Women and Science
Seibert, Florence B. | Bacteria in Tumors.
£350.00
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Presentation copy of a rare offprint by the biochemist who was the first to produce purified tuberculin for use in studying and treating tuberculosis. Inscribed by the author on the upper wrapper, “Best wishes, Florence B. Seibert”. In this research paper Seibert investigates the presence of bacteria in tumors and the best methods for isolating and identifying them.
Biochemist Florence Seibert (1897-1991) was a productive and highly regarded scientist who worked in a number of areas and received numerous awards, including a Guggenheim Fellowship. As a postdoctoral fellow at the University of Chicago during the early 1920s she made her first breakthrough, “a method of eliminating bacterial contamination that was known to occur during the creation of solutions meant for vaccinations and injections. Patients could experience sudden fevers or illness during or after an injection or intravenous treatment. Such afflictions, Seibert discovered, were most often caused by bacterial contamination of the distilled water used to make the solutions. She was able to eliminate this contamination using a special apparatus and procedure she created for this purpose. This would be a great boon later not only for administering drugs but also for making blood transfusions safer during surgery” (Lemelson-MIT biography).
But Seibert’s most significant work was on tuberculosis, particularly her improvements to Robert Koch’s skin test for the infection. “Koch’s method was notoriously inaccurate, for the evaporated solution used in the test contained numerous impurities. Even people with a serious case of tuberculosis sometimes failed to get a positive test. Seibert worked for ten years on methods of isolating pure tuberculin by filtration, by using a guncotton membrane of a specific thickness. The result was a creamy white powder which was the purified protein from the tuberculosis bacillus, known as PPD. Never patenting the process (which would have made her rich), she furnished the National Tuberculosis Association with a large quantity of pure tuberculin” (Ogilvie, Biographical Dictionary of Women in Science, p. 1173).
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...Reprinted from Transactions of the New York Academy of Sciences Series II, Volume 34, No. 6, Pages 504-533. June 1972. New York: New York Academy of Sciences, 1972.
Octavo. 32-page offprint, wire-stitched, original white wrappers printed in black. Black and white illustrations from photomicrographs throughout. Orange ink and pencil underlining to two sentences on page 531. Yellow dampstain to the upper wrapper, lighter dampstain affecting the tail of the spine and edges of the wrappers. Minor creasing along the wrapper edges. A very good copy.
Smith, Annie Lorrain | A Handbook of the British Lichens
£100.00
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First edition, first impression and a lovely copy in exceptional condition.
Smith (1854-1937) “spent her entire career as a volunteer at the British Museum of Natural History... for although she was trained in botany by Dr. Scott at the Royal College of Sciences, she was unable to choose whether to become a professional or remain an amateur... Since women were not admitted to the museum staff, she had no choice but to work for free if she wanted to work at all. She volunteered to remount a collection of recently purchased microscopical slides, and through this experience was able to prepare an exhibit of microfungi for the public gallery. From this time on she was connected with the Cryptogamic Herbarium as an unofficial worker almost continuously up to the time of her eightieth birthday... Although her earliest work was on seaweeds, she soon became fascinated with the fungi. She joined the British Mycological Society and contributed notes on new records and other papers to the Society’s Transactions. After James Crombie, who was producing a monograph on British lichens, died in 1906, Smith undertook the completion of the work. After she prepared the second volume, she reworked the first... this two-volume set became a standard work. She also prepared a small Handbook in 1921 and in the same year produced her encyclopaedic volume on lichens, which was one of the Cambridge Botanical Handbooks” (Ogilvie, Biographical Dictionary of Women in Science, p. 1202).
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...With Ninety Figures in the Text. London: printed by order of the trustees of the British Museum, sold by B. Quaritch and at the British Museum (Natural History), 1921.
Octavo. Original green cloth over limp boards, titles to spine and British Museum of Natural History roundel to the upper board gilt, double rules to boards blocked in blind. Steel engravings throughout the text. Minor production flaw in the cloth of the upper board, very light rubbing at the tips. An excellent, fresh copy.
Smith, W. J., E. L. Turner, & C. D. Hallam | Photo-Engraving in Relief
£75.00
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First edition, first impression of this technical guide to printing from photographs, co-authored by the pioneering bird photographer and conservationist Emma Louise Turner (1867-1940).
Turner became interested in wildlife photography after meeting Richard Kearton in 1900. She joined the Royal Photographic Society the following year, and by 1904 was giving talks illustrated with her own slides. Turner was particularly interested in birds and travelled throughout the UK and in Europe to photograph them, but her main base of operations was in the Norfolk Broads, where she lived for part of each year beginning as early as 1901. This was where, in 1911, she photographed a nestling bittern, proving that the species was breeding in Britain for the first time since 1886. Another highlight of her career was the award of the Royal Photographic Society’s Gold Medal for a photograph of a great crested grebe on its nest, published in her book Broadland Birds in 1924. In 1904 Turner was elected one of the first fifteen female members of the Linnean Society, in 1909 she became one of the first four honorary female members of the British Ornithologist’s Union, and she was the only woman involved in the 1933 appeal that led to the creation of the British Trust for Ornithology.
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...A Textbook Intended for the Use of Apprentices, and Others Interested in the Technique of Photo-Engraving. London: Sir Isaac Pitman & Sons, Ltd., 1932.
Octavo. Original burgundy cloth, titles to spine and upper board gilt Frontispiece, illustrations throughout the text. Integral ads for photographic and printing supplies in the front and back matter, 24 separately-paginated pages of publisher’s ads at rear. Ownership signature of G. E. Smith to both front endpapers, inked note “no 26” to front free endpaper, library stamp of the Sun Engraving Co. of Watford to the front free endpaper and the rear pastedown. Spine rolled and a little toned, text block slightly shaken, some small marks and spots to the cloth, small nick and crease in the edge of the title page and the following leaf. Very good condition.
Taylor, Clara Mae | Food Values in Shares and Weights
£35.00
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Third printing, published the year after the first. With the ownership inscription, pencilled notes, and December 1944 report card of Eva Bernice Simmons, a student at the North Carolina College for Negroes, now North Carolina Central University.
Author Clara Mae Taylor (1989-?) attended Columbia University Teacher’s College and then taught at the Rhode Island Teacher’s College and at her alma mater. She earned her PhD in nutrition science at age forty after spending a year in research at Oxford. “During World War II, Taylor directed a research project under the Department of Agriculture that investigated energy metabolism in children. She also studied metabolism in women at different ages. Her animal experiments on white rats and guinea pigs included dietary studies, an investigation of different levels of ascorbic acid on reproduction, and studies on lactation and survival rates. During the war and the immediate post-war period, she served as a nutritional consultant to two popular women’s magazines, Woman’s Home Companion and Parents Magazine” (Ogilvie, Biographical Dictionary of Women in Science, p. 1269).
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New York: The Macmillan Company, 1943.
