a life peer just a few years after Wootton.
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...Autobiographical Reflections. London: George Allen & Unwin Ltd, 1967.
Octavo. Original green cloth, titles to spine gilt on black ground, With the dust jacket. Small black mark to the cloth of the upper board, a few light spots to the edges of the text block. A very good copy in the rubbed, creased, and price-clipped jacket with a few small spots on the lower panel and an over-price sticker on the front flap.
Wright, F. E, F. H., and Helen | The Lunar Surface: Introduction
£450.00
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A rare offprint of a book chapter by the geologist and optical scientist who was considered the foremost authority on the Moon. This copy is inscribed for presentation by his daughter and co-author, science historian Helen Wright, and it comes from the library of Allan R. Sandage, the astronomer who determined the first reasonably accurate values for the Hubble Constant and the age of the universe and was considered “the greatest and most influential observational astronomer of the last half-century” (NY Times obituary, November 17, 2010). Worldcat locates only two other copies of this offprint, at the Huntington and the US Naval Observatory.
Frederick Eugene Wright (1877-1953) spent much of his career at the Carnegie Institute, where he led the Moon Project at the Mount Wilson observatory and “specialized in mineralogy, crystallography and petrology. He developed various optical instruments, chiefly for petrology, and also wrote on the manufacture of optical glass... Wright took a special interest in studying the Moon. He charted all aspects of the orb from its chemical and mineralogical content to the characteristics of its craters and seas and its temperatures. So extensive and detailed was his work that the Moon’s Wright Crater is named after him and two other astronomers” (Optical Society of America biography).
Wright’s daughter Helen began her career as an assistant at Mount Wilson, researching the history of telescopes, and she also worked at the Vassar and U. S. Naval Observatories. Among her publications were biographies of astronomers George Ellery Hale and Maria Mitchell. She has inscribed this copy “Speaking of the Moon! All the best, Helen Wright”. We strongly suspect that it was inscribed for Allan Sandage’s wife, the astronomer Mary Connelly, who had studied at Indiana University and Radcliffe, and was teaching at Mount Holyoke when they met and married.
Allan R. Sandage (1926-2010) completed his physics degree at the University of Illinois in 1948, then became a graduate student at Caltech, where he “learned the nuts and bolts of observing with big telescopes [at the Mount Wilson Observatory] from the founders of modern cosmology, Hubble; Walter Baade, who became his thesis adviser, and Milton Humason, a former mule driver who had become Hubble’s right-hand man” (NY Times). “For his doctoral thesis he studied the stars in the globular cluster Messier 3 and the RR Lyrae variable stars it contains. Refinements in the accuracy of the distances to variable stars became a recurring theme of his work, as these were the first step in determining the ladder of distances through which the true scale of the universe was measured” (Guardian obituary, December 9, 2010).
Sandage’s first major contribution was the 1961 paper, “The Ability of the 200-inch Telescope to Discriminate Between Selected World Models”, which “may well have been ‘the most influential paper ever written in any field even close to cosmology’... It was to set the direction of observational cosmology for 40 years, ruling out the Steady State and the Big Crunch and culminating in the surprise discovery in 1998 that the expansion is not slowing down at all but speeding up” (NY Times). Next, by investigating the motion of old stars in the Milky Way, he and two co-authors showed in 1962 “that that the Milky Way formed from the collapse of a primordial gas cloud probably some 10 billion years ago. That paper still forms the basis of science’s understanding of where the galaxy came from” (NY Times). He continually revised the estimate of Hubble’s constant, the speed at which the universe is expanding. “By 1975 the value, they said, was all the way down to 50, corresponding to an age of as much as 20 billion years, comfortably larger than the ages of galaxies and globular clusters. This allowed them to conclude that the universe was not slowing down enough for gravity to reverse the expansion into a Big Crunch. That was in happy agreement with astronomers who had found that there was not enough matter in the universe to generate the necessary gravity” (NY Times).
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...Reprinted from Middlehurst and Kuiper: The Moon, Meteorites, and Comets (The Solar System, Vol. IV). Chicago: The University of Chicago Press, 1963.