Tall quarto. Original grey cloth, titles to spine and upper board in black. Colour frontispiece. Contemporary inked ownership inscription to the front free endpaper, pencilled notes in the same hand to the front pastedown. Cloth rubbed and with a few small marks and spots, spine and edge of upper board tanned, edges of contents spotted. A very good copy.
True, Marjorie | Diary of a British Second World War Civil Defence Volunteer: September 1939-October 1941
£2,500.00
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Content advisory: contains anti-Semitism.
A dense, detailed, and revealing diary chronicling the first two years of the Second World War by Marjorie True of Peterborough’s Cathedral precinct, who was active in the Women’s Voluntary Service. In addition to the eighty-six pages of manuscript text there are sixty-five photographs pasted-in, as well as ephemera (including her clothes ration book and City of Peterborough registration card for Civil Defence Duties) and news clippings, mainly documenting her civil defence work. This diary is of historical importance and would benefit from knowledgeable institutional cataloguing and conservation.True seems to have begun her diary specifically to document the war, with the first entry dated September 2nd, 1939: “On the verge of war. Germany bombed Warsaw & has marched into Poland at several points. No ultimatum — the final note from Germany to Poland with terms was never sent. British Gov. waiting for answer to our ultimatum to Hitler. Father who is 71 is an air raid warden. His job is to patrol the street from the Cathedral gateway to Bishop’s Road & see all is in darkness — give advice & warning... I am an ambulance driver’s attendant which meant being trained in first aid, gas & map reading...”
The diary continues in this fashion for the next two years, chronicling international events alongside her voluntary work, local goings-on, private and public sentiment, and rumours. She closely follows the advances of Germany and Russia across the continent, and the efforts made by western European governments and armies as one by one they fell to the Blitzkrieg, often commenting on the fortitude of the Europeans.
May 15th, 1940: “Today the Dutch Army have laid down their arms. Barely a week ago they were a free people. The Queen, government, Princess Juliana & children are all in England.” Sunday, May 19th: “The war is getting very close now. There is a terrible melee taking place in Sedan and on the French Belgian border — The Germans have penetrated about 60 odd miles into France. They have brought super heavy tanks which have gone through the weakest part of the Maginot Line.” Saturday, June 15th: “The Germans marched into Paris yesterday. A heavy depression has all but NOT despair. To-day we had most of our windows painted with triplex. This should prevent the glass from flying if shattered.”
During this early part of the war True focuses on the watching and waiting in Britain, a time during which she and her fellow citizens were swinging between anxiety and inattention. In September 1939 she writes that “here things are getting rather slack. We feel Hitler cannot bother with us until Poland is finished. Already people are forgetting their gas masks…” Later, “For weeks now we have all been suffering from colds in the head. In fact they have been so persistent that there have been grave doubts in some parts that it could be one of Hitler’s trump cards, or his ‘Secret Weapon’ which he boasts of.” She describes her experience of measures such as the blackout and reports that, “Amongst the things I miss is the sounding of the church clocks in the night”. In December that year she visits London for the first time since the outbreak of war and describes seeing “high in the sky only just visible in the fog & mist… barrage balloons looking rather like fat sausages with large [?] fins. Sandbags everywhere — but apart from the darkened streets & shops there seemed quite as many people as ever.”
But always there is the sense that Germany is getting closer, and True carefully records instances of German fighters being downed in the Firth of Forth and Scapa Flow, as well as the numerous U-boat attacks on ocean liners and Allied battleships.
The unprecedently severe winter of 1939/40 is a frequent subject. On January 25th, 1940 she writes, “This cold has nearly driven us all crazy - frost & snow - burst pipes - water coming through ceilings & general awful discomfort has been our lot for what seems like months”. And she discusses the rationing that had just started. “To-day Father went through the business of procuring our sugar for making homemade marmalade or jam! The fruiterer gives one a signed receipt for so many lbs of Seville oranges (no sugar is allowed for the sweet oranges) this has to be taken to the food control office where a [?] is made out for 1lb of sugar to each 16 of fruit. What a game.”
Other aspects of the diary are both troubling and revealing. In recent decades historians have been at pains to point out that the perception of British self-sacrifice and “stiff upper lip” during the war was only part of a much more complex and morally ambiguous reality, with elements of class, colonialism, and anti-Semitism often at the forefront of events. This is apparent almost immediately in the diary, when on September 3rd, 1939 True reports that, “Since 11 am we have been at war with Germany. All day there has been a flood of evacuees from London — hundreds & hundreds of women & children all housed at the Government’s expense & billeted on private homes here — almost as we were sitting down to lunch we had 2 women & 3 children thrust on us... All the evacuees seem to be Jewish. Why they should choose a small cathedral town to let them loose on beats me. In a very short time both women were grumbling so we tried to get them removed & fortunately were able to do so late in the day to Mrs. Mellow at Vineyard House... We are sorry for these women who have had to break up their homes but they forget our homes are broken up too. Life would have been unbearable had we had to live with that crowd — the women were passable but horribly cheap — the kind who jar horribly”.
Again, in September of the following year she reports that, “The town is again getting flooded with refugees – real refugees this time. People whose houses are in ruins or who have fled the unceasing crash of A.A. guns & explosions. There are some terrible looking Jews about, I would be glad if those people did not send such a feeling of loathing thro’ on. Why is it? I always feel I must hurry by because what I am feeling must be written on my face.”
True was a member of the Women’s Voluntary Services, working as an ambulance driver’s attendant and stationed at the local swimming pool. Many entries record her training sessions, experiences of nights on call, and interactions with other volunteers.
Early in the diary there are multiple reports about conflict over some volunteers being paid, a practice that True disdained, with strong undertones of classism. “…there is a rather [?] air amongst the many so called ‘voluntary’ helpers. I say ‘so called’ because so many of them are being paid... I was called to the Ambulance Station last Friday and stayed there from 7 to 10-20. For this I get nothing however many times I do it after my day’s work. The whole idea of payment is pernicious...”
Voluntary work could be physically difficult but emotionally rewarding. On May 11th, 1941 True describes a practice session. “Saturday I tried my hand at putting out a fire by a stirrup pump. As I was wearing my best slacks & not the usual dungarees, I did not feel too enthusiastic when Mr. Brown invited us to try. However, rolling up my slacks & wearing an old oilskin over my Ambulance coat I waded in. It was great fun really... All went well except for my helmet which fell off… Also we were taken — four at a time into a smoke-filled room — here we had to crawl round the room…I felt sure I was to be the one to cry out for the door to be opened but pride as usual came to the rescue and I crawled out with the others after the longest four or five minutes of my life.”