56-page pamphlet, wire-stitched. Original buff wrappers printed in black. 3 double-sided plates, illustrations and charts within the text. Wrappers a little creased and toned, with some small marks and scratches, minor crease affecting the lower corner of the contents. Very good condition
Wulf, Andrea | (Uncorrected Proof Copy) The Invention of Nature
£50.00
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Uncorrected proof copy of the best-seller that reintroduced naturalist Alexander von Humboldt to the English-speaking world and explored his contributions to the ideas of figures such as Thoreau, Darwin, and Muir. The Invention of Nature was awarded the Royal Society’s Insight Investment Science Book Prize in 2016. This uncorrected proof is marked “not for sale or quotation” and contains blank pages in place of the index.
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...The Adventures of Alexander Humboldt, the Lost Hero of Science. London: John Murray, 2015. Perfect bound. Original wrappers printed in colour. Wrappers a little rubbed, a few light marks to the lower cover. Very good condition.
Wyatt, [Matthew Coates] | A Representation of the Meteor seen at Paddington...
£2,500.00
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A dramatic and uncommon mezzotint depicting the spectacular meteor seen in London on February 11th, 1850, by the prominent court artist Matthew Coates Wyatt (1777-1862). One other copy of this print appears in recent auction records, sold at Galerie Bassenge in 2016, and institutional copies are held at the National Maritime Museum at Greenwich, Museum Bojmans in Rotterdam, the Museum of Fine Arts Boston, and the British Museum, which has George Cruikshank’s copy, presented to him by the artist.
“In 1850 a huge meteor appeared over England and was visible in London. It was captured dramatically by Matthew Coates Wyatt over Paddington in a mezzotint that suggests, due to the explosion and sparks of its head, that it was a bolide... Other accounts and representations from various locations were reported in the Illustrated London News... as well as in other periodicals. James Glaisher, the assistant to the Astronomer Royal, published an appeal for additional reports in the same issue, and consequently so many accounts were sent in that Glaisher had them published in the Philosophical Magazine” (Olson & Pasachoff, Fire in the Sky: Comets and Meteors, the Decisive Centuries in British Art and Science, pp. 213-214).
“By good luck, the painter and sculptor Matthew Cotes Wyatt happened to witness the meteor over Paddington; sensing a market, he published this velvety mezzotint of the view two months later... The technique had largely gone out of fashion by 1850, but the rich darks and brilliant lights that it allows were a perfect choice for this dramatic nighttime scene” (Museum of Fine Arts Boston).
Wyatt was the youngest son of the architect James Wyatt and a favourite in the court of George III. “His designs represented a dramatic and full-blooded union of neo-classicism and baroque revival. He was more a theatrical designer than a sculptor in the conventional sense” (ODNB). Wyatt was responsible for a number of significant commissions, including the ceiling of the concert room at Hanover Square; the Nelson monument in the Exchange Flags at Liverpool; Princess Charlotte’s marble cenotaph in St. George’s Chapel at Windsor; the bronze equestrian statue of George III that stands in Pall Mall East; and extensive decorative work at Belvoir Castle, home of the Duke of Rutland.
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...About 12 Minutes before 11 O'Clock, on the Evening of the 11th of February 1850. Mr. Wyatt having retained that splendid object in view from its appearance until it passed away in brilliant corruscations, made a drawing of it whilst its impression upon him remained undiminished, and he shortly afterwards Engraved this Plate, in order that a faithfully graphical exhibition of its appearance might be more generally diffused. London: Lloyd Bros. & Leggatt, Hayward & Leggatt, May 1, 1850.
Mezzotint (print 280 x 425 mm, sheet 320 x 445 mm). Professionally conserved and cleaned. Mounted, framed and glazed using archival materials. Pencilled note ‘Astronomy” to the sheet. Some minor creases affecting the image, paper lightly toned. Very good condition.
[Art Nouveau] | Art Nouveau Floral Desk Seal
£500.00
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A lovely Art Nouveau desk seal in carved boxwood depicting a bouquet of flowers.
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Carved boxwood desk seal, circa 1900. 850 x 350mm. No monogram or device to the base. A couple of very minor nicks in the wood, slight wear at the base. Excellent condition.
[Avon] California Perfume Company | Art Deco chromolithographic perfume & cosmetics catalogue for 1926
£750.00
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An early edition of this sumptuous chromolithographic beauty catalogue originally introduced at the 1915 Panama-Pacific International Exposition by the California Perfume Company. The firm was founded in 1886 by door-to-door book salesman David H. McConnell and would later become Avon. This catalogue includes 31 plates depicting perfumes and air fresheners, soaps, shampoo, skin creams, shaving kits, toothpaste, gift sets, food flavourings and colours, laundry powder, detergent, and household cleaning supplies. Of particular note are the attractive Art Deco packaging designs, a key aspect of the company’s success.
These catalogues were expensive to produce but extremely successful at promoting the company’s products. Between 1915 and 1917 they were bound with screw-back posts so that pages could be added and removed, but after 1924 the use of screw-back posts was discontinued, so that salesmen were required to buy new catalogues. Price lists were originally issued separately, but this was discontinued in 1919, and this catalogue includes product details and prices interleaved on a lighter paper stock.
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New York: California Perfume Company, [1926].
Oblong folio. Original limp black cloth with fold-over lower cover, bound with metal rivets, title and floral design to upper cover gilt. Chromolithographic title and 31 plates depicting beauty products, each chromolithographic leaf with a numbered cloth thumb-tab, interleaved with informational pages on lighter paper stock. With a pink order form dated October, 1926 loosely inserted. Cloth a little rubbed with light wear at the extremities, the gilt title significantly oxidised and rubbed, spotting, discolouration and some short splits to the title, some spotting to contents not generally affecting the illustrations, lacking the final cloth thumb-tab. Very good condition.
[Avon] California Perfume Company | Art Deco chromolithographic perfume & cosmetics catalogue for 1929
£750.00
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An early edition of this sumptuous chromolithographic beauty catalogue originally introduced at the 1915 Panama-Pacific International Exposition by the California Perfume Company. The firm was founded in 1886 by door-to-door book salesman David H. McConnell and would later become Avon. This catalogue includes 35 plates depicting perfumes and air fresheners, soaps, shampoo, skin creams, shaving kits, toothpaste, gift sets, food flavourings and colours, laundry powder, detergent, and household cleaning supplies. Of particular note are the attractive Art Deco packaging designs, a key aspect of the company’s success. There are a number of items from the Avon line, which by 1930 had become the dominant products.
These catalogues were expensive to produce but extremely successful at promoting the company’s products. Between 1915 and 1917 they were bound with screw-back posts so that pages could be added and removed, but after 1924 the use of screw-back posts was discontinued, so that salesmen were required to buy new catalogues. Price lists were originally issued separately, but this was discontinued in 1919, and this catalogue includes product details and prices interleaved on a lighter paper stock.
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New York: California Perfume Company, [1929].
Oblong folio. Original limp black cloth with fold-over lower cover, bound with metal rivets, title and floral design to upper cover gilt. Chromolithographic title and 35 plates depicting beauty products, all save the last two with with a numbered cloth thumb-tab, interleaved with informational pages on lighter paper stock. With a pink slip on the amount that a sales associate can expect to make loosely inserted. Significant vertical crease affecting the entire catalogue, a little toning of the non-illustrated pages, chromolithographs fresh and clean. A very good copy.
[Blanchard] Cobb, Frieda | A Case of Mendelian Inheritance Complicated by Heterogametism
£100.00
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The uncommon offprint of the dissertation of geneticist and scientific administrator Frieda Blanchard, née Cobb (1889-1977), the first scientist to demonstrate Mendelian inheritance in a reptile.
Cobb’s father, Nathan Augustus Cobb, was a pioneering plant pathologist who involved his daughters in his work, particularly in their home laboratory. “Frieda developed an enthusiasm for science and a love for plants and animals. In Hawaii, where her father studied the diseases of sugar cane, Frieda worked in the laboratory he organised” (Ogilvie p. 141). She attended Radcliffe College and completed her bachelor’s at the University of Illinois in 1916.