But there are also happier times. True frequently writes about the other women who were good companions during long days and nights, and the socialising they did. Most of these friend and colleagues are mentioned by name and depicted in the numerous photographs pasted-in to the diary (there are also several pages where True has had the other women sign their own names.) Some photos depict the volunteers doing practice exercises such as preparing equipment, cleaning an ambulance, carrying a comrade on a stretcher, and wearing gas masks and emergency oilskins “for mustard gas”. Other images are casual, and show women relaxing together, having tea, holding pets, and posing in front of official vehicles. True usually rode her bicycle to the station, and there are several photos labelled with variations of “Me & my bike”, including one in uniform. There are also images of True’s father — with the handlebar moustache of a different era — in his warden uniform. Additionally, newspaper clippings record the visit of the Marchioness of Reading to the station, as well as a test mobilisation of firefighters in downtown Peterborough (“that’s me talking to Mrs. Fowlis in the ambulance”).
By spring of 1940 the tension reflected in the diary has considerably ramped up, with the German threat coming ever closer to Peterborough. The diary covers the entire period of the Blitz and Battle for Britain, which began that summer, and reports on events throughout the country. On June 19th True describes the anxious wait for the large-scale air raids that the population knew was coming. “A whole week gone & no Battle for England – or rather Britain started yet. Our airmen have put in some marvellous work – this may be one factor. However many hours grace means a lot to us.” And by September she is reporting on the effects of the Blitz, which began on the 7th. Her entry for September 14th, 1940 reads, “London has suffered terribly – & not only London. The Docks have been the chief target but Buckingham Palace received its first & let’s hope last bomb the other night. There have been marvellous tales of courage…”
In early June True describes Peterborough’s first air raid.
Friday June 7th: “This morning about 1-15am? we had our first real air raid warning. It was hot & still and my window was wide open & I suddenly wakened to the fearful din of the air raid siren. I have often said when listening to the practices that we should never hear it but at 1-15 am on a still summer morning it sounded absolutely devilish. After the first paralysing second I leapt out of bed and tried feverishly to get into my battle dress which by great good fortune was handy. Of course the dungarees went on back to front & it seemed hours to me before I set off on my cycle to the ambulance station. At first I was so rattled I had to get off my bike but gradually I calmed down & rode as fast as the darkness would allow — arriving at last to find I was the first of the part timers to appear. I was given a hearty welcome and we then commenced our long wait until the ‘all clear’ went at 3-15. We looked a grim party of women — none of us looking our best, shining noses and hair entirely out of hand. Now and then we heard the uneven drone of the German planes but that thank goodness was all that happened.”
Saturday June 8th: “Last night we had our baptism by fire. To-day the town has a weary look after two practically sleepless nights. About 1-15 again — without any warning a German plane dropped what sounded like three or four bombs in Bridge St., Bishop’s Gardens & the swimming pool!... It is not just a bang - there is a sickening thud which shatters the nerves - At the first moment I felt sick & then began gathering my things in my arms to get downstairs… I must say I listened carefully and sought the sky before venturing forth... What I hate most is thinking of Father on his beat, right in the midst of things. He says that there are several good places to shelter but we are very worried. After another ghastly ride with my heart beating like a sledge hammer & my knees knocking I arrived for the second night in succession at the A.S.”
True seems to have returned to this diary much later in life, as there are a few annotations in a spidery ballpoint pen and some pieces of late-20th century ephemera inserted. On one loose wartime photo of a group of women she writes “How easily one forgets. My Party. This is what I remember of my Party.” The final contemporary entry is dated October 26th, 1941, and ends on the recto of the very last page in the diary. On the verso of that page True has obtained the signatures of a number of her colleagues, and below them, she has later written: “I wish I had got more names to help my memory now on April 12 1992 when the war is over…” This is followed by additional text that is difficult to read because it has been overlaid with white address label stickers, presumably because she or a relative wanted it to remain private.
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Peterborough, 1939-1941.
Quarto (230 x 175 mm). Ready-made journal, burgundy pebble-grain cloth backstrip, blue moiré boards, lined paper. Approximately 86 pages of manuscript text, plus loosely inserted manuscript leaves. Ephemera and documents both pasted in and loosely inserted. 65 photographs, primarily 85 x 60 mm with white borders, though a handful are slightly larger and without borders. Most of these are pasted-in, but a handful are loosely inserted. Early in the diary there are glue spots where 4 photos were once attached, and at least two of the loosely inserted prints also have glue on the back. 4 modern white label stickers pasted over some text on the final left, presumably to hide it. Significant wear to the spine and boards, contents shaken, occasional light spotting to contents which are clean and legible. Very good condition.
Turner, E. L. | Broadland Birds
£250.00
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First and only edition of this beautifully illustrated work by pioneering bird photographer Emma Louise Turner (1867-1940), which includes the first publication of her award-winning photo of a Great Crested Grebe on its nest. This copy from the library of prominent bird photographer Eric J. Hosking (1909-1991), demonstrating the strong influence that Turner had on later generations in her field. In the introduction to their 1947 book, Masterpieces of Bird Photography, Hosking and co-author Harold Lowes lamented that they were unable to include her image of a water rail because no prints or negatives could be located.
This copy from the library of prominent bird photographer Eric J. Hosking (1909-1991), with his owl bookplate and a blank sheet of his stationery loosely inserted, as well as a Christmas card signed “Cyril, 1934”. This was likely from Cyril Newberry, a Fellow of the Royal Photographic Society employed by the London Midlands & Scottish Railway Scientific Research Laboratory, and one of Hosking’s frequent co-authors.
Author E. L. Turner became interested in photography after meeting wildlife photographer Richard Kearton in 1900. She joined the Royal Photographic Society the following year, and by 1904 was giving talks illustrated with her own slides. Turner was particularly interested in birds and travelled throughout the UK and Europe to photograph them, but her main base was in the Norfolk Broads, where she lived for part of each year beginning as early as 1901. This was where, in 1911, she photographed a nestling bittern, proving that the species was breeding in Britain for the first time since 1886. Another highlight of her career was the award of the Royal Photographic Society’s Gold Medal for a photograph of a great crested grebe on its nest, published in Broadland Birds in 1924. In 1904 Turner was elected one of the first fifteen female members of the Linnean Society. In 1909 she became one of the first four honorary female members of the British Ornithologist’s Union, and she was the only woman involved in the 1933 appeal that led to the creation of the British Trust for Ornithology.
The owner of this copy, Eric Hosking, developed his loves for nature and photography at an early age and by 1937 he was first person in Britain to make their living solely in this field. Hosking was intrepid in his pursuit of wild birds. He designed his own hides and made a number of important technical advances, among them the use of the flash in nature photography. His most famous photo is the “technically perfect” shot of a barn owl carrying prey that he captured using an electronic flash in 1948 (Sage, “A Photographer in Hiding”, New Scientist, September 1979). He is widely credited with developing wildlife photography into a mature art form. Hosking was awarded the RSPB’s Gold Medal in 1974, and three years later received an OBE. -
London: Country Life, Ltd., 1924.
Quarto. Original green quarter cloth, green boards, titles to spine gilt and to upper board in white, marbled endpapers. Frontispiece and 25 double-sided plates from photos by the author. Spine very slightly toned, boards with mottled fading as usual for this book, spotting to the contents and edges of the text block.