“In the fall of 1916, after a summer helping her father with nematode research at Woods Hole, Massachusetts, Frieda Cobb moved to Ann Arbor, Michigan, at the request of Harley Harris Bartlett, director of the University of Michigan Botanical Gardens, and a pioneer in plant genetics. There she became not only his graduate student but also, in 1919, the assistant director of the gardens. Together, Bartlett and Cobb developed the gardens as a major center for Oenothera (evening primrose) research as they tried to solve some of the puzzles in the newly developing science of genetics. Cobb earned her doctorate in 1920 with a study of Mendelian inheritance in certain strains of Oenothera. Because Bartlett was often away from Ann Arbour, Cobb became the active administrator of the gardens, maintaining facilities for scientific research and an atmosphere conducive to such research. That arrangement continued until the 1950s when both retired” (Ogilvie, p. 141).
Cobb married the herpetologist Frank N. Blanchard in 1922, and they worked together on the garter snake, with Frieda concentrating on genetics. “Their work, carried on over many years, provided the first demonstration of Mendelian inheritance in a reptile” and when Frank died in 1937, Frieda “continued their work as well as her other research and raised their three children” (Ogilvie. p. 141).
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...and Mutation in Oenothera Pratincola. A dissertation submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy at the University of Michigan. [Offprint from] Genetics Vol. 6, No. 1, January 1921. Genetics, 1921.
44 page offprint. Original grey wrappers printed in black, hidden staples. Contemporary pencilled note to the upper wrapper. Ink stamp of the University of Bonn on the verso of the title. Wrappers very lightly rubbed and toned, with small discoloured spots from the staples. Excellent condition.
[Chargaff, Erwin] Schrader, Franz | Mitosis. The Movements of Chromosomes in Cell Division
£275.00
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Third printing of this influential work, originally published in 1944. From the library of molecular biologist Erwin Chargaff (1905-2002), with this ownership signature in ink on the front free endpaper.
Chargaff’s work elucidated key concepts about DNA and provided part of the groundwork for Watson and Crick’s discovery of its structure. Chargaff’s rules, as they are now known, state that the quantities of the four nucleotides are always linked - guanine matching that of cytosine and adenine with thiamine, and that the relative amounts of each vary from species to species. These observations strongly hinted that the nucleotides carried the genetic information (rather than the protein components, as had been thought previously), and, most importantly, that DNA could have a double structure - the key to the cell’s ability to both read and replicate it. “Chargaff discussed the results at a tetchy meeting with Watson and Crick in May 1952, and later told Horace Judson, the historian of the discovery of DNA, that ‘they impressed me by their extreme ignorance’” (Guardian obituary). Chargaff’s contributions, along with those of Rosalind Franklin, were ignored by the Nobel Prize committee, leading to his bitterness in later life.
The present text is a significant in our understanding of the physical processes involved in cell division. Franz Schrader (1891-1962) was a Columbia University cytologist who, in 1932, began studying spindles, the structures in cells that form during cell division and pull apart the copied chromosomes. Mitosis “placed what was known of these subjects under searching analysis and offered new directions for research on chromosomal movements” (Cooper, Franz Schrader: A Biographical Memoir, National Academy of Sciences, 1993). An excellent association.
- New York, Morningside: Columbia University Press, 1949. Octavo. Original blue cloth, titles to spine gilt. 1 double-sided plate, illustrations within the text. Very lightly rubbed at the tips, small blue sink spots on the upper edge of the text block. Excellent condition.
[Embrace the Base] Greenham Common Women's Peace Camp Invite Women to Take Part in an International Action
£1,750.00
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A rare poster advertising Embrace the Base, one of the key mass actions at the Greenham Common Women’s Peace Camp. We have been able to locate only two copies in institutional collections, at the LSE Women’s Library and the Glasgow Women’s Library.
The Greenham Common protest was established in September of 1981 by the Welsh group Women for Life on Earth, who were opposed to the deployment of nuclear tipped cruise missiles at the site. What was initially planned as a single march became a permanent protest camp, one of the most significant and longest lasting women’s protests of the 20th century. In February 1982, for political reasons, the camp was made women only, and the following month they engaged in their first blockade of the base. Embrace the Base was their next major action. Taking place on December 12th & 13th, 1982, it saw 30,000 women from across from across the UK—drawn by chain letter, word of mouth, and posters such as this one—join hands to surround the nine mile perimeter fence. This copy of the poster seems to have been used in Birmingham, and includes instructions for obtaining coach tickets at the “Peace Centre (opp New Street Station)”, as well as local activist contact details, in marker pen.
As well as being an early and rare example of Greenham Common ephemera, this poster is particularly interesting in that is features a spider web, “a frequently reoccurring symbol in Greenham women’s cultural imaginary” because of its mythological and symbolic associations. “The metaphor of ‘building a web’ and being connected to each other in a ‘web-like structure’ populated Greenham women’s speech and writing. Alison Young describes Greenham women’s reclamation of the spider as revolving primarily around the notion of the spider’s web. She writes that the web ‘shows connections between women or between ideas; it can be begun at any point or at any time; each single strand is weak and fragile, yet when interwoven it is strong, beautiful and efficient’ (1990, 38). In line with Young’s reading, Roseneil writes that, ‘the web was a symbol of women's collective power, seemingly fragile, but actually very strong’” (1999, 179, ft39)” (Feigenbaum, Tactics and Technology: Cultural Resistance at the Greenham Women’s Peace Camp, PhD thesis, McGill University, April 2008).
The Greenham Common camp had no hierarchy, and its nature was defined by the thousands of individual women who visited when they could or lived permanently onsite for years. The activists engaged in non-violent resistance by disrupting movement in and out of the gates, cutting down portions of the fence, and trespassing on military property, and they endured frequent police raids, arrests, and evictions. A large number of the protesters were middle aged and older; they considered themselves ordinary mothers and working women, and made a point of the fact were opposed to nuclear weapons for deeply personal reasons. Their gender was crucial to their message: “a woman’s place was not in the home, but at a protest. Women could use their identity as carers and mothers to say, this is about the future safety of our children. We weaponised traditional notions of femininity” (Suzanne Moore, “How the Greenham Common Protest Changed Lives, The Guardian, March 20th, 2017).
“Greenham was powerful. It taught my generation about collective action, about protest as spectacle, a way of life, incredibly hard but sometimes joyous. Still the image of resistance for me is not the famous photograph of a striking miner confronting a policeman at Orgreave, it is the picture of Greenham women dancing in 1982: witchy, unarmed women dancing on a missile silo. This magical, powerful image shows how the peace camp both played on traditional images of the feminine and then subverted them. Greenham created an alternative world of unstoppable women. It changed lives.” (Moore, 2017).
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...to Stop the Siting of Cruise Missiles Anywhere in Europe. December 12th & 13th. Embrace the Base on Sunday. Close the Base on Monday.
[England, [1982].
Mechanically printed poster (420mm x 580mm). Professionally mounted, framed and glazed using archival materials. White text and illustration of a missile caught in a spider’s web superimposed over a grey and red photograph of the mushroom cloud over Nagasaki. Marker pen notes at the bottom of the poster give contact details and instructions for travelling to the camp by bus from Birmingham. Vertical and horizontal creases from folding, a little light rubbing. Very good condition.
[Masudaya] Modern Toys | Distant Early Warning Radar Station
£500.00
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A remarkable relic of the Cold War, this interactive tin toy allowed a child to pretend that they were manning a distant early warning station with a radar “scope” showing the silhouette of a moving plane, as well as a rotating radar dish and blinking lights. It was made by the famed Masudaya firm of Tokyo, which was founded in 1923 and became the leading producer of battery and mechanical-operated toys during the post-war period (fabtintoys.com). This toy has been tested and is only partially functional, with two of the lights and the rotating wheel of plane silhouettes not working at present, possibly due to loose connections. it is nevertheless a lovely example, and rare in the original box with the paper signal key, as here.