Turner, E. L. | Every Garden a Bird Sanctuary
£75.00
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Second impression, published the year after the first. A rare guide to gardening and managing outdoor spaces for wild birds, by the pioneering bird photographer and conservationist Emma Louise Turner.
The prominent American ornithologist Margaret Morse Nice (1883-1974) reviewed this volume for Bird Banding magazine in July, 1936, writing that, “The title of this book is an inspiration in itself. In this sane, readable little volume, Miss Turner, well-known bird photographer and student of life-history of birds, gives excellent advice, not only for garden sanctuaries, but also for woodland and marsh sanctuaries. She points out the ruthless advance of present-day civilization against the few remnants of wild life”.
Turner (1867-1940) became interested in wildlife photography after meeting Richard Kearton in 1900. She joined the Royal Photographic Society the following year, and by 1904 was giving talks illustrated with her own slides. Turner was particularly interested in birds and travelled throughout the UK and in Europe to photograph them, but her main base of operations was in the Norfolk Broads, where she lived for part of each year beginning as early as 1901. This was where, in 1911, she photographed a nestling bittern, proving that the species was breeding in Britain for the first time since 1886. Another highlight of her career was the award of the Royal Photographic Society’s Gold Medal for a photograph of a great crested grebe on its nest, published in her book Broadland Birds in 1924. In 1904 Turner was elected one of the first fifteen female members of the Linnean Society, in 1909 she became one of the first four honorary female members of the British Ornithologist’s Union, and she was the only woman involved in the 1933 appeal that led to the creation of the British Trust for Ornithology.
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...With Plates and Drawings. London: H. F. & G. Witherby, Ltd., 1935.
Octavo. Original blue cloth, titles to spine in white. With the dust jacket. Frontispiece and 7 plates from photographs by the author. Plate II detached and loosely inserted. Spine rolled and partially faded, shallow dents affecting the upper board and spine, edges of the boards a little rubbed and faded, spotting to contents and edges of text block. A very good copy in the rubbed and nicked jacket with chips from the head and tail of the tanned spine panel and ink gift inscription to the upper panel.
Turner, E. L. | Every Garden a Bird Sanctuary
£75.00
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First edition, first impression. A rare guide to gardening and managing outdoor spaces for wild birds, by the pioneering wildlife photographer and conservationist Emma Louise Turner.
The prominent American ornithologist Margaret Morse Nice (1883-1974) reviewed this volume for the journal Bird Banding in July, 1936, writing that, “The title of this book is an inspiration in itself. In this sane, readable little volume, Miss Turner, well-known bird photographer and student of life-history of birds, gives excellent advice, not only for garden sanctuaries, but also for woodland and marsh sanctuaries. She points out the ruthless advance of present-day civilization against the few remnants of wild life”.
Emma Louise Turner (1867-1940) became interested in wildlife photography after meeting Richard Kearton in 1900. She joined the Royal Photographic Society the following year, and by 1904 was giving talks illustrated with her own slides. Turner was particularly interested in birds and travelled throughout the UK and in Europe to photograph them, but her main base of operations was in the Norfolk Broads, where she lived for part of each year beginning as early as 1901. This was where, in 1911, she photographed a nestling bittern, proving that the species was breeding in Britain for the first time since 1886. Another highlight of her career was the award of the Royal Photographic Society’s Gold Medal for a photograph of a great crested grebe on its nest, published in her book Broadland Birds in 1924. In 1904 Turner was elected one of the first fifteen female members of the Linnean Society, in 1909 she became one of the first four honorary female members of the British Ornithologist’s Union, and she was the only woman involved in the 1933 appeal that led to the creation of the British Trust for Ornithology.
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...With Plates and Drawings. London: H. F. & G. Witherby, Ltd., 1935.
Octavo. Original blue cloth, titles to spine in white. Frontispiece and 7 plates from photographs by the author. Ownership signature of E. H. Stevenson to the title. Spine tanned and rolled, some small marks and bumps to the cloth, text block shaken and with spotting on the edges, light offsetting to the title. Very good condition.
Turner, E. L. | My Swans the Wylly-Wyllys and Others
£100.00
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First edition, first impression of this charming memoir of a family of mute swans by the bird photographer and conservationist Emma Louise Turner (1867-1940). As Turner explains in the introduction, the swans lived near her houseboat at Hickling Broad and the name she gave them, the “Wylly-Wyllys”, “arose out of the swan cry, ‘Wulla, wulla, wulla,’ repeated very quickly by the fen men when calling the swans”. The text follows the birds through their breeding season and also discusses some of the other species of wild swans in the area, and it is illustrated with 26 of Turner’s own photographs. Copies with the dust jacket are particularly uncommon.
Turner became interested in photography after meeting wildlife photographer Richard Kearton in 1900. She joined the Royal Photographic Society the following year, and by 1904 was giving talks illustrated with her own slides. Turner was particularly interested in birds and travelled throughout the UK and in Europe to photograph them, but her main base of operations was in the Norfolk Broads, where she lived for part of each year beginning as early as 1901. This was where, in 1911, she photographed a nestling bittern, proving that the species was breeding in Britain for the first time since 1886. Another highlight of her career was the award of the Royal Photographic Society’s Gold Medal for a photograph of a great crested grebe on its nest, published in her book Broadland Birds in 1924. In 1904 Turner was elected one of the first fifteen female members of the Linnean Society, in 1909 she became one of the first four honorary female members of the British Ornithologist’s Union, and she was the only woman involved in the 1933 appeal that led to the creation of the British Trust for Ornithology.
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London: Arrowsmith, 1932.
Octavo. Original grey cloth, titles to spine and upper board blocked in green. With the dust jacket. Frontispiece and 15 plates from photographs by the author. Contemporary gift inscriptions to the front free endpaper. Dampstain and loss of size affecting the boards but not the contents, what may be a little light brown mildew on the lower board and corresponding area of the jacket verso. A good copy in the rubbed, spotted, and dulled jacket with a chip and closed tear to the upper panel, a small chip at the head of the spine panel affecting the name of the series but not the title, and some smaller nicks and creases.
Turner, E. L. | Togo, My Squirrel and His Lady-Friend Buda
£150.00
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First edition, first impression of this memoir of a red squirrel saved and reared by the author, the pioneering wildlife photographer and conservationist Emma Louise Turner (1867-1940). This volume was published in the Arrowsmith series The Library of Animal Friends, which also featured books by fellow photographers Frances Pitt and Cherry Kearton, and included another of Turner’s books, My Swans the Wylly-Wyllys. Uncommon in the dust jacket.
Turner became interested in wildlife photography after meeting Richard Kearton in 1900. She joined the Royal Photographic Society the following year, and by 1904 was giving talks illustrated with her own slides. Turner was particularly interested in birds and travelled throughout the UK and in Europe to photograph them, but her main base of operations was in the Norfolk Broads, where she lived for part of each year beginning as early as 1901. This was where, in 1911, she photographed a nestling bittern, proving that the species was breeding in Britain for the first time since 1886. Another highlight of her career was the award of the Royal Photographic Society’s Gold Medal for a photograph of a great crested grebe on its nest, published in her book Broadland Birds in 1924. In 1904 Turner was elected one of the first fifteen female members of the Linnean Society, in 1909 she became one of the first four honorary female members of the British Ornithologist’s Union, and she was the only woman involved in the 1933 appeal that led to the creation of the British Trust for Ornithology.
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....His Successor Tim, and Dinah and the Owls. With 25 Photographs. London: Arrowsmith, 1932.
Square octavo. Original red cloth, titles to spine and upper board in black. With the dust jacket. Frontispiece and 15 plates from photographs by the authors and others. Spine very slightly faded, cloth lightly rubbed at the extremities. A very good copy in the rubbed and dulled jacket with some creases, small chips, and short closed tears.
Van Hoosen, Bertha | Scopolamine-Morphine Anaesthesia
£250.00
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First edition of this important book on the use of “twilight sleep” anaesthesia during labour by the female surgeon who first advocated its use in the United States. Rare, with WorldCat listing only electronic copies, and only one copy appearing in auction records (Bonhams 2020).
Born into a Michigan farming family, Bertha van Hoosen (1863-1952) insisted on a medical education despite her parent’s active opposition, and put herself through school by working as a teacher, obstetrical nurse, and demonstrator in anatomy. After graduating she opened a private practice and also worked at the Woman’s Medical School of Northwestern University and as a professor of clinical gynaecology at the Illinois University Medical School. In 1918 Van Hoosen became the first woman to head a medical division at a coeducational university when she was appointed professor and head of obstetrics at Loyola. She was a founder and first president of the American Medical Women's Association, and advocated for women physicians to serve in the First World War.
“Throughout her career, Bertha van Hoosen’s major interest was in women’s health. She was an excellent general surgeon, but she was particularly concerned with women and children. She pioneered the use of scopolamine-morphine anaesthesia for childbirth. Although this method, known as twilight sleep, had become popular in Germany, it was not used in the United States. She produced a book and two articles on her research in this area” (Ogilvie, Biographical Dictionary of Women in Science p. 1320).
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...A Psychological Study of "Twilight Sleep" Made by the Giessen Method. Chicago: The House of Manz, 1915.
Octavo. Brown cloth library binding, titles to spine and upper board in black. Tipped-in photographic frontispiece and 8 plates from photographs. From the library of the Los Angeles Medical Association, with partially removed numbers at the tail of the spine, blind stamp to the title and page 49, pencilled library notes to the contents list, remnants of a bookplate to the front pastedown, and abraded spots on the rear pastedown where the the card pocket was removed. Cloth a little rubbed and marked with a small knock to the edge of the lower board and a scuff affecting the same board. Contents clean. A very good copy.
Vernon, M. D. | Visual Perception
Sold Out
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First edition, first impression. A lovely, fresh copy of this important work.
Magdalen Dorothea Vernon (1901-1999) studied psychology at Newnham College, Cambridge, then carried out experimental research with Professor Frederick Bartlett at the Cambridge Psychological Laboratory. “There she studied eye movements in proofreading and then moved into the broader area of visual perception. Vernon was internationally recognised for her experimental study of reading, published in 1931. After examining the flicker phenomenon in binocular fusion, she wrote a widely read book on visual perception toward the end of the decade [the present volume]. She also collaborated with Kenneth Clark on a study of dark adaptation. By 1946, Vernon was offered a lectureship at reading rising to the rank of reader and head of department. She trained an important group of psychologists at Reading and was noted for her good humour and her direct approach... Her last book, published when she was seventy, again examined reading difficulties” and in the same year she was made an honorary Fellow of the British Psychological Society.
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Cambridge: at the University Press, 1937.
Octavo. Original green cloth, titles to spine gilt. Diagrams within the text. Minor bump to lower corner. Excellent condition.
Waddington, G. & Monica Taylor | Principles of Biology
£75.00
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The rare first edition of this well-regarded introductory biology textbook co-authored by entomologist Monica Taylor (1877-?).
“Monica Taylor joined the Order of Notre Dame as a nun when she was twenty-three. She went on to study science at the University of London and the University of Glasgow and taught for almost forty years in the School of Education in Glasgow with occasional stints as a visiting lecturer in Belgium and the United States. She published a popular biology textbook with the distinguished biologist C. H. Waddington in the 1930s. In her later life she was recognized with a medal from the Royal Society of Edinburgh and served as vice-president of the Royal Society of Glasgow. the UNiversity of Glasgow awarded her an honorary degree in 1973. Taylor’s scientific research included an analysis of the development of the insect Symbrachus, a study of the chromosome complex of Culex pipens. She also studied amoeba and polypoidy and the connection to evolution, On the technical side, she developed laboratory growth materials for protozoa.” (Ogilvie, Biographical Dictionary of Women in Science, p. 1272.)
Though Ogilvie states that C. H. Wadington was the co-author of this volume, the title page gives the name as “G. Waddington”. G. was not one of the well-known Waddington’s initials, and he was never a professor at either Heythrop or Stonyhurst College as described of the author on the title page. The identity of G. Waddington remains unclear.
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London: John Murray, 1935.
Octavo. Original green cloth, titles to spine and upper board in black, double line border and publisher’s monogram to upper board in black. Single leaf publisher’s ads at rear. Diagrams and black and white illustrations from photos throughout. Pencilled ownership signature to the front free endpaper. Spine a little rolled, cloth rubbed with some wear at the extremities, particularly the head of the spine where the cloth has pulled back a little, some spotting and dulling of the cloth, slight musty smell when fanning the leaves but contents clean. A very good copy.
War Manpower Commission | Women in the War—We Can't Win Without Them
£1,750.00
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Due to this item's size and shape, extra shipping charges will apply. Please contact us for an estimate.
An original Second World War poster promoting women in the wartime workforce, produced in 1942 by the War Manpower Commission. At the time, “Women in the War” was one of the most widely distributed images of a woman labouring in war production, unlike the “We Can Do It” poster, which was produced only for Westinghouse plants during a few weeks in 1943 and did not become iconic until the 1980s.“Among the many agencies President Roosevelt had created during the war was the War Manpower Commission, formed in April 1942 to oversee war labor issues in the military, industrial, and civilian sectors. And in June 1942, the Office of War Information was formed to manage the flows of news and propaganda about the war to the public. By 1943, when the labor shortage was most acute, the two agencies worked together in concerted campaigns, targeting employers to hire women and women to become ‘production soldiers’” (Yellin, Our Mothers’ War, p. 44). Women labouring in factories, even in the service of the war effort, was controversial, with only 30 percent of husbands giving unqualified support to the idea of their wives performing such jobs. “Despite the tide of public opinion against working wives, War Manpower Commission director Paul McNutt had a strategy for quelling opposition: ‘The money appeal will continue strong,’ he said in 1943, but we’ll concentrate on patriotism’. Sure enough, all across the country, the public was bombarded with spirited print and radio ads, magazine articles, and posters with slogans like ‘Do the Job He Left Behind’ or ‘Women in the War—We Can’t Win Without Them’ depicting noble, pretty but serious, female war workers on the job... The campaigns glamorized war work, always showing that women could maintain their femininity and still be useful” (Yellin, pp. 45-46).