Though early warning radar systems had been in use since Britain’s deployment of Chain Home in 1938, the post-war threat of nuclear bombers led to the development of increasingly sophisticated long-range systems, particularly to monitor activity over the Arctic. The most successful of these was the DEW Line, which was constructed primarily in Canada’s far north, with additional stations in Alaska, Greenland, and Iceland. It went on-line in 1957 but quickly became semi-obsolete as the nuclear threat shifted from bombers to ICBMs, though it continued to operate until the early 1990s to provide an early warning of airborne invasion forces that might have proceeded a missile strike by several hours. The militarisation of the Canadian Arctic had significant effects on Canadian politics, and resulted in increased government interference in the lives of the Inuit as well as serious environmental damage.
This toy was probably inspired by DEW, and it might be a coincidence, but the illustration on the box looks remarkably similar to a 1955 ad in Time magazine extolling Raytheon’s role in designing and manufacturing the radar for that undertaking. Though the toy is undated it was probably sold in the late 1950s or early 1960s, given the short period during which distant early warning radar was of military significance. Work at these stations would have involved fairly dull duties, monitoring radar screens for the start of World War III in an isolated and harsh environment, and it’s strangely charming that someone chose to produce a colourful toy based on what must have been one of the more demoralising jobs in the Air Force.
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...Battery operated. With revolving radar scope, blinking warning lights, telegraph key and light blinker. Japan: [Masudaya] Modern Toys, [c. 1960].
Enamelled tin toy, approximately 19.5 x 12 x 14cm. Opaque backlit “scope” with moving airplane silhouette on the interior, red and green lights, red signal key button, and on/off button. With the detachable beacon tower in tin with red light, the plastic radar dish, and the paper with signal key in morse code. The battery compartment accommodates two D batteries. All together in the original card box (20.5 x 14 x 13cm). Price of 39/6’ in ink to the box lid. Some scuffs and wear commensurate with use, some loss of the green and red paint from the lightbulbs, occasional tiny spots to the tin, on/off button slightly cracked, morse code card torn at the top where there was originally a string, light wear and some creasing and toning of the box. This toy has been tested and is only partially functional, possibly due to loose connections. Both the red light on the body and the light at the top of the tower are not working, and the interior wheel with airplane silhouettes does not rotate. The “morse code” buzzzer works, as does the green light and the backlight. A very good example.
[Rothamsted Experimental Station] | Drawings and Plans of the Lawes Testimonial Laboratory
£250.00
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First and only edition of this uncommon set of lithographs depicting the first purpose-built laboratory at one of the oldest agricultural research institutions in the world, the Rothamsted Experimental Station (now Rothamsted Research), most famous for the Park Grass Experiment, which has been running continuously since 1856. WorldCat locates copies only at Harvard, Illinois, and the Royal Danish Library.
Rothamstead was founded in 1843 by the chemist and entrepreneur John Bennet Lawes (1814-1900) who made significant experiments on fertilizers at his family estate during the 1830s and was awarded a patent for the process of using sulphuric acid to decompose bones so that their calcium phosphate could be taken up by plants. His fertiliser manufacturing plants earned a considerable fortune, which he reinvested in agricultural research.
“Lawes invited Joseph Henry Gilbert (1817–1901) to join him at Rothamsted as chemist, and in practice to be director in charge of the day-to-day management of agricultural experiments. This began a lifelong association, and virtually all the results of the Rothamsted experiments, certainly from the mid-1850s onwards, were published under the joint names of Lawes and Gilbert. The establishment of the Rothamsted Experimental Station also effectively dates from 1843, when the previous superphosphate trials ceased and the continuous recording of the wheat yields from Broadbalk Field began. This was—and continues to be—a ‘control’ plot on which wheat was grown continuously without any manure, and it became the most famous field in the world” (ODNB).
Many in the farming community “appreciated the generous way in which he freely publicized the results and thus provided extremely valuable guidance on which fertilizers, or farmyard manure, and in what amounts, to use on which crops. His growing reputation for liberality and support of objective and disinterested agricultural research helped him to win the patent cases; it moved the farmers, initially of Hertfordshire and then of the country at large, to raise a public testimonial to him in 1853 in recognition of his contributions to the improvement of agriculture. The money was used to build the Testimonial Laboratory at Rothamsted, which replaced the original barn. This was a pretentious and poorly constructed building, which collapsed in 1912” (ODNB).
Despite this, the research station was a resounding success. The work undertaken there “laid the foundations for the systematic study of the effects of fertilizers and nutrients on soils and plant growth... less well-known experiments with farm animals, mainly conducted between 1848 and 1864, initiated controlled research into the effects of different diets on weight-gain in cattle, sheep, and pigs, and, crucially, into measuring the chemical composition and manurial value of the excreta produced by the different diets” (ODNB). All scientific work at the station was undertaken for practical agricultural purposes, and “Rothamsted became so frequently and intensively visited that a marquee with beer and other refreshments for visiting groups was almost permanently in use. This reputation was further enhanced by Lawes's announcement that he would give £100,000 from the proceeds of selling his factories to provide for the long-term future of the Rothamsted station. He redeemed this promise in 1889 by establishing the Lawes Agricultural Trust with that endowment, to which the laboratory, and the several fields of the home farm which were used for the experiments, were assigned on long lease” (ODNB).
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...Rothamsted, Herts. London: F. Dangerfield, 1860.
Oblong folio (370 x 540 mm). 2 tinted lithographic views and 2 lithographic plans, stitched in buff wrappers with lithographed title. Stitching a little loose, adhesive residue along one edge of the wrappers where original cloth backing is lacking, dampstain affecting the upper left corners of the contents but not affecting the images, some nicks and creasing. Very good condition.
[Vyssotsky] Williams, Emma T. R., et al. | The Fundamental Properties of the Galactic System.
£450.00
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First edition, first printing of this collection of eight papers from the New York Academy of Science’s conference on the Fundamental Properties of the Galactic System, held in New York on May 2nd and 3rd, 1941. One of the papers, “Mean Parallaxes from Peculiar Motions”, is by the prominent female astronomer Emma Vyssotsky (née Williams).
This copy from the library of Allan R. Sandage, the most important astronomy and cosmologist of his generation, who determined the first reasonably accurate values for the Hubble Constant and the age of the universe. With the ownership initials of his wife, the astronomer Mary Connelly, who had studied at Indiana University and Racliffe, and was teaching at Mount Holyoke when they met (New York Times obituary, November 17, 2010).
Vyssotsky (1894-1975) studied mathematics and astronomy as an undergraduate at Swarthmore, then researched A-type (young, energetic) stars from the Harvard Observatory for her Radcliffe Phd. While she was a postgraduate researcher at the University of Virginia’s McCormick Observatory she met and married fellow astronomy Alexander N. Vyssotsky. “She remained for the rest of her career at the University of Virginia, first as a research fellow and instructor in astronomy, and then, at age fifty, began to work with her husband on a book on stellar motions, published four years later” (Ogilvie, Biographical Dictionary of Women in Science p. 1333).
Vyssotsky and her husband studied “stellar parallaxes by applying trigonometric functions to observations made on multiple photographic exposures. They discovered many of these parallaxes by attaching a special objective prism to the observatory's astrograph. Their research led to accurate calculations of stellar motions and the determination of the structure of galaxies” (Oakes, Encyclopedia of World Scientists). In 1946 Vyssotsky was awarded the American Astronomical Society’s Annie Jump Canon Award in Astronomy in recognition of her contributions to the field of stellar spectra.
This volume also contains papers by Peter van de Kamp, Dirk Brouwer, W. J. Luyten, Jan Schilt, and Frederick Seares, among others. It was edited by astronomer Bart J. Bok, who met Sandage when he was an undergraduate and was influential in the direction his career took.
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...Annals of the New York Academy of Sciences Volume XLII, Art 2. Pages 113-272. New York: by the Academy, October 15, 1941.