Examples of this important poster are held at numerous institutions, including the Library of Congress, Imperial War Museum, MOMA, and the Pritzker Military Museum. Copies in such beautiful, unused condition are uncommon in commerce.
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Washington D.C.: US Govt. Printing Office, 1942.
Colour poster (28 x 40 in). Professionally mounted, framed and glazed using archival materials. Original creases from folding, else bright and fresh. Excellent condition. Professionally mounted, glazed and framed using archival materials.
Weeks, Mary Elvira | The Discovery of the Elements I-XVII
£250.00
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A rare and unusual set of the first seventeen parts of the classic The Discovery of the Elements, published as twenty-one articles in the Journal of Chemical Education in 1932 and 33 before it was republished in book form. Here collected and bound together in a contemporary, ready-made cloth binder with manuscript label.
Author Mary Elvira Weeks (1892 - ?) was a physical and analytical chemist at the University of Kansas. “She worked on the atmospheric oxidation of solutions of sodium sulfite in ultraviolet light, the role of hydrogen ion concentration in the precipitation of calcium and magnesium carbonates and the use of oxidation-reduction indicators in the determination of iron. She was also interested in the history of chemistry, particularly in the discovery of the elements” (Ogilvie, Biographical Dictionary of Women in Science, p. 1358).
Weeks “combined her dual interest in chemistry and languages to prepare a series of 21 articles in the Journal of Chemical Education in 1932-1933. The popularity of the series encouraged the Chemical Education Publishing Company of Easton, Pennsylvania, to collect the series and publish it as a paperbound book, Discovery of the Elements (1934). The articles and the resulting books were lavishly illustrated with pictures from [her colleague Frank B.] Dains’ collection, subsequently supplemented by pictures collected by Weeks. The book ultimately went though seven editions; the last in 1968 with the co-authorship of Henry M. Leicester. The book was, in many respects, a history of chemistry developed around the theme of discovering elements” (American Chemical Society, Division of the History of Chemistry biography).
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...[from] the Journal of Chemical Education volume 9, number 1 - volume 9, number 12. Journal of Chemical Education, 1932-33.
17 articles removed from the Journal of Chemical Education and bound together in green cloth ready-made binder by Baschaga. Paper label to the upper board with manuscript title in an early-twentieth century hand. Black and white illustrations throughout the texts. Endpapers a little toned, binder lightly rubbed at the extremities. Excellent condition.
Wick, Frances G. & Louise S. McDowell | “A Preliminary Study of the Luminescence of the Uranyl Salts under Cathode Ray Excitation"
£150.00
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First edition, the journal issue in original wrappers, of a significant paper by two early professional female chemists.
Frances Wick (1875-1941) became interested in physics after teaching a high school course in the subject. In 1904 she enrolled at Cornell where her mentors, Edward L. Nichols and Ernest Merrit, were supportive of women students and introduced her to what would become her primary interest, the study of luminescence. After graduating she taught in women’s colleges, did research at General Electric, Harvard, Cornell, Cambridge, Berlin, and Vienna, and worked on gun sights and radio during the First World War.
Wick “took part in comprehensive studies of the fluorescence of uranium compounds coordinated by Nicholas and funded by the Carnegie Institution. During the remainder of her career, Wick investigated the luminescence produced by various agents, such as cathode, X, and radium rays; heat; and friction; as well as the effects of previous exposure to radiation on thermoluminescence… Wick was known as an inspiring, enthusiastic teacher who loved her research. She was well respected for her extensive experimental research on luminescence” and “was a Fellow of the American Physical Society, the Optical Society of America, and the American Association for the Advancement of Science”, as well as a member of numerous other research and teaching associations (Ogilvie, Biographical Dictionary of Women in Science, p. 1375).
Wicks’ co-author, Louise McDowell (1876-1966) also attended Cornell as a chemistry student, and the two became good friends. Her dissertation on the electrical properties of selenium “was one of the early studies of semiconductors. She investigated crystal detectors for the Signal Corps during World War I. Her determination of power loss in dielectrics provided much useful information on properties of different insulators, especially glass” (Ogilvie, p. 866). With Wick she studied luminescence and during the Second World War she worked on radar at Harvard for the U.S. office of Scientific Research and Development. Like Wick, she was also a respected and devoted teacher and member of numerous professional societies.
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...[in] The Physical Review, volume XI, number 6. Lancaster, PA & Ithaca, NY: The American Physical Society, June 1918.
Octavo. Original green wrappers printed in black. 1 plate, 3 leaves of ads at rear. Spine and edges of wrappers tanned, wear along the spine with a closed tear in the upper wrapper near the tail and loss from the head of the spine. Very good condition.
Williams, Paige | The Dinosaur Artist
£175.00
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First edition, first printing. Inscribed by the author on the title, “Paige Williams, Tucson Book festival, March 2, 2019”.
This best-selling true-crime tale centers on the remarkable 2013 legal case The United States of America v. One Tyrannosaurus Bataar Skeleton, in which the court decided the fate of a skeleton smuggled to the US from Mongolia by fossil dealer Eric Prokopi. Author Paige Williams, of the New Yorker, explores important questions that have surrounded the practice of palaeontology since its earliest days — who gets credit for, and benefits from, fossil discoveries, and is it ever ethical to sell fossils on the open market? An important contribution to the public’s understanding of the history and ethics of fossil hunting.
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...The Dinosaur Artist. Obsession, Betrayal and the Quest for Earth's Ultimate Trophy. New York: Hachette, 2018.
Octavo. Original white boards, titles to spine in copper. With the dust jacket. Corners very slightly bumped. An excellent copy in the fresh jacket with a little rubbing at the tips.
Wootton, Barbara | In a World I Never Made
£150.00
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Second impression. Presentation copy inscribed by the author on the front free endpaper, “Ted Willis, with love, B. W., December 1976” and additionally signed by the author on the title.
Wootton (1897-1988) was a prominent, left-leaning London University sociologist and economist who, in addition to her respected academic work, “served on four royal commissions and innumerable committees, was a governor of the BBC, and was a magistrate for forty years” (Ogilvie, Biographical Dictionary of Women in Science, p. 1400). “One of her most important academic works was published in 1959 and resulted from five years of research. In this work she reversed commonly accepted ideas about the criminal personality, juvenile delinquency, inherited behaviour trends, and problems of illegitimacy” (Ogilvie, p. 1400).