Octavo. Original tan wrappers printed in black. Charts and graphs within the text. Ownership initials in black ink to the upper wrapper. Some loss from the ends of the spine, wrappers rubbed and toned with few small marks and some mild creasing. Very good condition.
[Woodhead, Joseph] | Catalogue or Guide to the Liverpool Museum of Anatomy.
£350.00
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The rare catalogue of the Liverpool Museum of Anatomy, describing in detail the Museum’s contents and policies, and illustrating its interior by an engraving on the lower cover.
The Liverpool Museum of Anatomy was one of a number of such museums in the UK and US that specialised in wax anatomical models and, unlike many of the museums of professional medical organisations, were open to the public. Though the stated goal was always education, particularly regarding reproduction and the dangers of sexual vice, these museums also traded on the shock or titillation value of their exhibits and some were targeted by the medical establishment as purveyors of vice and quackery.
The proprietor of the Liverpool Museum was the physician Joseph Thornton Woodhead, who describes himself as “having spent thirty years in the study and treatment of diseases affecting the mental and generative organs, nervous and dyspeptic debility, either constitutional or acquired, decline of physical vigor, loss of mental energy, and the numerous concomitants to sexual disorganisation” and writes that those afflicted can consult him “personally at his establishment daily from 11am till 9pm, Sundays excepted”, while those living outside town could write (p. 63).
The Liverpool Museum offered a wide variety of exhibits on the human body, including most of the internal organs; the skeleton; digestion (”articles of human food, and what they are converted into”); common surgical procedures such as the removal of kidney stones; and the usual exhibits on STDs, obstetrics (including a caesarian section model and anatomical venuses), masturbation, circumcision, hermaphrodites, and “freaks of nature”. The admittance of women into such museums was controversial, but defended by many proprietors as an important educational opportunity for women who cared for their families’ health. This booklet advertises the Museum’s hours of admission for ladies as being Tuesdays and Fridays from 2-5pm, and also offers a course of six lectures on midwifery (p. 26). One of the exhibits aimed specifically at women was on the “dreadful effects of tight lacing”, being “a magnificant full-length figure in wax, the model of a young lady... who having from her earliest childhood accustomed herself to the pernicious habit of tight lacing, suddenly dropped down dead in the arms of her partner while dancing” (p. 52).
The Museum’s timeline is difficult to determine from historical sources (and it seems to have moved between Liverpool and Manchester several times), but in this booklet Woodhead claims that it had already been open for forty years. It appears to have been tolerated by the medical establishment until 1874, when Woodhead was prosecuted under the Obscene Publications Act. “To Woodhead's justification ‘that the Royal College of Surgeons possesses, and admits the public to, an exhibition similar to his own”’, the magistrate replied that ‘he could understand museums of the character of the defendant's being connected with the hospitals and medical colleges, but when they came into the hands of private individuals they were likely to produce serious evils’ (Bates, “Indecent and Demoralising Representations: Public Anatomy Museums in mid-Victorian England”, Medical History vol. 52, January 2008). The Museum was closed and the exhibits sold to Louis Tussaud’s waxworks show.
This catalogue is rare. A search on WorldCat locates only four copies, at the Wellcome Library, Harvard, the University of Rochester, and the Getty Research Institute.
Bibliography: Hoolihan, An Annotated Catalogue of the Edward C. Atwater Collection of American Popular Medicine & Health Reform S-741.1
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...29, Paradise Street. This superb collection with all the latest additions, comprising upwards of 1000 models and diagrams, procured at the anatomical galleries of Paris, Florence, and Munich. Now forms the largest collection of anatomical preparations in England, with one exception only, namely of the Royal College of Surgeons’ Museum...
Liverpool: Matthews Brothers, Printers, [c. 1870s].
64 page pamphlet. Original light blue wrappers printed in black. Engraving depicting the museum on the lower wrapper, 1 engraving within the text. Wrappers rubbed, dulled, and spotted, minor crease to the upper corner slightly affecting the contents. Very good condition.