While the identify of the recipient is not known for sure, it may have been Baron Willis (1914-1992), the playwright, screenwriter, and active supporter of the Labour Party who was made a life peer just a few years after Wootton.
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...Autobiographical Reflections. London: George Allen & Unwin Ltd, 1967.
Octavo. Original green cloth, titles to spine gilt on black ground, With the dust jacket. Small black mark to the cloth of the upper board, a few light spots to the edges of the text block. A very good copy in the rubbed, creased, and price-clipped jacket with a few small spots on the lower panel and an over-price sticker on the front flap.
Wright, F. E, F. H., and Helen | The Lunar Surface: Introduction
£450.00
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A rare offprint of a book chapter by the geologist and optical scientist who was considered the foremost authority on the Moon. This copy is inscribed for presentation by his daughter and co-author, science historian Helen Wright, and it comes from the library of Allan R. Sandage, the astronomer who determined the first reasonably accurate values for the Hubble Constant and the age of the universe and was considered “the greatest and most influential observational astronomer of the last half-century” (NY Times obituary, November 17, 2010). Worldcat locates only two other copies of this offprint, at the Huntington and the US Naval Observatory.
Frederick Eugene Wright (1877-1953) spent much of his career at the Carnegie Institute, where he led the Moon Project at the Mount Wilson observatory and “specialized in mineralogy, crystallography and petrology. He developed various optical instruments, chiefly for petrology, and also wrote on the manufacture of optical glass... Wright took a special interest in studying the Moon. He charted all aspects of the orb from its chemical and mineralogical content to the characteristics of its craters and seas and its temperatures. So extensive and detailed was his work that the Moon’s Wright Crater is named after him and two other astronomers” (Optical Society of America biography).
Wright’s daughter Helen began her career as an assistant at Mount Wilson, researching the history of telescopes, and she also worked at the Vassar and U. S. Naval Observatories. Among her publications were biographies of astronomers George Ellery Hale and Maria Mitchell. She has inscribed this copy “Speaking of the Moon! All the best, Helen Wright”. We strongly suspect that it was inscribed for Allan Sandage’s wife, the astronomer Mary Connelly, who had studied at Indiana University and Radcliffe, and was teaching at Mount Holyoke when they met and married.
Allan R. Sandage (1926-2010) completed his physics degree at the University of Illinois in 1948, then became a graduate student at Caltech, where he “learned the nuts and bolts of observing with big telescopes [at the Mount Wilson Observatory] from the founders of modern cosmology, Hubble; Walter Baade, who became his thesis adviser, and Milton Humason, a former mule driver who had become Hubble’s right-hand man” (NY Times). “For his doctoral thesis he studied the stars in the globular cluster Messier 3 and the RR Lyrae variable stars it contains. Refinements in the accuracy of the distances to variable stars became a recurring theme of his work, as these were the first step in determining the ladder of distances through which the true scale of the universe was measured” (Guardian obituary, December 9, 2010).
Sandage’s first major contribution was the 1961 paper, “The Ability of the 200-inch Telescope to Discriminate Between Selected World Models”, which “may well have been ‘the most influential paper ever written in any field even close to cosmology’... It was to set the direction of observational cosmology for 40 years, ruling out the Steady State and the Big Crunch and culminating in the surprise discovery in 1998 that the expansion is not slowing down at all but speeding up” (NY Times). Next, by investigating the motion of old stars in the Milky Way, he and two co-authors showed in 1962 “that that the Milky Way formed from the collapse of a primordial gas cloud probably some 10 billion years ago. That paper still forms the basis of science’s understanding of where the galaxy came from” (NY Times). He continually revised the estimate of Hubble’s constant, the speed at which the universe is expanding. “By 1975 the value, they said, was all the way down to 50, corresponding to an age of as much as 20 billion years, comfortably larger than the ages of galaxies and globular clusters. This allowed them to conclude that the universe was not slowing down enough for gravity to reverse the expansion into a Big Crunch. That was in happy agreement with astronomers who had found that there was not enough matter in the universe to generate the necessary gravity” (NY Times).
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...Reprinted from Middlehurst and Kuiper: The Moon, Meteorites, and Comets (The Solar System, Vol. IV). Chicago: The University of Chicago Press, 1963.
56-page pamphlet, wire-stitched. Original buff wrappers printed in black. 3 double-sided plates, illustrations and charts within the text. Wrappers a little creased and toned, with some small marks and scratches, minor crease affecting the lower corner of the contents. Very good condition
Wulf, Andrea | (Uncorrected Proof Copy) The Invention of Nature
£50.00
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Uncorrected proof copy of the best-seller that reintroduced naturalist Alexander von Humboldt to the English-speaking world and explored his contributions to the ideas of figures such as Thoreau, Darwin, and Muir. The Invention of Nature was awarded the Royal Society’s Insight Investment Science Book Prize in 2016. This uncorrected proof is marked “not for sale or quotation” and contains blank pages in place of the index.
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...The Adventures of Alexander Humboldt, the Lost Hero of Science. London: John Murray, 2015. Perfect bound. Original wrappers printed in colour. Wrappers a little rubbed, a few light marks to the lower cover. Very good condition.
[Blanchard] Cobb, Frieda | A Case of Mendelian Inheritance Complicated by Heterogametism
£100.00
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The uncommon offprint of the dissertation of geneticist and scientific administrator Frieda Blanchard, née Cobb (1889-1977), the first scientist to demonstrate Mendelian inheritance in a reptile.
Cobb’s father, Nathan Augustus Cobb, was a pioneering plant pathologist who involved his daughters in his work, particularly in their home laboratory. “Frieda developed an enthusiasm for science and a love for plants and animals. In Hawaii, where her father studied the diseases of sugar cane, Frieda worked in the laboratory he organised” (Ogilvie p. 141). She attended Radcliffe College and completed her bachelor’s at the University of Illinois in 1916.
“In the fall of 1916, after a summer helping her father with nematode research at Woods Hole, Massachusetts, Frieda Cobb moved to Ann Arbor, Michigan, at the request of Harley Harris Bartlett, director of the University of Michigan Botanical Gardens, and a pioneer in plant genetics. There she became not only his graduate student but also, in 1919, the assistant director of the gardens. Together, Bartlett and Cobb developed the gardens as a major center for Oenothera (evening primrose) research as they tried to solve some of the puzzles in the newly developing science of genetics. Cobb earned her doctorate in 1920 with a study of Mendelian inheritance in certain strains of Oenothera. Because Bartlett was often away from Ann Arbour, Cobb became the active administrator of the gardens, maintaining facilities for scientific research and an atmosphere conducive to such research. That arrangement continued until the 1950s when both retired” (Ogilvie, p. 141).
Cobb married the herpetologist Frank N. Blanchard in 1922, and they worked together on the garter snake, with Frieda concentrating on genetics. “Their work, carried on over many years, provided the first demonstration of Mendelian inheritance in a reptile” and when Frank died in 1937, Frieda “continued their work as well as her other research and raised their three children” (Ogilvie. p. 141).
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...and Mutation in Oenothera Pratincola. A dissertation submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy at the University of Michigan. [Offprint from] Genetics Vol. 6, No. 1, January 1921. Genetics, 1921.
44 page offprint. Original grey wrappers printed in black, hidden staples. Contemporary pencilled note to the upper wrapper. Ink stamp of the University of Bonn on the verso of the title. Wrappers very lightly rubbed and toned, with small discoloured spots from the staples. Excellent condition.
[Embrace the Base] Greenham Common Women's Peace Camp Invite Women to Take Part in an International Action
£1,750.00
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A rare poster advertising Embrace the Base, one of the key mass actions at the Greenham Common Women’s Peace Camp. We have been able to locate only two copies in institutional collections, at the LSE Women’s Library and the Glasgow Women’s Library.
The Greenham Common protest was established in September of 1981 by the Welsh group Women for Life on Earth, who were opposed to the deployment of nuclear tipped cruise missiles at the site. What was initially planned as a single march became a permanent protest camp, one of the most significant and longest lasting women’s protests of the 20th century. In February 1982, for political reasons, the camp was made women only, and the following month they engaged in their first blockade of the base. Embrace the Base was their next major action. Taking place on December 12th & 13th, 1982, it saw 30,000 women from across from across the UK—drawn by chain letter, word of mouth, and posters such as this one—join hands to surround the nine mile perimeter fence. This copy of the poster seems to have been used in Birmingham, and includes instructions for obtaining coach tickets at the “Peace Centre (opp New Street Station)”, as well as local activist contact details, in marker pen.
As well as being an early and rare example of Greenham Common ephemera, this poster is particularly interesting in that is features a spider web, “a frequently reoccurring symbol in Greenham women’s cultural imaginary” because of its mythological and symbolic associations. “The metaphor of ‘building a web’ and being connected to each other in a ‘web-like structure’ populated Greenham women’s speech and writing. Alison Young describes Greenham women’s reclamation of the spider as revolving primarily around the notion of the spider’s web. She writes that the web ‘shows connections between women or between ideas; it can be begun at any point or at any time; each single strand is weak and fragile, yet when interwoven it is strong, beautiful and efficient’ (1990, 38). In line with Young’s reading, Roseneil writes that, ‘the web was a symbol of women's collective power, seemingly fragile, but actually very strong’” (1999, 179, ft39)” (Feigenbaum, Tactics and Technology: Cultural Resistance at the Greenham Women’s Peace Camp, PhD thesis, McGill University, April 2008).
The Greenham Common camp had no hierarchy, and its nature was defined by the thousands of individual women who visited when they could or lived permanently onsite for years. The activists engaged in non-violent resistance by disrupting movement in and out of the gates, cutting down portions of the fence, and trespassing on military property, and they endured frequent police raids, arrests, and evictions. A large number of the protesters were middle aged and older; they considered themselves ordinary mothers and working women, and made a point of the fact were opposed to nuclear weapons for deeply personal reasons. Their gender was crucial to their message: “a woman’s place was not in the home, but at a protest. Women could use their identity as carers and mothers to say, this is about the future safety of our children. We weaponised traditional notions of femininity” (Suzanne Moore, “How the Greenham Common Protest Changed Lives, The Guardian, March 20th, 2017).
“Greenham was powerful. It taught my generation about collective action, about protest as spectacle, a way of life, incredibly hard but sometimes joyous. Still the image of resistance for me is not the famous photograph of a striking miner confronting a policeman at Orgreave, it is the picture of Greenham women dancing in 1982: witchy, unarmed women dancing on a missile silo. This magical, powerful image shows how the peace camp both played on traditional images of the feminine and then subverted them. Greenham created an alternative world of unstoppable women. It changed lives.” (Moore, 2017).
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...to Stop the Siting of Cruise Missiles Anywhere in Europe. December 12th & 13th. Embrace the Base on Sunday. Close the Base on Monday.
[England, [1982].
Mechanically printed poster (420mm x 580mm). Professionally mounted, framed and glazed using archival materials. White text and illustration of a missile caught in a spider’s web superimposed over a grey and red photograph of the mushroom cloud over Nagasaki. Marker pen notes at the bottom of the poster give contact details and instructions for travelling to the camp by bus from Birmingham. Vertical and horizontal creases from folding, a little light rubbing. Very good condition.
[Vyssotsky] Williams, Emma T. R., et al. | The Fundamental Properties of the Galactic System.
£450.00
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First edition, first printing of this collection of eight papers from the New York Academy of Science’s conference on the Fundamental Properties of the Galactic System, held in New York on May 2nd and 3rd, 1941. One of the papers, “Mean Parallaxes from Peculiar Motions”, is by the prominent female astronomer Emma Vyssotsky (née Williams).
This copy from the library of Allan R. Sandage, the most important astronomy and cosmologist of his generation, who determined the first reasonably accurate values for the Hubble Constant and the age of the universe. With the ownership initials of his wife, the astronomer Mary Connelly, who had studied at Indiana University and Racliffe, and was teaching at Mount Holyoke when they met (New York Times obituary, November 17, 2010).
Vyssotsky (1894-1975) studied mathematics and astronomy as an undergraduate at Swarthmore, then researched A-type (young, energetic) stars from the Harvard Observatory for her Radcliffe Phd. While she was a postgraduate researcher at the University of Virginia’s McCormick Observatory she met and married fellow astronomy Alexander N. Vyssotsky. “She remained for the rest of her career at the University of Virginia, first as a research fellow and instructor in astronomy, and then, at age fifty, began to work with her husband on a book on stellar motions, published four years later” (Ogilvie, Biographical Dictionary of Women in Science p. 1333).
Vyssotsky and her husband studied “stellar parallaxes by applying trigonometric functions to observations made on multiple photographic exposures. They discovered many of these parallaxes by attaching a special objective prism to the observatory's astrograph. Their research led to accurate calculations of stellar motions and the determination of the structure of galaxies” (Oakes, Encyclopedia of World Scientists). In 1946 Vyssotsky was awarded the American Astronomical Society’s Annie Jump Canon Award in Astronomy in recognition of her contributions to the field of stellar spectra.
This volume also contains papers by Peter van de Kamp, Dirk Brouwer, W. J. Luyten, Jan Schilt, and Frederick Seares, among others. It was edited by astronomer Bart J. Bok, who met Sandage when he was an undergraduate and was influential in the direction his career took.
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...Annals of the New York Academy of Sciences Volume XLII, Art 2. Pages 113-272. New York: by the Academy, October 15, 1941.
Octavo. Original tan wrappers printed in black. Charts and graphs within the text. Ownership initials in black ink to the upper wrapper. Some loss from the ends of the spine, wrappers rubbed and toned with few small marks and some mild creasing. Very good condition.